Quotes of All Topics . Occasions . Authors
I listen to gospel music.
I grew up on a lot of gospel music.
When I was little I was into gospel music.
I love gospel music, I love gangsta music.
Gospel music always relaxes me and calms my nerves.
I have been singing gospel music since I was four years old.
The gospel music and doo-wop is what has informed me personally.
I'm associated with gospel music in the minds of millions of people.
Gospel music allows us to become closer to God and closer to each other.
My dad's name is Robert Stafford. His music name is R. L. Stafford; he makes gospel music.
I listened to gospel music because that was just our culture, you know? My parents are pastors.
Gospel music rhythms are not African in origin, although I know that's what the jazz experts say.
I've always loved gospel music. Being raised in Mississippi, it was kind of part of the atmosphere down there.
I like to listen to Beyonce or any type of upbeat music when I am working out. Gospel music always motivates me.
Gospel music is never pessimistic, it's never 'oh my god, its all going down the tubes', like the blues often is.
I was always drawn to gospel music and the roots of African-American music. It's the foundation of rock and roll.
People love gospel music. It's calming. It's soothing. It gets right to the point of whatever you're dealing with.
I started out in gospel music. A lot of people don't know that I started out in gospel music, and I've never lost sight of it.
And whether you're drawn to gospel music or church music or honky-tonk music, it informs your character and it informs your talent.
Plantation gospel music was the stuff I fell in love with when I was a kid - these beautiful melodies and these hard, hard stories.
I know people who have sampled gospel music, and then they go to clear the sample, and it's like, 'You can't take the Lord's music and make this.'
My mother was into church so she listens to gospel music. I like the way gospel is composed... the great vocalist chord and the way they make you feel.
I love to perform, to give glory to God with my own brand of funky gospel music. I think it's my mission to show people that God, that Jesus, can be cool.
You can't do gospel and rap. Either you're of the gospel music, or you're a rapper. You can't put the two together. You can, but is it right? It's questionable.
Gospel music played a huge part of my life. I was too scared to audition for the choir, but through my own music, I was also able to find spirituality for myself.
I tell you, gospel music is very uplifting. It's great. It's just a lot of fun to write, and it's wonderful for the heart, soul, mind, and spirit. It's just great.
Well, I've always said that country music has always shared a very unique relationship with gospel music - the hooting and hollering, you know, always in abundance.
There is a sound that comes from gospel music that doesn't come from anything else. It is a sound of peace. It is a sound of, 'I'm going to make it through all of this.
There is a sound that comes from gospel music that doesn't come from anything else. It is a sound of peace. It is a sound of, 'I'm going to make it through all of this.'
I would like to involve myself in some black music. I would like to do some blues and some gospel music. I want to try stuff from other genres and try to widen my musical base.
The thing I always found about the gospel music was that it reached further into your being if you like, your mind. It takes hold of you - especially if you sing it and play it.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
Gospel music was very prevalent in my house. My mother also loved Nat King Cole. That was some of the first music that I heard. Mahalia Jackson, Nat King Cole and the Mississippi Mass Choir.
For a long time, I was shy about recording gospel music, because I didn't necessarily want to show the inside of my soul, Milsap revealed. But now, the spiritual side of me is really shining through.
I'm a church musician. I play gospel music; that's what I do. I never had a chance to produce gospel music, and I did a full album with Lecrae that's the number one Christian album. It's super-big for me.
I guess when I got into my preteens, I turned about 12 and I decided to sing R&B, because I felt like one day there were some things I felt like I would want to say, that I couldn't say with gospel music.
I'm a big fan of gospel music, and you cannot be a fan of rock and roll, you cannot be a fan of country western music, and you can't really be a fan of jazz without listening to a lot of music that's religious.
Singing in church is a very different approach to music. It's very much about transcending the idea of self. It's about finding something greater that connects all of us. Gospel music is about tapping into that.
I think the amazing thing about Gospel music is that not only does it lift up the death and resurrection of our Lord, which is consistent with the Gospel, but it is uniquely communicated depending upon the generation.
I think that one of Elvis' charms was that he could sing almost any kind of music. I am sure that in his heart, which I don't know what was there, but just from his singing I could feel that he was very partial to gospel music.
It's quite interesting that in my growing up I had several influences. We had gospel music on campus. R&B music was, of course, the community, and radio was country music. So I can kind of see where all the influences came from.
We're always trying to elevate the platform of Christian and gospel music, church music, worship music and not just elevate it to our comfortable corner of the earth that we maintain an international and global mindset for what we're doing.
Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.
I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
Gospel music to me has always been a balm for the soul. It has been able to usher in the spirit, usher in worship, true worship and praise, healing. I find the music to be very good at healing and the passion, you know, which is a testimony being told in song.
Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.