Black people are expected to be passive citizens, good immigrants, mute and grateful.

I have no desire to take all black people back to Africa; there are blacks who are no good here and will likewise be no good there.

When I was a player the mentality was black people would make good players but weren't captain material or managerial material. That stereotyping existed.

It's always good to be around people who get it and understand because it's a huge difference working on a black set. I can walk on a black set and not have to worry about my hair because they know.

I don't think of people as black or white. It's a question of are they photogenic or not? I don't think anyone says, 'Let's book her. She's black.' I think they say, 'Let's book her. She's good.' We've come that far.

With my good friend Rob Penny, I founded the Black Horizons Theater in Pittsburgh with the idea of using the theater to politicize the community or, as we said in those days, to raise the consciousness of the people.

The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?

Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that.

I'm a Southerner - I never take satisfaction in touching a nerve. I guess if I'm forced to find a good side, I'm glad that people are talking about an issue that hasn't really been discussed all that much. I'm glad that people are talking about it from the black perspective and the white perspective.

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