Quotes of All Topics . Occasions . Authors
Marrying into money was not a good thing for me.
I have good people around me who guide me, tell me where I should put my money.
I make good money: One speech nets me more than what most people make in six months.
Film is different for me now. If the money is good and it's not totally revolting, I'll do it.
I really don't like talking about money. All I can say is that the Good Lord must have wanted me to have it.
I really don't like being on television. It makes me uneasy. It is not natural to be talking to a piece of machinery. But the money is very good.
You can trade money for other good things and that's nice, but it's not the first thing that matters to me. I'm a martial artist and I have other priorities.
Manchester City didn't pay all that money for me because they saw me once on YouTube. They saw me scoring good goals. And I haven't forgotten how to score goals.
I'd been doing the Chicago theatre thing for years. The money was kinda good - thanks to a push by my old pal Capone, who, let's say, persuaded theatre owners to book me.
I'm not a very good financing person. I don't even know how much money I have in my bank account. I never have opened one single envelope from the bank - they freak me out.
I was offered 'Popeye,' which Robert Altman made. They offered me $2 million to direct that, which was good money. I wasn't interested in it. I don't like that kind of movie.
As a good Brahmin, I think any money being given to me is dakshina. I will accept money from anybody as long as it is Indian. As a good Brahmin, it is my right to accept money.
My mother - she's a good old classic Northern European socialist - she's totally wonderful, but she raised me up believing that rich people have stolen their money from poor people.
I absolutely believed when I was young because the Tooth Fairy was always good to me. The Tooth Fairy generally left me a dollar or two dollars and, as a kid, that was a lot of money.
Like Dilip Kumar, I've never run after money but only after good roles and that's why have always rebelled against those directors who wanted me to do buffoonery in the name of comedy.
My record company certainly wants me to play live, badly, but I have no such plans. My only motivation to do such a thing would be money, and I don't think that's a good reason to play live.
I certainly learned how to break down a text at Princeton, which helps me break down a script - or at least that's the line I feed my parents when they start wondering where all that good money went.
I need them, need them to give me a kick up the arse. Otherwise I'd just be sat-in getting fat, counting me money. It's good people living on your doorstep and looking through your bins. Gives you energy.
My aunt put my cousins into a children's modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.
I was desperate to understand money. Not to make it, to understand it. I wanted to know how it worked, and I wanted to know so that I would have enough and would be able to make good financial decisions. That led me to Ariel.
If money titles meant anything, I'd play more tournaments. The only thing that means a lot to me is winning. If I have more wins than anybody else and win more majors than anybody else in the same year, then it's been a good year.
I was trying to get an audition for 'Walker, Texas Ranger' and they wouldn't see me. And I was crestfallen, because I really needed money. And to be told you're not good enough to be seen by 'Walker, Texas Ranger' is a tough blow.
Most of the cricketers are doing side businesses apart from playing the sport, so why should I be left behind. I feel there is a lot of money in making films, and since Punjabi cinema is doing good, this is a lucrative option for me.
I've never gotten money from most of those records. And I made those records: In the studio, they'd just give me a bunch of words, I'd make up a song! The rhythm and everything. 'Good Golly Miss Molly'! And I didn't get a dime for it.
That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.
I don't feel very comfortable defending my fashion except to say that people don't have to buy it. You do have to consume. You have to live. If you've got the money to be able to afford it, then it's really good to buy something from me, but don't buy too much.
Money is important, but the most important thing for me is to play football, and then I'm happy. OK, you want to earn a good amount of money to be secure, but if I chose money, I would go to Russia and already have a lot more. I like to play football, and that is it.
Anime has been good to me. I made and continue to make very little money at it, but the undying, feverish loyalty of the fans of the genre has been such a life-changing influence for me that I wanted to do everything I possibly could to help give something back to them.
You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
When I first started out in Telugu cinema, I signed anything and everything that came my way. I was 18, was immature, and it felt like a good idea that 'Oh, they are paying me a good amount of money.' I was young, naive; I had zero ambition, and honestly, it wasn't my calling.
I didn't come over with a comfy sponsor that took care of my visa and paid me a good amount of money right away. I came over here with nothing, the little bit of money that I had saved up, and it was struggle and plight to get some recognition and then finally make it to the WWE.
A lot of people don't know I'm from the West Coast. My swag is different. Me being from Young Money, affiliated with them, some people think I'm from down South. They think maybe I'm from New Orleans like them. It's just good to show people and build outside of Young Money, build my brand outside of that.
It's funny: I put money into short films, and I put really good actors in it, and I write some stuff that's really funny, and I'll get, like, a million views. But to the right of me, there will be a video of a kitten that falls into a toilet bowl, and it's three seconds long, and it will get 25 million views.
The quality of writing attracts me to films, also who the other actors are, who the director is, where it's being shot. Any or all of those things. But if the writing is really appalling, then the money had better be really good. Sometimes you say yes to something you wouldn't always do because you need the money.
Producer Michael Davies - who did 'Who Wants to Be a Millionaire' - offered me a TV show, but I turned it down. I wasn't negotiating: It just didn't sound like a good idea. Then he offered me another show, and I said, 'No thanks' again. When I heard about 'Win Ben Stein's Money,' I thought, 'OK, that sounds like a good idea.'
