Quotes of All Topics . Occasions . Authors
There is always enough room for good actors.
Rejection doesn't always mean I'm not good enough.
With photography, I always think that it's not good enough.
I always seek people's approval and I'm always never good enough.
I obviously think I should always be picked. Every player thinks he's good enough to be playing every week.
I was not very good at newspaper reporting. I'm just not quick enough, and I always tend to tell things as stories.
I'm always excited to see my good buddy Richelle Mead. She cracks me up. I never get to see Veronica Roth enough, either.
I celebrate everyone's religious holidays. if it's good enough for the righteous, it's good enough for the self-righteous, I always say.
I always had this in my head that I could play in this league, that I'm good enough... but of course you have to prove that on the floor.
I have had it all over the years, being told I'm not good enough. So whenever the chance comes I always try and prove I should be starting.
Oddly enough, I'm not religious but I'm also very fond of St Peter's in Rome. When I'm there, I always know there's a good meal not far away.
If you look closely enough, amid the merciless and the bitter, there is always the chance that you may find comfort and the promise of something good.
You can always argue you're never good enough until you win the Super Bowl. And even then, you're going to lose players, and you're not good enough then, either.
People always underestimate me. But if you stick around long enough, act out of conviction, and try to be honorable in everything you do, good things will come to you.
I know that I have a good career and I'm really busy, but there's always that part of my mind that's like, 'You're not doing enough, nobody knows you're alive, you're failing.'
People's attention spans, first of all, aren't always long enough. You also want to not be preachy. You want to be able to try and get the good stuff, like me and Donald say, the vegetables with the chocolate.
With my songs, the question is always, 'Can you pull it off live, alone on just an acoustic guitar?' That's the litmus test. If I can, then it's a song I ought to record. If I can't, it's probably not good enough.
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys. So it never surprises me. And if it's good writing, you can find your way into the part well enough.
There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
I played Romeo when I was younger, and I think I did a couple kind Romeo-like parts after that, and I kind of went, 'I mustn't do this again. I must always choose something that I don't know if I'm a good enough actor to play.'
When I was with PSV Eindhoven in Holland, some people still thought Asian players weren't good enough to play in Europe. It's always good to rise to the challenge and prove them wrong. When I first came to United, I had to prove my ability again.
I always thought I was a good person, a decent person. I never harassed anyone or touched anyone. And you say to yourself , 'Oh, that's good enough,' but yes, I had certain jokes that I always assumed the audience would understand. This is Persona.
I always wanted to be a Broadway girl. But once I got Tony-nominated, it really messed with me, because it was like, yes, I'm getting this affirmation that you're right where you're supposed to be, but there was still this voice saying, 'You're not good enough.'
I've not always played well for City, but I'd never been the scapegoat, coming off at half-time when in my head I thought I was having a decent game. It was weird, unnatural, it had never happened to me before and it felt like no matter what I did it wasn't good enough any more.
Ultimately, the yards really don't matter. So you have to score enough points, and I have been fortunate in my career to have been around some really good play callers, starting with Gary Kubiak and then going with Kyle Shanahan and Sean McVay, and that was always at the forefront of our minds: How can we create explosive plays?
As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.