Quotes of All Topics . Occasions . Authors
It was more than enough, but I'm completely satisfied that 'Virtual Self' got nominated for the Grammy. That is a complete victory for the project in my mind and anything else is just bonus.
I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.
What did winning a Grammy do for me? It made me want to get rid of my Grammy, pack it away, and never see it again. It made me not want to speak to anyone who wanted to speak about my Grammy.
All my earlier awards were for a particular film or a song. Even the Oscar or the Grammy was for a particular song, but Dadasaheb Phalke is for my entire work so it is the biggest honor for me.
Getting a Grammy nomination for 'Brooklyn' meant a lot, especially because, as an album, it was one that was very personal to me but also one that I self-produced and had gone outside the label.
The American dream is Chance the Rapper, or 'little Chano from 79th' who hails from Chicago's Southside and became the first artist to win a Grammy without selling one physical copy of his album.
I acted in 'Almost Famous.' My album 'Fingerprints' won a Grammy Award in 2007. Even more prestigious, as far as my kids were concerned, I appeared in episodes of 'The Simpsons' and 'Family Guy.'
When I was 4 or 5 and I could put complete thoughts together and really feel them, I remember watching the Grammy's or something like that and getting real emotional because I wanted to be up there.
I think cool moments like winning a Grammy deserve a nice little party where you really soak it in and not have to work and stuff. I do remember throwing a party on that Grammy night, but it was work.
I'm a rather multifaceted person - or at least I like to fashion myself as such - so my dreams are multifaceted. For example, I had a dream of winning a Grammy, right? I've done that three times over.
I had somebody call and make a joke about it: 'Oh, Buddy Guy won the Grammy - You should have won.' I said, 'No. Buddy should have won it.' He's a very talented cat. And don't forget, he's my homeboy, too.
When I won the first Grammy, there was no other feeling like that feeling. It just made me feel like I came so far, like that was just a dream a few years before that, and then it was happening right then.
'Masquerade' is the autobiography of Wyclef Jean. A lot of people know me through my work with Carlos Santana or Destiny's Child, winning all those Grammy Awards, but you do not know what is going on inside me.
We got a Grammy for writing 'No Scrubs.' It contributed to me getting Songwriter of the Year. I was the first woman to get Songwriter of the Year from ASCAP and 'No Scrubs' was part of the reason for me getting it.
I like the story about Bon Iver. They said he kept his GRAMMY in, like, the basement bathroom so he could just focus on getting another one. If I won a GRAMMY, I'd probably keep it at my mom's house on 47th Street.
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
I just want to be successful. I'm not going to sit here and be like, 'I want to win a Grammy' or whatever; if that comes, that's awesome. But I just want to be successful and provide for my whole family and get my family out the hood.
I want to be known as a triple threat. I have aspirations to win an Oscar and a Grammy, and I also want to win a Tony. I want to be one of those guys like Frank Sinatra or Sammy Davis Jr. that crossed all those barriers of entertainment.
I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
I saw singer Pink doing aerial flips during one of her performances at Grammy Awards. It got me inspired, and I started doing it, too. It has made me very flexible. I couldn't even touch my toes a few years ago, but now I find myself to be extremely fit.
Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.
Artists have so much more control of their futures - they don't need to rely so much on major labels or big companies to help them. You have artists like Skrillex that can dominate so much that he gets 5 Grammy nominees, and he's clearly an underground artist.
I've made classic records, and going into making 'R.A.P. Music,' I was determined to top the entire legacy of the 'Pledge' series, and the fact that I won a Grammy, and the fact that I was associated with OutKast, and the fact that I'm a Dungeon Family member.
My dream is to take the Indian independent music scene to an international level. People like Alisha Chinai, Baba Sehgal and Daler Mehndi took it to a very high level. My ultimate target is to win a Grammy. I don't want to primarily be a Bollywood playback singer.
Originally, AXS TV came to me last year and asked me if I'd be interested in doing an acoustic 'Live from the Grammy Museum' performance. But I was bound and determined to do an electric show with this great band to dispel any notion that I wasn't a 'rock guy' in Styx.
Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.
There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.
The first time I arrived in Hollywood for the Grammy Awards, I thought I'd bump into people who mattered, such as Ry Cooder or Randy Newman. I was disappointed to see the people I'd always thought of as pop stars. They would charge around the stage rather than enjoy the music.
In pop music, the public usually see the results - the hit records, the Grammy Awards performances, the concert tours - but not all the work that goes into getting into the spotlight. And not everyone realizes that, even if you have a lot of talent, chances are you won't make it.
When you win a Grammy... you're thinking about you winning. It is amazing. Your peers and folks in the record business are saying, 'This is what we think of you.' And that's why the Grammy will always be, to me, the ultimate in what you get as far as a music trophy, because it is the one.
When I was growing up, Brandy was TV star, reality star, a pop star, a Cover girl, Grammy winner, had her own Brandy doll, and was the first African American to play Disney princess Cinderella. Most importantly, she is a survivor. Many only judge and remember a person's most recent failure.
When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.
I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.
It's one thing to be recognized by your peers over the course of your career, but the Grammy is something else altogether. You have the Recording Academy, along with a huge cross-section of producers, writers, engineers and musicians from all different musical genres and backgrounds who are making a decision. It's an amazing feeling.
I'm sitting at home every time there's a Grammy. It's like, 'What is Sharon doing tonight?' I'm sitting home watching it. But it's OK. But if you go to Europe, there are a lot of young, independent labels that's doing soul music. You might call them retro because they're young and they're trying to imitate somebody. But I ain't retro.
I once won a Grammy for an Australian version of 'Turn the Page' that another artist did; I can't remember his name. There've been covers down through the years around the world, but I did like Metallica's, because I kind of related to Metallica when they first came out, because Jimmy Hetfield really reminded me of me in 1965, you know?