Quotes of All Topics . Occasions . Authors
Naw, it - it never stops, man... You gotta be doing what you're supposed to be doing - whenever, however it's coming down, you know. If you're getting your butt kicked - you still gotta do what you gotta be doing.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story.
We like to party but to be the best partiers in the world you've gotta be serious, you've gotta plan that stuff out. You've gotta wake up the next day and catch that plane to the next show and perform a great show.
You can't be a human and a guy and not connect with Pippin... I often feel like Pippin. I come offstage sometimes like 'Oh my God, I've got to do this next time! I've gotta go there. I'm going to make this choice.'
When people are hitting you off Twitter, a lot of times they don't know who you are. They're just hopping on your character and they gon' be hopping on another rapper next. You gotta weed out the real and the fake.
I know a lot of writers who would much rather be writing the Great American Novel, but they've got bills to pay and alimony, and so they take a job at a less-than-reputable paper. You know, you do what you gotta do.
I remember being taught in school that you would underline things that you liked. I remember just underlining everything as a kid, thinking, 'This has all gotta be important!' I would just underline the whole thing!
The one thing you've gotta do is that you need to always do the best you can do, no matter what the given situation, no matter what comes up against you. You do the best you can do, and you never give up. Never quit.
I'm a complete globalist. I think like a global CEO. But I'm an American. I run an American company. But in order for GE to be successful in the coming years, I've gotta sell my products in every corner of the world.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
Smacking or chewing really loud and obnoxiously at dinner is a no-no. You know, if we're eating tacos, and I know we gotta use our hands, but if it gets all over your face, it's not sexy to me. That's not a good look.
It's a job - someone's gotta kiss Jennifer Aniston. The reality is, Jennifer and I can do our job well because we truly are friends. But when the day's over, she goes home to her boyfriend and I go home to a magazine.
When you're doing Sebring in the back straight at 185 or 187, and the car's moving, you gotta know what to do with it, how to read it. Just the science of understanding shocks - forget spring rates - is mind-boggling.
I would wake up at night and think, 'What the hell have I gotten myself into? You don't want to do that!' But you gotta do something, and with art, there's freedom - which is actually very seldom practiced by artists.
It seems the more I play Jane Austen, the more poetic my writing becomes. The other day, I left a Post-it note for my husband that had the word 'ergo' on it. I gotta rein it in before I get all full out Madonnannoying.
I've done all my bike circuit cardio workouts when I know I gotta push my numbers higher and I gotta be better than I was before. It sucks. Your body doesn't want to do it, but I've done that. I know I have that in me.
I'm not a mixer. That's not what I do. I'm a songwriter, a singer, and a guitar player. You might have some ideas here and there, but you let the mixer mix the song because, overall, you've gotta trust their instincts.
Life is a weird thing because it puts roadblocks in front of you, sometimes you gotta go through it, sometimes you gotta go around it, sometimes you gotta take a pause and look back at what you're gonna do, have a plan.
Music changes every three months. There's always new artists coming out. There's always new sounds. There is always a new hit coming out. You gotta stay relevant as much as you can and feed your fans as much as you can.
I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.
I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
If someone says something hurtful to you or makes you feel down on yourself, then you just gotta stay positive and keep moving forward because they might not know much about you, or they may not understand the situation.
Sometimes we spend more efforts with people that are strangers in terms of making an impression than the person that's closest to us. And you just gotta remember not to take for granted that person that's closest to you.
I object to the actual phrase 'Follow me.' You've gotta be kidding! Why would I want to follow anybody else? Nor do I want them to follow me. The machinations of my life, the banalities - they're mine. They belong to me.
I still want to make more plays, but you know it's going to come. You gotta keep playing, playing hard, continue to study, continue to get myself better, working on my technique, and it will come. Just gotta keep working.
I hear a lot of influence from me and Timbaland's whole sound in a lot of records of today. But if you have classics like that, then I'm sure you gotta expect that it's gonna influence some people. So, I'm fine with that.
We all try to pretend we're the person we want to be when we're really not, and you've just gotta be willing to say, 'Here are all my flaws; here's who I am - take it or leave it. If you love me still, then let's do this.'
I think I was more or less, convinced of that by just the press, the US press. By people who were pressuring you, saying that you gotta beat the Russian's, if you don't win anything else, win the Russian meet and so forth.
My faith was tested like Job. That's the message I try to tell other people: just because you believe in God, serve God, feed the hungry, clothe the naked, people gotta realize, it don't mean things not gonna happen to you.
I'm more particular about every line, melody. I try to listen, too, through other people's ears, too. I like this song, but maybe it won't carry across as well - I gotta figure out a different way to say what I want to say.
You know what? I never really factor Hollywood into anything. I'm a black actor, so I can't really control what Hollywood thinks. I gotta go do my thing, and my jokes have got to be funny. Whatever I do has got to be great.
Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction.
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
You've gotta understand: in July of '44, the Allies were still contained on the peninsula in western France and the destruction of Europe had not really begun. War had not really touched the European continent at that point.
I'm trying to conquer swimming. I'm getting there. I've gotta conquer it. I had a fear of drowning and tunnels and flying. I started flying and got my pilot's license, so I conquered that. Now, I'm onto swimming and tunnels.
At the end of the day, the 1955 Montgomery bus boycott had to be converted into the 1964 Civil Rights Act. We don't want politicians who've gotta be coaxed, cajoled and protested. We want them on our side from the beginning.
Being a musician since I was a teen, Guitar Center is the staple. You need anything to create, it's there. You need a Guitar Center. You gotta give it homage. It's a tool shed, and without the tool shed, it's hard to create.
I come from playing sports. I compete, so I gotta be better than I was last year. I gotta get better, and that better gotta come from just growing. From learning new stuff to working on it, experience it in life, and failing.
I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
I think playing somebody who's schizophrenic is such a lesson as an actor. It gets you totally out of your comfort zone, because you can't rely on your technique, your external stuff. You've really gotta look inward, in a way.
You gotta love Rick Perry's swagger. The Texas Governor is out there in the Iowa cornfields, unabashedly going to toe-to-toe with President Obama, doing his best to instantly cast himself as the big dog in the Republican pack.
I'm really working hard at regaining Mannie Fresh as a household name. But for me, it's always been the long road. What the long road means is if I gotta go city to city, town to town or whatever it is, that's what I gotta do.
I've always thought that whether I'm writing or not, I've gotta pick the best songs, whether or not they're mine. I'm not gonna sing them just because I wrote them. I've gotta find the best songs to make the best record I can.
I always tell my kids if you lay down, people will step over you. But if you keep scrambling, if you keep going, someone will always, always give you a hand. Always. But you gotta keep dancing, you gotta keep your feet moving.
What I learned with tech companies is I gotta give people room to experiment, and also to make what might later on be a mistake. This is the attitude I want to build within San Francisco - give some time to the tech community.
'She's Gotta Have It' and 'School Daze,' I really didn't know what I was doing. And the biggest indicator of that was the acting. 'Do the Right Thing' was like the first film where I really felt comfortable working with actors.
Henry Fonda one time said that every time he had a job, he thought it was gonna' be the last one. And, if you got any sense, you gotta' think that because, you know when somebody's gonna do a dip, some of 'em go pretty far down.
I gotta admit, when you've been doing this a long time, going out to the audience and asking for them to help out with crowdfunding, it's a gut check. You never know how that's gonna turn out. Luckily for us, it turned out well.
You gotta pick yourself up. Sometimes you just gotta do it over and over, but you gotta do it. You can't give up. I wouldn't give up. I didn't give up - or doubt myself - in becoming a successful musician with a successful band.