Quotes of All Topics . Occasions . Authors
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
The pollution problem is always seen as someone who was doing something bad that has to be stopped. To me, pollution is doing something bad and good. People don't pollute because they like polluting. They do it because it's a cheaper way of producing something else.
It's good to have someone on the tour so close to you - I mean, like, my sister. There is no one closer to me on the tour, so I don't need any other friends than her. We always talk about everything; not only about tennis, but about all the other stuff around tennis.
Evil has always been there; it's always a part of us. Evil is no big surprise. But what about the people who gave freely, who stood up for human dignity? Even in the most extreme and terrible situations, these acts of dignity existed. And for me, that is the banality of good.
I learned by watching my favorite shows. I would just rewind and say the words back, until they sounded right to me. I never studied the American accent, in terms of getting a teacher or taking phonetics classes. I've always been a good mimic. It really wasn't that hard for me.
I endorse a lot of people - sometimes people say I endorse too many books. And my response has always been the same: If I can get one case study that can give me one good idea that I can implement for $25, or for these days one-third of that on Kindle, I've gotten a very good deal.
I always make things worse than they are or create problems that aren't there. And going and doing some simple task becomes a problem. I start imagining problems that aren't there. What people are going to think, who's going to judge me and am I going to be good enough? Am I worthy?
The sincerity of delivery is what always strikes me when I hear a good band. It's artist-expression driven, as opposed to being record-producer driven. There's a huge difference. One's motivation is impure, while the other is the highest form of expression, so that's what you aim for.
When people are coming to Krakow and we show them how and where we practice, they are like, 'Seriously? Are you kidding me?' But we're always saying that what matters about the courts - the lines, the nets - are the same. I'm practicing in Poland even when I don't have good facilities.
I think any manager who tells you, 'I am very good at keeping my equilibrium. I'm always calm and reasoned, and results don't affect me particularly. I can take the good with the bad, and I can put the wins and the losses in perspective,' you will find a special person. I've never met one.
Before, I would just only stick to a few certain colors that were considered good for my skin tone and good for my hair. But ever since 'Stranger Things,' the wardrobe people there, they would always stick me in these super bright colors. I discovered all these new colors that I just like wearing.
I remember my choir teacher in high school told me, 'When in doubt, sing loud.' I'm a terrible singer, but I always auditioned for the musicals, and would get cast in them because I really would just put it all out there. That was really good advice, and I think it works for everything, not just acting.
I've always believed certain things: You treat everybody nicely because, more than anything, it's the right thing to do. And then you also never know when someone will be in position to help you or hurt you. I know I've gotten help from a lot of people who said good things about me because I treated them well.
Granny Ditto always referred to perfume as 'smell good' and for me it's an essential. I have a sweetheart who's extremely allergic to most scents, so I have to be extra careful - as well as creative - in the smell department. The key, I've found, are essential oils, which come in all kinds of 100% natural scents.
I'm always in a hotel room, and I spend a good portion of my day setting it up so it's comfortable for me. Whether that means making paths out of towels so I don't touch the carpet or removing the comforters or just not touching things. Even sitting on a plane with a bunch of other people - it's really hard for me.
I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.
I always talk about shooting being broken down into three things. You have to have some semblance of good form. The second part is repetition: doing things over and over again until you really develop a skillset. And then the third part is confidence. But for me, you can't have confidence without having that second part.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
I keep getting asked out by really young, good looking boys and really ugly lesbians. So, even if I wanted to jump onto the tuna boat, I wouldn't because I'm not getting high-class babes that I should get at this level of my career. And I always know the ugly ones are serious and that the good-looking ones are goofing on me.
Growing up as a kid, I wanted to be a ninja. In martial arts, even though I did Chinese kung fu, I always wanted to be this secret samurai or a ninja. There's something about ninjas that was very appealing to me as a kid. So of course, I was climbing a lot of trees and other things and getting up to mischief - good mischief.
There is always this quarrel about what is preferable: the straight, naturalistic, epic storytelling or the modernistic, disjointed, slightly hermetic one. To me it does not matter, as long as it's good. I like both kinds. Although the common reader seems to prefer the first, which is to be expected, and who would blame her?
In eighth grade, I pretty much didn't want to pass. I was 6'8'.' I was always bigger and stronger. I was getting triple-teamed, and the results weren't good. I wasn't helping my team. I was forcing shots. Then I started passing it out to my team, and they started hitting shots and slashing, and that's when things opened up for me.
It is the spread of the good things that vindicates the whole reason we live our lives in networks. If I was always violent to you or gave you germs, you would cut the ties to me and the network would disintegrate. In a deep and fundamental way, networks are connected to goodness, and goodness is required for networks to emerge and spread.