It's a miss and make league. As long as you have that confidence to take that last shot, knowing - I'm pretty sure you can't go home and sleep at night knowing you had the opportunity to take that shot and you shied away from it.

Part of what you hear when somebody says something awful to you is like, 'They're right, I look ridiculous, why am I dressed this way, I should go home and change.' For me that voice is always in my head, right around the corner.

As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.

I try to go home to Missouri every couple of months. I do that because I like my family, of course, but my mom doesn't know who Carine Roitfeld is. And as much as that horrifies me, it's a good way to keep your feet on the ground.

I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.

Very few players want to go home wondering if they've folded the best hand. They feel humiliated when they're bluffed out of a pot. As a result, these players make calls with marginal hands that put their entire tournament at risk.

When it's a really dark emotional scene, you have to make the effort to shake it off, at the end of the day, before you go home to your kids and try to be a normal human being. You definitely want to make that effort to shake it off.

I get bored real easy. I'm so used to L.A. and the pace that when I go home now I start thinking, 'Something's not right, something's not feelin' right.' I just gotta do what I gotta do in Oklahoma and get back to the fast-paced city.

After all, I long to be in America again, nay, if I can go home to return no more to Europe, it seems to me that I shall ever enjoy more peace of mind, and even Physical comfort than I can meet with in any portion of the world beside.

I owe a lot to playing on the street. And what was even better than playing on the street was playing football with my friends in the local graveyard. It was fantastic. We forgot what the time was and didn't even go home for our meals.

But you know, there's something about the kids finishing their homework in a given day, working one-on-one, getting all this attention - they go home, they're finished. They don't stall, they don't do their homework in front of the TV.

When I was very young, coming into the Sunderland side, if we got beaten, I'd be very down. I'd go home, and it would drag on for days, I'd be thinking about the game. I was from Sunderland, felt things like a fan, and got really down.

When we built Amblin, we even put Murphy beds in there because we thought that was so practical. Why would anybody, if you were working on something, need to go home at night? You'd just stay there, wake up in the morning, and carry on.

I am not suggesting that all those missionary organizations working in Haiti should pack up and go home, but I am urging them to understand that Haiti does not need clever Americans with newly contrived schemes for saving their country.

I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.

I can't tell you how disheartening it is to be told to go home because the director is filming you from behind and you don't have the right kind of body. As an actress, to be told that... Well, it's just a very odd set of circumstances.

I always remember this neighbor who would ask me to babysit for her. She looked like Jayne Mansfield, and I remember babysitting for, like, five hours and she would pay me 80 cents, with a phony smile. I used to go home fuming to my mum.

Some of my first memories are waiting for my father to finish his day at work in the University of Washington library and come out and jump in the car with my mom and myself, and we'd be sitting there reading books, and then we'd go home.

When you're part of a society where you're constantly having to define your identity and sort of negotiate with what the mainstream culture thinks you are, you have less energy and time to figure out who you are when you go home at night.

But now, being a parent, I go home and see my son and I forget about any mistake I ever made or the reason I'm upset. I get home and my son is smiling or he comes running to me. It has just made me grow as an individual and grow as a man.

When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.

After making the 'Occupy' movie, when you finish watching the film, you want to take a hot shower. You want to go home and shower because you've just spent an hour and fifteen minutes with the greasiest, dirtiest people you will ever see.

I knew the day I left Newport that if I came back, I'd failed. The fear of losing the game, of having to go home and tell my family, 'I tried but it didn't work out,' has haunted me. It is still there, and it is a strength and a weakness.

I can finally go home and tell the constituents, law enforcement, and leaders in Washington state that Congress is treating the meth problem with the same urgency and commitment that local communities have been treating it with for years.

Man, it literally starts from after the game. I get every at-bat sent to me from the game. I'll go home, I'll watch every at-bat, kind of break down the game, kind of see, OK, what did I do? Why'd I miss this pitch? Why'd I hit that pitch?

I love what I do. I'm appreciative and I'm still competitive. I still love baseball, but it doesn't consume me. If I can't do it anymore, then I go home and do something else. It's not the end of the world. It's just the end of your career.

Working with Tim Burton is like a psychic experience -Tim waves his hands and says, 'I don't know,' and you go home and do it. He's the most articulate nonverbal person in the world. He doesn't say a word, and you know exactly what it means.

When you are a hero you are always running to save someone, sweating, worried and guilty. When you are a villain you are just lurking in the shadows waiting for the hero to pass by. Then you pop them in the head and go home... piece of cake.

Sometimes I go home, put the game on, and think, 'How can I miss that?' It affects you; it also affects you to know your career also depends on the opinion of journalists, fans, directors, and sometimes they're not really qualified to judge.

I think we need people in Washington who really have more of a sense of a George Washington approach to it, which is to serve and go home. I think far too many of both parties see it as a career. And I don't think that's good for our country.

When I go home to Pennsylvania, my cousins who live in small towns and are twenty-three with kids are like 'Krysten, when are you getting married?' 'When are you having a kid?' Honestly, those aren't the most important things to me right now.

When I was younger, my coach, Liang Chow, made all the decisions. I would go to the gym for practice, do exactly what Chow told me to do, go home, come back and start all over again. If Chow told me to do 50 squat jumps, I did 50 squat jumps.

I'm writing all the time, really. It's become a little bit of a problem when I go home. Sometimes I should really go out and hang out with my friends, but what happens is I get really inspired and then just go and mess around on the computer.

I do two months of strict dieting, so after fight night, I go for whatever my body is craving. It's usually sushi. But after that, I go home to Guadalajara and indulge in a lot of tacos before I have to start getting in shape for another fight.

I'm very competitive, and I want to be very successful, but at the end of the day, films to me are still films. I want them to be good, and I'll work the hardest, but at night, I go home to my life and my family, and that's where my heart lies.

I work hard, and I haven't done badly in life. But I pretty much came from very modest roots... I go home on my train; I cut my own grass... I don't have anything against people that are more elite, but it's just not who I am or what I'm about.

I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.

If I tell a man he needs to quit his soul-sucking job, he has to go home and fight with his wife or fight with his parents and fight with his in-laws and fight with everybody, because men aren't supposed to be happy; they're supposed to do well.

My main aim is getting set up so that when I do quit, I can step away and re-evaluate what I want to do in life. Do I want to get to 50 years old and come back? Or will I just want to go home and be fishing, hunting and working around the house?

Some days the competition would beat me and I'd go home thinking awful thoughts, want to hide under the bed, depressed. But of course, in the news business, when you're working a daily news broadcast, you get your victories and defeats every day.

I guess the way to keep a grip on reality is just to take breaks in between albums like most normal bands do. Go home and be a person and hang out with your friends. Do separate things and get back to earth and write songs and go out there again.

We're all concerned about the budget. We're all concerned about what's happening financially in our country. There's no question about it. Congress is working day and night. In fact, every time I go home the lights are on at the top of the Capitol.

The crew are the faces you see every morning and last at night before you go home. I spend more time with those people than I do with my friends and family, so they're forever a part of you and who you become as an actor so I hope I see them again.

With girls, there's an insecurity that starts early on. It hangs around them, like some annoying kid from down the block who won't take the hint and go home when dinnertime comes. And moms are usually not great at giving their daughters confidence.

You can spend the day at work, but when you go home, and you're in the role of a father or a husband, you don't have to remind yourself that you shouldn't tell your wife to hold the messages. If you do, that marriage is not going to last very long.

I know when I'm not dancing, and I go home, I usually work with my dad, who's an electrician. So I do stuff like that. I used to be a landscape gardener. I loved that job. But I'd like to be involved with entertainment. Singing or something, I guess.

You never hold back. If I turn up to the track and feel cautious or not committed, I turn around and go home. If you don't have that full commitment when you're pedaling into a 40-foot jump, there's not much room for error, and you'll come off worse.

I would absolutely love to go back to the simplicity of the '80s, where there wasn't texting, social media, iPhones, or smartphones. I love the fact that you would go home and check your messages. I'm not well suited to the world of modern technology.

There isn't a spare minute in the day. I have spent my life doing everything. I work. I go home. I do the shopping. I cook. Then there's the laundry and the dog. Most of my life, I have been a working mother. And even when I wasn't, I still did it all.

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