Quotes of All Topics . Occasions . Authors
I just want to bring the people good music.
Good music tells a story that people relate to.
People respond to any good you can do in music.
You make some good music, people are gonna find you.
Michael Jackson believed in making music that made people feel good.
It feels really good that people are connecting to my music so much.
I just want to make music that makes people feel good about themselves.
I want to be a a good influence to other people and in the music scene.
Composers are the only people who can hear good music above bad sounds.
All the good music has already been written by people with wigs and stuff.
I think wherever you go, when people hear good music, they will react to it.
I think Behind the Music is good for people like Leif Garrett and Motley Crue.
If you don't write good music, people aren't going to listen to anything you say.
I want to tell stories and make people feel good. That's when music is at its finest.
No good opera plot can be sensible, for people do not sing when they are feeling sensible.
My goal is just to be real and bring people good music and let them enjoy the music that I bring.
When people hear good music, it makes them homesick for something they never had, and never will have.
I want people to know that I'm not just another kid M.C. I'm actually a fan of good music and hip-hop.
When it comes down to it, it's all about good music and what makes people react. That wins over everything else.
I come from such a small place, and I've always really thought that if you make good music, then people will find it.
That's one of the good things about music. You get to do it live, where you can touch the people and interact with them.
We deliver many different messages to people of our generation. I want them to get good energy by listening to BTS music.
What I've found is that a lot of people in the media industry tend to use Macs because they're so good for graphics and music.
I want my music to sound good on whatever people are listening - laptop speakers, those crappy little white ones you get with your PC.
I want people to feel the times where they don't feel good. You should dive into those emotions, because that's what I do with my music.
After you make good, quality music, then it's your job to go out there and promote it and to market it and to get it out there to the people.
We're not here to make the ignorant people happy. We're here to write our music for those people that are interested in good rock n' roll music.
Since I was 14, I wanted to make music, but I think I would also have made a good policeman. When I was eight, I wanted to be one so I could tell people off.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
Everyone who makes music is a good collaborator at their foundation because in order to make music, you have to connect to it in a way that other people can't.
People in the music industry are very professional and helpful. I really felt encouraged at every point because I met good people and got inspiration from them.
Music doesn't have to have lyrics; it doesn't have to be a particular type of music - it has the ability to bring out really strong and hopefully good emotional reactions in people.
Some people say that if you do anything other than a straight-ahead groove, that it's not jazz. But that kind of labeling is wrong. Music is what it is; if it sounds good, it sounds good.
No matter what anyone else thinks, if someone appreciates what you do, whether it's 10 people or a million people, it's all good - because the only reason you make music is to have someone appreciate it.
To bring a large audience to a piece of serious music and make it accessible does not mean reducing it in any way. And I've learned that if something is good, even if it is a little difficult, people will get that it is good.
Steve Earle had a mainstream career. Dwight Yoakam had a mainstream career. Willie Nelson did. But they always made good music, they always stuck to who they were. They weren't relying on radio like a lot of people are in Nashville.
People don't realize enough how important and influentical John Carpenter has been in electronic music. He did his soundtracks by himself, using mostly electronic and analog synthesizers. He's a cult figure with DJs these days for good reasons.
People who aren't as interested in recorded music as they used to be will say, 'Oh, 'Buena Vista?' Loved it.' And I'll say, 'Well, how about any of my other recent records. I've been doing some pretty good ones. You like those?' And they go, 'Huh?'
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.
A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.
On my teams, as a guy who grew up hunting and fishing, I was in the minority in terms of music and lifestyle. I became good friends with people who listened to R&B and rap. But it wasn't just an issue of being around it - I was naturally drawn to it right off the bat.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
The reason I make music is so that I can influence people and inspire people, but I also want to make music that I feel happy about and that I feel is good. The challenge, which is why it's worth keeping going, is to constantly strive to figure out where the meeting place is.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music... Now, record companies are run by lawyers and accountants.
The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people's radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go 'round and 'round.