Someday, when the ultimate laws of physics are in our grasp, we may discover that the notion of time isn't actually essential. Time might instead emerge to play an important role in the macroscopic world of our experience, even if it is nowhere to be found in the final Theory of Everything.

Reading was my hobby, my sport and my activity of choice. It was the prime pleasure of my days, an unfailing escape from whatever realities were distressing me, and the only source of pride I knew, other vanities lying beyond my grasp. I couldn't do anything else well, but I could do words.

The fact that I live in New York, a city that thrives on accessibility, might explain why I was slow to grasp the appeal of Alexa. Here we have bodegas on every corner, most open 24 hours, in case you need to pick up a roll of toilet paper or a bottle of hot sauce in the middle of the night.

When you've done something for more than a third of your life, your whole adult life, and then all of a sudden you're going to have to switch off and say, 'No more,' you want to grasp as much of it and enjoy the last few years of it as much as you can. Because you can't get those years back.

People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.

I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.

We've got to move more and eat less - it's as simple as that. But I don't want women to grasp any unrealistic ideals. Can you imagine if we all looked like Victoria's Secret models? They'd be out of a job for a start. But seriously, just because you're slimmer doesn't mean your troubles go away.

At some point, I picked up an old library copy of 'To The Lighthouse' someone had bought for 25 cents. I began to read and didn't stop until the sun had blistered my back. A mysterious rightness, a beautiful submerged truth had invaded me, one that has ever since seemed slightly beyond my grasp.

To become a villain, you had to have become disillusioned, and in order to become disillusioned you had to have been passionate about something you believed in that was shaken and ripped from your grasp as a protagonist in that stage of your life, leaving you disillusioned with God, if you will.

Achieving net zero carbon emissions by 2050, identifying treatments to diseases like cancer, and harnessing the power of robotics and artificial intelligence to support everyday tasks are all within our grasp. The first country that gives birth to these discoveries will change life as we know it.

I typically don't get into predicting the success of my projects. I've been involved with a lot of projects that I thought should have really gained notoriety and furthered my career, only to be met with the cold grasp of disappointment. So I typically stay away from predicting how a film will do.

The danger of leaving overwhelming wealth and power in the grasp of a small minority is a lesson that leaders such as ousted Tunisian president Zine el-Abidine Ben Ali and deposed Egyptian president Hosni Mubarak have learned a little too late, as the demonstrations across the Arab world indicate.

Without the name, any flower is still more or less a stranger to you. The name betrays its family, its relationship to other flowers, and gives the mind something tangible to grasp. It is very difficult for persons who have had no special training to learn the names of the flowers from the botany.

Valuations are actually quite simple to grasp. A company is only worth what two acquirers are willing to pay for it. Don't you just need to find that one buyer? If there is only one potential company interested in buying your startup, chances are you won't be hearing the word 'billion' in the offer.

Sitting front row with my little brother, my older brother, and my dad's wife at the time - seeing 80,000 people at the Citrus Bowl emotionally pouring their hearts out watching my dad retire - I didn't even grasp what he meant to the industry. I didn't even fully grasp it until I started wrestling myself.

Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.

PBS was just such an awesome resource for a child's early development. And now I realize Mister Rogers is also an awesome resource for an adult's development because his philosophies are just timeless and are so relevant and are so important and are so simple and just something we can all grasp onto easily.

When we launched a new company, I reviewed the ads and marketing materials and asked those presenting the campaign to read everything aloud to test the phrasing and concept. If I could grasp it quickly, then it passed with muster. We would get our message across only if it was understandable at first glance.

My family moved to Saudi Arabia from Glasgow when I was 15. Being a 15-year-old girl anywhere is difficult - all those hormones and everything - but being a 15-year-old girl in Saudi Arabia... it was like someone had turned the light off in my head. I could not get a grasp on why women were treated like this.

It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.

I was born into a Christian family and brought up in a Lutheran church. My faith has been the center point of my life, really, since I was a child, but at 16 years of age, I fully surrendered my life over to Christ. At that point, as a teenager, I began to grasp the concept of Christ's true love and forgiveness.

If you see a wonderful archaic Greek marble object in a museum, it's not only that it's beautiful, but what comes to your mind is the fact that it's 2,600 or so years old, and it was done by a human being at that time who you have such a limited ability to grasp - and yet you have this enormous ability to grasp.

Let's start with the euro. What on earth were we thinking? How could anyone with the faintest grasp of economics have believed it was anything other than sheer insanity to yoke together diverse national economies such as Greece, Ireland, Germany and Finland under a single exchange rate and a single interest rate?

Many people must have noticed the intense attention given by children to the conversation of grown-ups when they cannot possibly be understanding a word of what they hear. They are trying to get hold of words, and they often demonstrate this fact by repeating joyously some word which they have been able to grasp.

Most of what happens in the world is far beyond a dog's comprehension, so they must turn to their faith in us to help them navigate life's treacheries. Don't we, also, have unanswerable questions about the vagaries of modern existence for which the answer is beyond human grasp, so that only our faith can guide us?

I think most people think of ballerinas as kind of either as a fairytale, far-away thing that's really not attainable, something they can't grasp, or they think of them as European or Russian and kind of their nose up in the air. So, it's cool for me to, like, sit with them and for them to really see themselves as me.

The music industry is something that I'm still trying to understand. With acting, I've been doing it for so long that I understand every aspect of it for the most part - there are obviously still more aspects that I need to learn - but I have a grasp on it. With music, I'm still learning. I'm still getting used to it.

Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.

Green Arrow was a very complicated character to take on because he has archaic weaponry. Catwoman, I think is more of a simple archetype to grasp, so it will be about nuance. But I think you need three or four issues before you say, 'Ah ha! Now I really know how to write this character!' You're carrying them around with you.

Strategic thinkers were naturally rattled to find this outsider fooling around with their work. They had been thinking strategically when Reagan was just another movie actor playing opposite a chimpanzee, for heaven's sake. They think Reagan is too naive, too innocent, to grasp the intellectual complexities of cold war strategy.

We speak of 'software eating the world,' 'the Internet of Things,' and we massify 'data' by declaring it 'Big.' But these concepts remain for the most part abstract. It's hard for many of us to grasp the impact of digital technology on the 'real world' of things like rocks, homes, cars, and trees. We lack a metaphor that hits home.

It is the children between five and seven who are the word-lovers. It is they who show a predisposition toward such study. Their undeveloped minds can not yet grasp a complete idea with distinctness. They do, however, understand words. And they may be entirely carried away by their ecstatic, their tireless interest in the parts of speech.

After every massacre in a school, Americans grasp at quick cures. 'Let's install metal detectors and give guns to teachers' Let's crack down on troublemakers, weeding out kids who fit the profile of a gunman. Let's buy bulletproof whiteboards for the students to scurry behind, or train kids to throw erasers or cans of soup at an attacker.'

About 10 years ago, in an effort to gain a better grasp on McCone's world, I took up the hobby of building fully electrified scale models: first of the legal cooperative where she started out, and then of her own brown-shingled cottage, a pursuit that the more tactful of my friends label unusual, and that the more blunt refer to as obsessive.

I did grow up in a military family but lacked the perspective to grasp the cognitive dissonance carried by most people who serve in the armed forces or the circumstances that push lots of folks into the military. I don't blame G.I. Joe or Rambo for that atmosphere, but they certainly reflected the final stage of a two generation cultural myth.

Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.

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