I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.

You feel like a stud out there when people swing and miss. As I've gotten older, I've preached to our young guys that strikeouts are sexy, but outs are outs, man, no matter how you get them. It's a lot cooler for me pitching in the seventh or eighth inning than it is going 5 1/3. Your manager likes it a lot more, too.

Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of 'Twilight,' and then it happened again on 'New Moon.' Each time my character Bella became a different person, and I got to know that person and take her to the next level.

I had a dream, in 1985, I believe, when a friend I'd gone to school with was sick - one of the first people I knew who'd gotten the AIDS virus. I had a dream of him in his bedroom with an angel crashing through the ceiling. I wrote a poem called 'Angels in America.' I've never looked at the poem since the day I wrote it.

I think of all the things that I've gotten to do, all the wonderful people that I've played with, being in the recording studio with Phil Spector tops them all. And of course, now he is in prison. I hope to visit him, I still consider him a friend, and what can you say? A terrible way for a guy like that to be remembered.

The work that I've gotten in the hiatuses seems to indicate that I will have a little more work after 'Mad Men' than I did when I was scraping by while I was temping in New York, but who knows? People very easily could be like, 'Meh, we're done with that. We've got Jon Hamm. We're good without the weird one with glasses.'

Everything has added up to a load that I'm getting tired of carrying. It's gotten so complicated. It's the three failed marriages, and having kids that grew up without me, and it's the personal criticism, of being Mr. Nice Guy, or of divorcing my wife by fax, all that stuff, the journalism, some of which I find insulting.

You know, I just tend to grow my beard out for 'Parks and Rec.' As an actor it's always easier to shave or cut your hair for a role, but it's hard to put fake hair on or grow hair for a role. When you look at pictures of me, the longer my hair is, the longer my facial hair is, that's just the longer I haven't gotten a job.

Since becoming a pop star, I've experimented a lot more. I've gotten more creative with what I wear. My stylist is a bit more adventurous than I would normally be, but it's really worked, and the colours really work together. I think everyone should be a bit more confident: if it's a summer's day, wear some bright colours.

I have a save file in 'Final Fantasy XII' that is 125 hours long. I have gotten into legitimate arguments over the rules governing the tapping of mana in 'Magic: The Gathering.' I don't like hugs or parties, high school sucked for me, and Nathan Fillion deemed something I wrote his 'Favorite 'Firefly' fanboy rant to date.'

I think with '10 Things I Hate About You,' I was an angsty teenager, and in some ways, I responded to that character. That was one of my first big jobs, so I think maybe I lucked out, and casting thought that I was a good match for it. Since then, as I've gotten older, I'm a much more happy, joyful, almost carefree person.

It's something I'd find rather distracting in a historical piece, looking at characters that have obviously just gotten off their Ab Blaster. You see a piece set in the 1300s or the 1800s, and you've got characters who have perfect abs and are incredibly well-groomed, not a hair out of place, and it just doesn't make sense.

Right now, as I've gotten older, my tics sustain for five or ten years. So, I can deal with them on a daily basis; I know how it affects my body. But when you're 10 years old, and every three months a tic comes along, it's daunting because you don't know what the next one is going to look like, what it's going to feel like.

We had an argument, and he told me to be home at midnight, and I said no. And so when I did come home, the door was locked. And I had gotten a set of luggage for graduation that day, and it was on the front porch, packed. He thought that he was going to prove a point and I was going to say, 'Oh, I'm sorry, Daddy, I'm sorry'.

Since 'Idol' I've gotten used to having an amazing hair and make-up team around me, so I'm starting to get picky. I know what I like now and I'm happy to say 'Could we maybe change that?' if I don't like something. I don't yell or anything, but I think I could definitely start to act a little diva-ish when it comes to my look.

From China and India to Turkey and Brazil, when women have gotten access to education, to family planning and to a vital place in the economy, greater prosperity has followed. And when women are free to speak and learn, they temper the extremes of ideology and fanaticism and raise sons who are less likely to become human bombs.

I've had fans do some pretty awesome things... I once had a fan do a mock proposal for me in Mumbai, inside a McDonalds... and I've had fans give me some precious things. I had one fan give me her mother's ring; I've gotten some pretty intense stuff. And I always get drawings and scrapbooks from fans, which is also pretty cool.

Fortunately, we have help from the media. I have to say this: I'm very grateful for the support and kindness that we've gotten. People have respected their privacy and in that way, I think, you know, no matter what people may feel about my husband's policies or what have you, they care about children and that's been good to see.

People have started consuming very privatised content. Initially, it used to be community viewing at the cinema, where you look forward to ice cream in the interval and then on to your dressing and dining rooms. Today, it's gotten so privatised that you're watching things on your mobile phone. That is a massive amount of change.

Aziz Ansari was on 'Parks and Recreation' for, I don't know, what, seven years? And he was a really popular stand-up comedian. He even says that his Netflix show wouldn't have gotten made unless he created it himself. No one was probably willing to put someone like Aziz as the lead in a show until he actually created it himself.

I'd gotten myself into a kind of journalism that wasn't really compatible with rearing an infant. I'd been a foreign correspondent for a long time and had this subspecialty in covering catastrophes. It had spoiled me a little because you have a tremendous amount of autonomy, and I couldn't really see being an editor in an office.

In my entire life, any time I've ever lost something, I've gotten something even better going around the next corner. It's like one door closes and another door opens. As long as I can walk through the produce section in every grocery store in this country and eat the grapes that they're going to throw away, I know I can be fine.

Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.

I think people hate me pretty much across the board, which is nice. I mean, it's a pretty evenhanded loathing among a certain amount of the critical population, which used to be about 80 percent. So now I've gotten to the point where I just don't worry about it that much. It used to be very upsetting, now it's only mildly upsetting.

I've trained primarily in Meisner Technique, and I've done a little bit of Groundlings and Upright Citizens Brigade just to get my feet wet in the improv world because I think that's really important. But most of the teachers I've worked with, I've gotten, like, references through agents or managers, and they're sort of independent.

I think the biggest thing that I have to do is to remind people that poetry is there for us to turn to not only to remind us that we're not alone - for example, if we are grieving the loss of someone - but also to help us celebrate our joys. That's why so many people I know who've gotten married will have a poem read at the wedding.

If I had to name one thing that probably causes more conflict within the band, it's probably the fact that I'm the girl, and it takes much longer with hair and makeup and wardrobe. But they've gotten used to it. It's one of those things I think they realize that when they say she'll be ready in 10 minutes, it normally means 15 or 20.

I've written out itineraries for baby sitters with years of experience. I've gotten up in the middle of the night and stood over my children's sleeping bodies just to make sure they're breathing, and breathing well. In short, I'm the worst Jewish mother in the world. I make Alexander Portnoy's mother look like a laid-back Earth mama.

In West Texas, where I grew up, I had a wind farm planned. I'd gotten the turbines bought and the land acquired, and then the renewable energy credit imploded, and it killed the margins, so the deal never worked, but the investment bank I was working with asked me and said, 'We really like what you did. Would you come to work for us?'

'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.

One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.

If people continue to feel like Democrats are looking after poor folks and Republicans are looking after rich folks and nobody is looking after me, then we don't get a lot of stuff done. And the trend lines evidence the fact that folks have gotten squeezed. And obviously, 2007, 2008 really ripped open for people how vulnerable they were.

I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.

I'd love to do more TV, but I'd love to get into more feature films. I'd also love to go back to the stage when the time and opportunity is right. I haven't gotten to do a lot of that here in L.A., but my favorite thing to do is live theatre. I'd love to actually have a career where you can kind of move in and out of all of those mediums.

'Lady Bird' probably doesn't need more attention than it has gotten. It's a perfect movie, and some of its perfection is in its casting, but this is a movie crammed with wonderful work by people who aren't Laurie Metcalf and Saoirse Ronan: people like Lucas Hedges, Tracy Letts, Stephen McKinley Henderson, and, yes, that Timothee Chalamet.

I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.

From the happy-go-lucky days of oil exploration and drilling, when a lot of easy sources were being found and easily managed, we're gotten ourselves into this sort of apocalyptic time. We're willing to destroy almost everything, risk almost anything, and go ahead with techniques for which we have no way of responding to the known problems.

I was always with a single mom, and we never had schedules or anything. We were just Bohemian, us against the world, which was kind of great, but it certainly didn't breed security. I've gotten hyper-sensitive to schedules and bath time and eating at the dinner table. We don't just 'Bohemian' go out at nine o'clock and go get Chinese food.

I've gotten to do some really amazing things, gone to some really amazing places, and just have some really unique experiences. And if I have one regret looking back it's that - not a regret even, because I think that's kind of labeling depression as something you can control - but I just wish I would have been able to enjoy it more fully.

I would put our legislative and foreign policy accomplishments in our first two years against any president - with the possible exceptions of Johnson, FDR, and Lincoln - just in terms of what we've gotten done in modern history. But, you know, but when it comes to the economy, we've got a lot more work to do. And we're gonna keep on at it.

I write what I want to write, and then, when it's finished, I use my judgment to see whether or not I think it's intrusive. If it is problematic, then I ask those involved. I won't necessarily do what they say. But I do consult. I haven't had too many problems. Nobody's really gotten angry at me. Nobody, as far as I know, has felt betrayed.

To be honest, we spent many years at Warner, and in the very beginning, there was a very passionate team that worked alongside us on a daily basis. Every year that went by, we would lose just about every single person that worked directly with us, to the point that I honestly couldn't have picked up a phone and gotten one person who knew me.

There were only two times in my life when I've actually felt down about things and gotten myself into a full mental mess. One of the times was in 1982. I had a horrible time for a few months and felt pretty desperate. Then again in 1984, for various reasons, not all of them within my control. Since then, I just wander in and out of black moods.

I can't tell you how lucky I feel. I've gotten to work Peter Facinelli 'American Odyssey,' and I got to do 'My Big Fat Greek Wedding 2' - which really gave me such a tremendous amount of pride and patriotism, and it was very close to my heart. I've really had such great support, so many great teachers, and so many wonderful people surrounding me.

I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.

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