Quotes of All Topics . Occasions . Authors
It’s every band’s right, you shouldn’t have to do f___ing Glee. And then the guy who created Glee is so offended that we’re not, like, begging to be on his f___ing show… f___ that guy for thinking anybody and everybody should want to do Glee.
I think 'Glee' was a freshman comedy, and I think whenever it's your debut season, you get compared a lot to the other shows, regardless if there's any sort of overlap in content or tone or anything, just because you came out in the same year.
What a turnaround in sentiment 'Glee' exemplifies. It was only a few years ago that pursuing the dream of a Broadway career or cabaret stardom relegated some poor yearning dope to a lavender ghetto of losers, self-deluders, and social rejects.
On 'Glee,' we often tackle the tough topics that young people face - in fact, my recurring character, Wade 'Unique' Adams, is a transgender teenager who finds herself navigating a lot of the same problems many young people face around the globe.
Literally, when the pilot came out for 'Glee,' I think we had a watching party or something. We were all seniors, and everyone all of a sudden in the show choir were so excited. We were like, 'This show is awesome. It's so cool. This is exactly us.'
I've never been passionate about just music, I've never seen myself going into music in that sense. My love for music has always been connected to the stories told through music, which is why I was drawn to theater and why I think 'Glee' is so powerful.
Adaptability is crucial to working on Glee because every day is adapting to something. Because we're doing a different genre of music, doing a different type of scene with a different scene partner, recording and dance rehearsals... no day is like another.
I'm playing a powerhouse singer who is big competition, but she's also really down to earth and sweet. But the whole sweet thing goes away when she's in competition mode. I love the show, so I'm very excited to be a part of it. I'm going to kill it on 'Glee!'
With every job I've gotten, I've bought myself something. When 'Glee' was picked up, I rented a piano for the year. For smaller victories, I'll go to dinner with a friend, or go for a walk and think about it all. It's important to say to yourself, Today was a good day.
I like that 'Pitch Perfect' is one of my first forays into film and just being seen in that kind of light, aside from some people who know me from 'Spring Awakening' or the other things that I've done. I think in so many ways it's kind of like my own 'Glee' or 'Smash'.
I can't believe it's been four years now, and from watching that pilot, we really all looked like babies. It's unbelievable just how far everything has come. I'm happier now than I've ever been on the show and in my life. I really owe so much of my happiness to 'Glee.'
I distinctly remember the vivacious optimism that inundated the United States when the Soviet Union imploded in the early 1990s. This was not glee generated by the doom of an implacable enemy, but thrill germinated by the real possibilities that the future held for freedom.
When I got my overall deal at Fox, I got amazing bosses in John Landgraf and Dana Walden and Peter Rice. For the first time ever, they said, 'Don't change who you are; be who you are. And write something you want to watch.' That thing was 'Glee,' and it took off from there.
I know some of my parents' friends think 'Little Britain' is in incredibly poor taste. But swimming the Channel? You can't really say anything negative about that, can you? There's nothing better than making your parents happy. The glee on my father's face that day was amazing.
But my main thing that I would love to see as a fan of 'Glee,' like I said, is to really get into the character and who they are and what they do outside of school. I think that that's interesting. And then of course the themed stuff and the album episodes are all really cool too.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
I grew up performing in glee club at my school; I was the ostrich in 'Peter Pan,' and then I was super-involved in church choir and worship leading at my church. So I always loved music and was involved with it, but never really thought it was what I wanted to do until I started writing.
I keep saying, the older I get, the younger my audience gets. Because 'Wicked' and 'Rent' and 'Glee,' each one was a young audience, so it's a great thing to have, so then you know that as they get older and have kids, they'll maybe still buy tickets to my shows when I'm 80 and in Vegas!
Whether you look at 'Glee' and its normalization of gay identity or you look at the work of Martin Scorsese and the Italian-American community, American culture is able to take these stories, which are seen as marginalized, and just turn them into American stories. And you don't think twice about it.
During 'Hawthorne', I was constantly trying not to be too outrageous and keep it serious. This has been so refreshing for me because it's such a good outlet for the inner me to just be. That's the whole point of 'Glee' anyways - to just be who you are and that's enough. I really feel that way on set.
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
I think it's funny because on 'Glee Project,' there's that added pressure, but with 'Glee,' there's no element of competition. No one's trying to dance better than anyone. But there's that added pressure of, 'So many people are going to watch 'Glee' this week. If I don't nail this dance, I look like an idiot.'
The story wafts across the Atlantic, where it's picked up with glee by Catholic progressives and horror by some Catholic conservatives - and the battle of the blogs is on, full blast. No one bothers to ask whether there's any basis in fact for the assertion that this is going to be a "global-warming encyclical."
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.
Recently I was directing an episode of 'Glee' and I lost my cell phone - and I didn't have time to buy a new one for three weeks. Well, the first few days I was anxious as hell, suffered the delirium tremens, didn't think I could make it through, etc. Then something kind of curious happened - I began to feel great.
'Glee' is very easy to clown because I feel like it's just crumbling. 'Smash!' 'Smash' is the ultimate. I love it because I'm all about theater. I did plays in high school and college, and it totally brings me back to that feeling: how excited you get on opening night, how it sucks when you're not learning the dance moves.
In my real life, both my bosses are gay. On the 'Real Housewives of Atlanta,' Andy Cohen is gay, everybody at Bravo is gay - we call them the gay mafia. Over at 'Glee' and 'The New Normal,' my boss Ryan Murphy is gay. On the show, my boss, played by Andrew Reynolds, is gay in real life. I'm surrounded by all my gay bosses.
I was on Twitter and I saw that I had over 1,000 responses and I was like "OK, something happened," so I opened it and it was like "Charice on Glee!" I didn't get an e-mail from the show so I wasn't tweeting at that time. I just watched my fans tweet. And then after about 30 minutes the show e-mailed me and said congratulations.
'Glee Project' and 'Glee' have the same spirit, but they're both harder in their own ways. With 'Glee Project,' there's more pressure because you're being judged in everything you do. When you film 'Glee,' you go to the studio and have an off day, and it's OK - you're still going to be there; you take as many chances as you need.
Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.
I have a very optimistic view of my future right now. I'm very excited to see where it goes, but I try not to make plans just because I know how unpredictable life can be. Especially the life of an actor, and especially the life of an actor on 'Glee.' I just want to be happy and healthy and surrounded by people I love, as cheesy as it sounds.
Like the graduates of some notorious boot camp, my brothers and sisters and I look back with a sort of perverse glee at the rigors of our Catholicism. My oldest sister, Mary, was so convinced of the church's omnipotence that when she walked into a Protestant church with some high-school friends, she was sure its walls would crash down on her head.
All right. Let's give you something to tell your grandkids about. Or great-grandkids. Or great-great-grandkids." I snort with glee, delirious with excitement. Charlie winks and pours me another finger's worth of whiskey. Then, on second thought, he tips the bottle again. I reach out and grab its neck. "Better not," I say. "Don't want to get tipsy and break a hip.
