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I think what is British about me is my feelings and awareness of others and their situations. English people are always known to be well mannered and cold but we are not cold - we don't interfere in your situation. If we are heartbroken, we don't scream in your face with tears - we go home and cry on our own.

I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.

Things come in waves, and I'm always more interested in places like, for instance, Chicago, where people don't follow fashion. They're not galloping past your window on the way to the latest anything. They're living their lives. You do a play, they come and see it and say, 'That's nice', and then they go home.

You kind of wake up in the morning, and you don't see anybody but these actors until you go home at night and pass out and do it again. So it's structured a lot like the process when you're making a film. You just kind of get in that tunnel vision. I like that. I like when the rest of the world kind of quiets.

Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.

The night that George Zimmerman was acquitted, I think, for black people all over the world, there was a collective feeling of incredible grief and incredible rage. And that verdict not only let George Zimmerman go home to his family, but it sent a message to black people everywhere that our lives did not matter.

The thing to me about this sport, all the fans, everyone that watches, everyone that has a career has had a bad day at work. If you have a project, you have a quota that you have to meet, you can screw up at it. At the end of the day, you get to go home to your family; you can bring your work home with you or not.

After I finish with football, I will definitely go home. I won't stay in England, but I like it here, and I'm happy I'm doing what's best to give everything on the pitch, and then when I can, I relax. But the only bad thing is here maybe the rain is much more than in my country, but everything else I am happy with.

The time away from the family is the hardest part of the job. I have a little apartment in D.C., and I have to tell you, I'm happy when I get to go home to Georgia. My wife and I are also talking about whether we can afford the apartment or not. If not, I guess I'd sleep in my office like a lot of my colleagues do.

In this age, I don't care how tactically or operationally brilliant you are: if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete.

You now have six-year campaigns for the Senate - you never stop running. It's not uncommon for a member of the Senate to have a fundraising breakfast, a fundraising lunch and a fundraising dinner, and then when the Senate breaks for the week to go home, more fundraisers. And that's driven by the cost of campaigning.

I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.

When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.

There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.

Children used to get bullied at school. Now they go home, and that's where the problem starts - because they sit on their phones all night, thinking about who's 'liked' a photo of them, who hates them, who loves them. They don't know what's real and what's not, editing their lives constantly to fit other people's views.

I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.

Some weeks, I'll go super-hard at practice for two straight days, but then the third day, something happens away from basketball, and I'll lose focus. I'll say, 'I just want to get through practice. I don't want to conquer it today.' But then I'll go home and realize I missed a chance to get better, and it'll bother me.

I am confined to the Lego palate. I don't paint the bricks. I stick with what Lego has made. And the idea behind that is I do want to hopefully inspire kids to go home and create on their own. And if I do, I want them to be able to buy those very same bricks I use. So I don't alter the bricks; I just use what's provided.

The win-win situation is the basis for America's entire business world. Instead of wasting our time attempting to defeat each other, let's find a way that will make both of us gain and go home satisfied. In Israel, it doesn't work because the only meaning of victory is seeing your rival's body lying trampled on the floor.

On 'Euphoria,' it's so fun because we're all the same age, so being able to hang out and go out together and go to different events together has been so fun compared to always being the youngest on set, which was really fun, but it's like, you're going to go home to your husband or wife, and I'm going to go home to my dog.

I have a tape recorder, and I just sing into it. I like to write that way. Sometimes I'll just get melodic ideas, and then I'll go home and sit down and add the lyrics. Or sometimes I'll get a lyric idea that I love. Usually it's pretty combined. Usually I get some kind of a lyrical concept and a melody and work with that.

There's a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I've got to see my friends 'cause I'm too content being by myself.

I watch something in the gym, try to do it and may not get it. When I go home that night and my wife is talking to me and I'm not answering her, it is because I'm visualizing that thing I'm working on. I'll do that all day long. Before I go to bed I'm still thinking about it, and that happens until I can see myself doing it.

Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.

My daughter, Grace, was not killed by a gun. She died suddenly at age 5 from a virulent form of strep. As I stood stunned in a church at her memorial, one of the hardest things I heard someone say was, 'I'm going to go home and hug my child a little tighter.' 'Well, good for you,' I thought. 'I'm going to go home and scream.'

Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.

The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.

I did not have a happy family life a few years ago. I was divorced, and I was very alienated from my daughter, and I was out there cutting every ribbon and running around New York hosting events for different causes to supplant my loss because I didn't have a family to go home to. Now I don't want to be Mr. Show Business anymore.

If somebody wants me to speak in, say, Chicago, a limousine picks me up at the door to brings me to the airport. I fly at the front of the plane, and a limousine meets me at the other end to take me to a grand hotel, and usually an envelope is left for me with a per diem, maybe $150-a-day walking around money, and then I go home.

You might have, as a character, 30 pages of dialogue a day if you're what they call a 'front-burner story.' So you go home, you learn your lines for the next day, you get up, you're there at 7 in the morning, you do a quick rehearsal, you're on camera, you might leave, you know, at 7 at night and start the whole thing over again.

I grew up with a single mom, two brothers, and a sister, and after school, we would play outside then go home for dinner and play videogames together. It's something I enjoy doing, and it's also cheap entertainment compared to a movie or paying for cable. You pay $50 one time for a game, and you can play it as many times as you want.

You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.

It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.

Well, when you grow up in a family situation like in England, you're whole - we call it pub culture, and it is, really. You grow up, you literally come home from work, everyone goes to the pub at 6:30, you drink till 10:30, go home and go to bed. That was our entire life - all my aunts and uncles, and my grandfather drank 'til he was 85.

Most players who play tennis love the game. But I think you also have to respect it. You want to do everything you can in your power to do your best. And for me, I know I get insane guilt if I go home at the end of the day and don't feel I've done everything I can. If I know I could have done something better, I have this uneasy feeling.

It is good to have healthy competition and be inspired by others, as all this helps you take up challenging roles. There are people who come from different backgrounds in this industry. In my case, my mom runs a play school, and Dad is into business. When I go home, conversation revolves around that and lot more topics other than cinema.

Whenever I get days off, I go home, or friends and family come up. I'm in contact with them every day, so it's like we live next door, but obviously we live in two different countries. Football is my job, and everyone around me has given me the opportunity to purely concentrate on football, and everyone else worries about everything else.

For years, Lebanese have known that Palestinian camps like Nahr al-Barid and Ain al-Helwe - hopeless slums crowded with generations of disenfranchised Palestinian refugees who can't go home because of Israel, and can't work because of Lebanese laws - are awash with gunmen, criminals and, since the war in Iraq, al-Qaida inspired jihadists.

But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.

When I was 19 and at drama school, a couple of friends and I decided to drive from Guildford through France, down to the heel of Italy and then take a ferry to Greece - in an MG Midget. On our second day, in France, we were in a very bad accident and wrote off the car so we had to go home. But we then flew out instead and went island hopping.

It's 5 P.M. at the office. Working fast, you've finished your tasks for the day and want to go home. But none of your colleagues have left yet, so you stay another hour or two, surfing the Web and reading your e-mails again, so you don't come off as a slacker. It's an unfortunate reality that efficiency often goes unrewarded in the workplace.

Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.

I think you have to realize that most ancient warfare is really kind of hit and run, honestly. You go and you bash down the walls of some enemy 50 miles away and you take some slaves, you take some cattle, probably a bit of cash too, and then you say goodbye and go home and you probably do the same thing next year - or try to, or they do it to you.

The main reserve of the Haisla Nation hugs the northwest coast of British Columbia, about 500 miles north of Vancouver. The government docks sprawl on the south end of the reserve, nestled in a bay. As children, we swam at the docks and ran to the nearby point to pick blueberries and huckleberries when we were hungry so we wouldn't have to go home.

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