Quotes of All Topics . Occasions . Authors
When you have really good writing, you're compelled by the actors who are in it, and you may think it's the actors or the design or the filmmaking of it, but then you're like, 'Well, the base is a really rich story that these guys have created.'
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
I think the thing that has made it possible for me to write personal songs and sing them year after year is the sensibility for good writing. Just opening your veins all over the paper is not necessarily going to be interesting. I wanted to speak to people.
I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
To be the windowpane - this is basically a bastardization of what Orwell said about good writing - so you can get the conversation going and frame it the right way and make sure people aren't lost. And then you let the candidates illuminate the issues themselves.
The way the show was conceived originally and developed, has always had good writing at the heart of it, it's very difficult to be good with bad writing. 'New Tricks' has that with the right level of humor running through the series, along with the investigations.
I used to be opposed to collaboration, and that's probably why the music in the past wasn't as good. Writing with other people, especially the great writers that I've had the privilege to write with, it activates something in your mind that you wouldn't use alone.
As an actor you get categorized by other people, but it's not like I arrange myself into comedy mode or serious mode. If it's good writing you just have to play it true - if it's funny, it's funny. But obviously you don't want it to be amusing if you're playing Hedda Gabler!
It goes without saying that a good Catholic novel should be good craftsmanship, good writing skills. The creative person must always be engaged in the long labor of perfecting the tools of his art. Yet the work itself need not be explicitly evangelical in its themes and plots.
The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
Write for yourself, not for a perceived audience. If you do, you'll mostly fall flat on your face, because it's impossible to judge what people want. And you have to read. That's how you learn what is good writing and what is bad. Then the main thing is application. It's hard work.
Really good writing, from my perspective, runs a lot like a visual on the screen. You need to create that kind of detail and have credibility with the reader, so the reader knows that you were really there, that you really experienced it, that you know the details. That comes out of seeing.
I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid.
There's exceptional work being done on television. Some of our great writers are writing for television. When you have things to choose from, you typically go after the writing - unless you're going after the money. There are fewer opportunities in film to make money with good writing, unless you're an action hero.
I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.
My being a writer and playing Scrabble are connected. If I have a good writing day, I'll take a break and play online Scrabble. My favorite word as a child was 'carrion,' before I knew what it meant. I later created crossword puzzles, which was a lot about puns, and how words would create these strange, strange things.
Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams... Motivation? The memory of the rush I get from a really good writing session - even on a bad day, I know I'll find that again if I keep going.