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I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
I mean, I'm from the Joan Rivers, Don Rickles kind of old-school comedy in that nothing is off the table, certainly not in politics. So, I think if you can find something to laugh at, that's got people kind of on edge, or, you know, stressed out, I think you gotta go for it.
If at the end of May we don't, we'll reform, regroup, decide how we're going to go about it, but if the task force can't come up with the bill, I'm going to push mine, and go ahead and make the changes in it that we've been working on now for a year or two and just go for it.
I live by 'Go big or go home.' That's with everything. It's like either commit and go for it or don't do it at all. I apply that to everything. I apply that to relationships, I apply that to like sports, I apply that to everything. That's what I live by. That's how I like it.
I've gotten very good at scheduling my life, scheduling the scene and preparing myself for knowing, saving the energy, consuming the energy, knowing when to go for it and having the available reserves to be able to do that. You have to think about that, because it's endurance.
About 25 years ago, my wife and I bought Kenny Loggins' house in Santa Barbara. It was way out of our price range, but we said, 'Screw it, let's go for it.' We've raised our family there. We overextended ourselves at the perfect time in our lives, and it worked out for the best.
I'm sure there's a subconscious 'go for it' thing with turning 50. You want to do as much as possible and there are thoughts of how little time we have on the planet. For a lot of musicians in their 50s, the best days are behind them. I'd like to try and show that there is a future.
There's a risk to everything you do. You can take off on a one-foot wave and get hurt; you can take off on a ten-foot wave and get hurt. You just don't think about it at all. You just go for it. When you kick out of a really big wave, it feels pretty damn good. You want to do it again.
I told everyone I would never be an actor. People used to tell me, 'Hey, you got a good look. You should try.' And I was like, 'Nah. That's not me.' And then, the moment I tried it, I found I loved it more than anything in the world, and that taught me a lesson. That is, just go for it.
I look for something that can challenge me or makes me ever so slightly afraid - fearful of how I am going to approach it - then I'll go for it. If the project appears linear or predictable, then I'll usually give it a miss. Anything that involves me being stretched as an actor, I go for.
When I'm in a session with someone I don't know, I like hanging out for a moment and talking and seeing if we can find some similarities in whatever conversation we're having. The best thing is when you just go for it - just do something that feels good and makes you feel free in the moment.
It's like, the more you commit, the happier the animators are; if you're at all iffy and concerned, then it doesn't free them up to do as much fun stuff, so you have to just go for it and, again, trust the people around you and not be seemingly guarded and numb. Throw caution to the wind a bit.
I've done a lot of fight scenes, and I always find that it's better that they be meticulously choreographed. You want them to look as real as possible, but you don't want anyone to get hurt. So I believe in really working it out in rehearsal, and when you get to the set, just go for it 100 percent.
As a midfielder, you have to have vision. If you see an opening that might create an opportunity, you have to believe in yourself and go for it; a 40-yard pass or an eye-of-the-needle ball. You have to feel you are going to make it. That's the way I play. I have a picture in my mind, and I go for it.
While I was playing, I started a company that didn't work out. I got a taste of the business world and realized I'm not going to be a 9-to-5 guy in the office after football is over. When the opportunity came for television. I thought, 'Let's go for it,' even though it was nerve-racking. I enjoyed it.
I haven't been in a position to have the luxury to pick roles for most of my career, so I'm not practiced in that. Usually, when you want to be an actor, you take whatever comes along. If there's an audition, you go for it. If you get the job, you do it - just to get experience, to act, to meet people.
With an independent movie, it's like, 'Okay I know what I want, and I got to go for it.' I just got to get the A version of this. Occasionally we'll try a B version, but not often. We'll just get what's scripted and try to do that as best we can, so you sort of edit while you shoot an independent movie.
I really enjoy playing villains, whether they're realistic like Switchblade Sam or whether they're a bit more over-the-top like Kruge in 'Star Trek III' or Judge Doom in 'Who Framed Roger Rabbit.' It's sort of a license just to be as bad as the script allows you to be - you can just go for it and have fun.
I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
Something that's good in the mini-culture of 'Happy Endings' is that the goal is to try and make each other laugh. There is a pretty high bar, and you want to make the writers laugh, and you want to elevate what's already great material - and also, we're like, 'Who is even watching this? Let's just go for it.'
Having started in sciences, I then turned around and said, 'Oh, I don't want to do sciences. I want to do philosophy.' And to their credit my parents said, 'if that's what you want to do, then go for it'. Then I got the scholarship to Stanford, which was very nice for the parents to talk to their friends about.
When traders were able to earn a million dollars, of which base pay was $150,000 to $200,000 and the rest was bonus, they would go for it. Now if you're sitting there earning $600,000, you become less risk-seeking. And if you have less risk-seeking, the ability of the market to be incredibly volatile is increased.
I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.
I swear to God, if my kids, when they're 18, if they come to me and say, 'Dad, I love pumping gas. I love getting up in the morning, I love grabbing the handle, I love the smell of the gas station,' I'd say, 'Go for it,' because if you love it that much at 18, he's probably going to end up owning 25 gas stations by the time he's 30.
Good overtaking is important to me. There are a lot of quick maths involved. I will prepare from the corner before, thinking, 'If I exit this way, and the driver ahead of me is in a certain position, then I'll go for it.' If he is not where I hope he will be, then I won't pull the trigger. If he is, my decision has already been made.
When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.
I tend to pick objectives that I feel are safe because I know that, in the moment, I always go for it. I have some rules for myself, though: Look for the rock faces without a lot of loose rock. Always rope up on glaciers where there is even a slight chance of falling into a crevasse. No pure free soloing. Never climb below hanging glaciers.
Twitter is a place where you share your thoughts, yourself... you don't want a plain white backdrop for that. You want the entire page to say something about who you are. Designer or not, if the urge strikes you, go for it. Put up that watercolor you've never shown anyone. Take a photo of that hat you just knitted... whatever it is, share it.
My dad and I didn't talk much. Our relationship was OK but not amazing. So there I was, dressed up in my sort of uniform, the clothes my band was wearing at the time. He could tell I was I getting serious. I guess he knew I was going to go for it. So he told me how to handle myself professionally, not to take what people write about me to heart.