How do you observe something you can't see? This is the basic question of somebody who's interested in finding and studying black holes. Because black holes are objects whose pull of gravity is so intense that nothing can escape it, not even light, so you can't see it directly.

Gravity may put the planets into motion, but without the divine Power, it could never put them into such a circulating motion as they have about the Sun; and therefore, for this as well as other reasons, I am compelled to ascribe the frame of this System to an intelligent Agent.

The whole idea of gravity curling up space, that is the epitome of what is going on in a black hole. I would've loved to have seen Einstein's face if he were presented with the data that we actually discovered such a thing, because he himself probably didn't believe in much of it.

Non-fiction is a big responsibility. Rationality. Facts. The urgent need to reflect some small aspect of reality. But fiction is a private autism, a self-referential world in which the writer is omnipotent. Gravity, taxes, and death are mere options, subject to the writer's fancy.

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.

Ocean planets might be very common in the universe because water is very common in the low-temperature environments where planets form and evolve. This might be especially true for super-Earths, which can retain volatiles more easily thanks to their larger mass and surface gravity.

People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.

What the string theorists do is arguably physics. It deals with the physical world. They're attempting to make a consistent theory that explains the interactions we see among particles and gravity as well. That's certainly physics, but it's a kind of physics that is not yet testable.

My gravity is always towards original material but 'Gerald's Game,' I read it when I was nineteen years old, I got to the end and had gooseflesh up and down my arms and the back of my neck, I put it down and said 'That's one of my favourite Stephen King novels... it's also unfilmable.'

Conservatives complain that the Supreme Court is too liberal. Liberals complain that it's too conservative. Both charges are inaccurate: in reality the Court is a careful political actor that arguably represents the center of gravity of American politics better than most politicians do.

Driving a motorcycle is like flying. All your senses are alive. When I ride through Beverly Hills in the early morning, and all the sprinklers have turned off, the scents that wash over me are just heavenly. Being House is like flying, too. You're free of the gravity of what people think.

To be honest, relationships with the opposite sex are the most challenging things I've done. You lose your compass, gravity changes, you don't know what's up or down, you're trying to figure it out. You're trying to make everybody happy, including yourself, and it's just... it's humbled me.

When I did my first film, I was in college; I did it as a senior thesis. The original version was 60 minutes. But I developed it and made it almost 90 minutes. In 2007, it premiered in Venice, and I stopped in London to develop a script with my dad that fell apart, and we started 'Gravity.'

Designing a station with artificial gravity would undoubtedly be a daunting task. Space agencies would have to re-examine many reliable technologies under the light of the new forces these tools would have to endure. Space flight would have to take several steps back before moving forward again.

The president is under 50 percent approval ratings in all the battleground states. So, you could say that President Obama is defying gravity by still being in a dead heat with Mitt Romney. And one of the reasons that he is, is because the changing face of the electorate are giving him a small boost.

You'd think skiing wouldn't be strenuous - all you have to do, after all, is start at the top and let gravity pull you to the dessert bar in the lodge. But at those elevations, you'll find about as much oxygen as you'll find kindness from your children. It's like spending six hours holding your breath.

I'm a fan of supersymmetry, largely because it seems to be the only route by which gravity can be brought into the scheme. It's probably not even enough, but it's a way forward to get gravity involved. If you have supersymmetry, then there are more of these particles. That would be my favourite outcome.

My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.

One of the most exciting things about dark energy is that it seems to live at the very nexus of two of our most successful theories of physics: quantum mechanics, which explains the physics of the small, and Einstein's Theory of General Relativity, which explains the physics of the large, including gravity.

We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.

The same law takes place in a system, consisting of many bodies, as in one single body, with regard to their persevering in their state of motion or of rest. For the progressive motion, whether of one single body or of a whole system of bodies, is always to be estimated from the motion of the center of gravity.

The forties are the time when you begin to take notice of certain aches and pains. Your body and brain behave in inexplicable ways: Less hair on your head, more in your ears and nostrils. More memories in the bank, less synaptic firepower with which to access them. Gravity has started to show its inexorable pull.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesn't obey the laws of physics, make sure that it has a fantasy explanation.

Einstein wrestled with a problem back before we even knew the universe was expanding, and he was looking for a way to keep the universe from collapsing. And so he discovered, in his theory of gravity, something like this dark energy - he called it a cosmological constant - could play this role, pushing things away.

When I was 26, 27 years old I was running a kitchen in New York, and I was a raving lunatic. The older you get, you figure out you don't need to do that. You realize at a certain point, there's a certain gravity to what you say and what you do. If that's not enough, all the yelling in the world is not going to matter.

Just as the system of the sun, planets and comets is put in motion by the forces of gravity, and its parts persist in their motions, so the smaller systems of bodies also seem to be set in motion by other forces and their particles to be variously moved in relation to each other and, especially, by the electric force.

The single best thing about Mars is the reduced gravity. It's 38 percent of Earth's gravity - about one third. Almost never have you seen that portrayed in film or television. Mars is just portrayed as a place that's got reddish sand but is otherwise pretty much identical to the Mojave Desert, and that's not the case.

Curiously, a principle affects your life whether you are aware of it or not. For instance, the principle of gravity was working long before the apple ever fell on Newton's head. But once it did, and he understood it, then we as a society were free to harness this principle to create, among other things, airline flight.

Everybody goes up and does something in the private sector that they feel that they can do, and obviously I'm a musician and feel that one of my experiments - because I think there are many that you can do and that you're helped with the ideas of what you could do - yes, would be to see how I would sing in zero gravity.

I haven't been in the film world long enough to really understand the gravity of 'Big Hero's' success. I'm just happy that it is translating well internationally and that the story and the characters are loved by audiences around the world, and everything that's come after that has been secondary to the initial response.

Scientists say, 'There is no such thing as time; gravity is a dust from another universe, and outside our own universe are many, many universes in all directions.' They speculate that attached to these universes are probably 6,000 planets identical to Earth. So are there things living out there? Animals, people, anything?

You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us.

My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.

Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.

Life in zero gravity is hard to simulate. We practice on the ground what we call 'the day in the life' simulations, but it's just practicing some of the tests. It can't prepare you for the fact that all of your tools float if you don't pay attention to where they are! If you don't Velcro things down, they're gonna float away.

With Michael Jackson, when he moved, it looked like a martial artist to me. He was quicker than other dancers, but he didn't have muscles; he was just quicker and looked more in control of gravity. He looked like a martial arts master, so I tried to steal body movement from him; that's why I imitate Michael Jackson a little bit.

In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.

When you lift off, the pressure is supposed to be maximum. But actually, it was very benign. Very enjoyable. But as soon as the engines cut off and you get to zero gravity, you felt as if you were being pushed off your seat. You feel disoriented. You don't feel aligned with anything. I felt for a few good hours that I was falling.

In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.

We really just didn't realize the diversity of planetary types in our solar system. Pluto looked like a misfit because it was the only one we saw. And just as a Chihuahua is still a dog, these ice dwarfs are still planetary bodies. They're large enough to make themselves round by self gravity, and they surely pass the test of planethood.

I'm trying to get a lower center of gravity. I think, when I play at a lower level, it helps my overall game, just my explosiveness to the rim with the ball in my hands. When I play with a lower center of gravity, my legs are always in my shot instead of playing vertical out there where I don't get the same explosion or legs into my shot.

More than often, what you see, or what we've been able to recreate, has usually been a tampered-with version of what I have in my head, because the original idea has always been bigger. Every time I am in the mode of creating a show, there's always some level of gravity that comes in play, either of a monetary sort, or there's a space issue.

Men, women, and children who cannot live on gravity alone need something to satisfy their gayer, lighter moods and hours, and he who ministers to this want is, in my opinion, in a business established by the Creator of our nature. If he worthily fulfills his mission and amuses without corrupting, he need never feel that he has lived in vain.

We can summarize electricity, magnetism and gravity into equations one inch long, and that's the power of field theory. And so I said to myself: I will create a field theory of strings. And when I did it one day, it was incredible, realizing that on a sheet of paper I can write down an equation which summarized almost all physical knowledge.

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