Quotes of All Topics . Occasions . Authors
I'm always excited to see my good buddy Richelle Mead. She cracks me up. I never get to see Veronica Roth enough, either.
Oddly enough, I'm not religious but I'm also very fond of St Peter's in Rome. When I'm there, I always know there's a good meal not far away.
I was always complaining that there weren't enough good people going into public service, so I figured I had to get behind someone I found so compelling.
'Click' is a horror film and a first for me. People think I always had a face good enough to do films of this genre. So now I'd take that as a compliment.
People always underestimate me. But if you stick around long enough, act out of conviction, and try to be honorable in everything you do, good things will come to you.
I always had an inferiority complex, like I wasn't good enough. I was shy. But dancing gave me so much joy, and I was good at it. I felt like a whole person because I could dance.
The legwork is always hard. Really finding people that you think are good enough. Just the definition of what we have to do is finding good enough people that you really think are special.
People have always doubted whether I was good enough to play this game at this level. I thought I was, and I thought I could be. What other people thought was really always irrelevant to me.
Forward movement is a good thing, but I always include that it's not enough, and we have to have a base where we can truly build. That cannot be done inside of the corporate, establishment political parties.
I don't even know why I'm saying this in an interview situation, but I always feel like I'm not good enough for some reason. I wish that wasn't the case, but left to my own devices, that voice starts speaking up.
The sensation of never feeling good enough or pretty enough will always be there. It's a constant dialogue, and you just learn to be more powerful than that other voice. When you hear it come up, you shut it down.
There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
When I was with PSV Eindhoven in Holland, some people still thought Asian players weren't good enough to play in Europe. It's always good to rise to the challenge and prove them wrong. When I first came to United, I had to prove my ability again.
I had good coaches and mentors. They helped me a lot, and I trusted them when they tapped on my shoulder to move to the next level. And maybe I've been smart enough to always say yes more than no when I've been proposed a new and challenging jobs.
I always thought I was a good person, a decent person. I never harassed anyone or touched anyone. And you say to yourself , 'Oh, that's good enough,' but yes, I had certain jokes that I always assumed the audience would understand. This is Persona.
I thrive on quick players getting to the byline and sending over crosses. I just have to be quick enough to get on the end of things. In that regard, my job has always been the same, but if we have more wide, quick players, that can only be good for me.
It's always at the back of my mind that acting might come to an end for me when Harry Potter finishes. I don't know if I'm good enough to have a long career. I've got a bit of an inferiority complex about my acting. My self-esteem is quite low in that sense.
I knew that my hair was falling out and I had really weird skin. My face looked really weird and I was getting this fuzz on my face and I was always cold - always to the point of uncontrollably shaking. I was more scared that 85 lbs. wasn't good enough. I wanted to be lower.
You've always six teams who are trying to win the title, and the other five have failed. But by word of saying it, it's not failing; it's just the way it is. The last two years, we didn't win it, so it wasn't good enough, but if now we win it, the other teams will say the same.
I've not always played well for City, but I'd never been the scapegoat, coming off at half-time when in my head I thought I was having a decent game. It was weird, unnatural, it had never happened to me before and it felt like no matter what I did it wasn't good enough any more.
I always make things worse than they are or create problems that aren't there. And going and doing some simple task becomes a problem. I start imagining problems that aren't there. What people are going to think, who's going to judge me and am I going to be good enough? Am I worthy?
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I think that's probably the number one reason why collaboration is good. You disagree with each other about things and then what we always say is whichever one of us is more passionate about the issue is the winner because if you care about something enough to fight for it, that means it's probably a good thing.
Ultimately, the yards really don't matter. So you have to score enough points, and I have been fortunate in my career to have been around some really good play callers, starting with Gary Kubiak and then going with Kyle Shanahan and Sean McVay, and that was always at the forefront of our minds: How can we create explosive plays?
As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.