'Supernatural' was great because my character changed so much from beginning to end, always keeping me on my toes.

The story of 'Lalpan Bibi' impressed me and my character also. It has all the ingredients of a great commercial masala movie.

TNA has been great as far as allowing me to have more input creatively on my character and the direction of my character and promos.

What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.

I haven't done great things for Spain - I can't lie - but when I play well, they should say so. They criticise me for my character, but I also have quality.

I'm a great believer in the character of a club. To me, character has a lot to do with how you compete. That creates urgency and toughness. That elevates the talent that you have.

To me, great writing - and when you can really make something wonderful out of it as an actor - is when your character has a sense of self-awareness. It doesn't necessarily have to arc. It doesn't have to grow.

The most rewarding thing for me is people coming up and thanking me for being a great character guy for their kids; for being a class act off the field. That is the kind of person I want to be. It's very fulfilling.

The great thing for me is how Hitchcock uses guilt so well. He implicates the spectator in the character's field, and you really feel it, and there's incredible relief when it comes out right - if it does come out right.

The camera lens or the television camera is still just a proscenium arch. And as a great old character actor once said to me, wherever you're acting, you reach up and take hold of the proscenium arch, and you pull it down around your shoulders.

I'm a huge fan, and I didn't grow up with it, I didn't grow up reading 'X-Men' comics. I became a huge fan; I had somebody in my company who gave me the biographies of all the characters. I read Logan's first and was like, 'What a great, tragic character.' I just loved him.

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