You know, boy versus girl. But she's a tough warrior, so I almost treated it like unisex. But it makes a difference how tall the actors are, because I needed to know that if Olivia Wilde sits in a car that the director, Joe Kosinski can still get the angle he wants, as opposed to maybe in another vehicle than Jeff Bridges has to sit in. So that was fascinating. Because in a real car you change everything and adjust it. But here you have one shot.

The real Wendy is a plain, regular girl with good skin. I do have hair, if he's wondering about that. I have lots of witnesses to that. [Chuckles] And I'm a homebody. When I get off the phone with you, Kam, I'm going to the grocery store, because our power was out for 4 days. As for breast augmentation, I do recommend it for women over 30 who have a couple of extra dollars. But it's not for a nutty schoolgirl who might just be doing it for a guy.

There are the great people who have grown and loved me, like Katy [Perry] - who started as a fan and told me that one day she hoped I would dress her, and asked for a picture with me at a fan meet and greet. Now she's became one of the world's most important pop stars. I've supported her since the beginning, out of believing in a spark in her and giving her a chance because she was a girl who obviously seemed very passionate about what I am doing.

As the children were sitting there eating pears, a girl came walking along the road from town. When she saw the children she stopped and asked, "Have you seen my papa go by?" "M-m-m," said Pippi. "How did he look? Did he have blue eyes?" "Yes," said the girl. "Medium large, not too tall and not too short?" "Yes," said the girl. "Black hat and black shoes?" "Yes, exactly," said the girl eagerly. "No, that one we haven't seen," said Pippi decidedly.

..there she is, and I am watching her through plexiglass, and she looks like Margo Roth Spiegelman, this girl I have known since I was two–this girl who was an idea that I loved. And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong by dangerous. What a treacherous thing it is to believe that a person is more than a person.

Death comes to me again, a girl in a cotton slip, barefoot, giggling. It’s not so terrible she tells me, not like you think, all darkness and silence. There are windchimes and the smell of lemons, some days it rains, but more often the air is dry and sweet. I sit beneath the staircase built from hair and bone and listen to the voices of the living. I like it, she says, shaking the dust from her hair, especially when they fight, and when they sing.

A second Homeland Security official has been arrested, a 49-year-old guy named Frank Figueroa, he was caught exposing and fondling himself to a teenage girl in a shopping mall in Florida. Do you realize? If Osama bin Laden was a 14-year old girl, we would have had him by now. ... Who is going to start protecting us from the Department of Homeland Security? ... It kind of makes you long for the good old wholesome days of the Clinton administration.

All you have to do is speak up. Tell him straight up: "I need you here to protect and provide for us, to give us security in our lives, to help raise these children, to set an example for this boy, who needs to see what real men do, and for this girl, who needs to know what a real man is so she can find one of her own someday. I need you to be the head of this family." Lay it out like this, and your requirements will trump his mother's every time.

It is my vision that we all will dedicate the next decade to achieve universal literacy and education for all children, especially for girls. More than 145 million of the world's children are deprived of education due to poverty, exploitation, slavery, gender discrimination, religious extremism, and corrupt governments. May Three Cups of Tea be a catalyst to bring the gift of literacy to each of those children who deserves a chance to go to school.

When I was 14, a camp counselor explained what "eating out" was and I vowed to never have it done to me. It seemed cannibalistic and unhygienic. I also remember that she claimed--in front of an entire cabin of girls--to have been "eaten out" by one of the maintenance men in a hot tub. Under hot water. Either something is amiss in my memory of this conversation or she found the most talented man on the planet and all hope is lost for the rest of us.

I stole your childhood and now I’ve led you by the hand to your death. But the worst thing is, I knew. I knew this would happen. This is what always happens. Forget your faith in me. I took you with me because I was vain. Because I wanted to be adored. Look at you. Glorious Pond, the girl who waited for me. I’m not a hero. I really am just a mad man in a box. And it’s time we saw each other as we really are. Amy Williams, it’s time to stop waiting.

First Lieutenant Jimmy Cross carried letters from a girl named Martha, a junior at Mount Sebastian College in New Jersey. They were not love letters, but Lieutenant Cross was hoping, so he kept them folded in plastic at the bottom of his rusack. In the late afternoon, after a day's march, he would dig his foxhole, wash his hands under a canteen, unwrap the letters, hold them with the tips of his fingers, and spend the last hour of light pretending.

Yeah, well," I say, "I left Abnegation because I wasn't selfless enough, no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me-that selfless girl, that's not you?"... "You've been paying close attention, haven't you?" "I like to observe people/" "Maybe you were cut out for Candor, Four, because you're a terrible liar.

The story we hear over and over again is: Boy in science class, very nice to the girl, says, "Please come to our party on Saturday night." She, of course, shows up. He hands her two, three, four, five drinks. She becomes so inebriated he says, "You can sleep it off in my room. It'll be safe." Or, "I'll walk you home." It's all premeditated with the intention of having sex with that woman without her consent when she's passed out. It's a huge issue.

It doesn’t matter who you marry, as long as he thinks like you and is a gentleman and a Southerner and prideful. For a woman, love comes after marriage.” “Oh, Pa, that’s such an Old Country notion!” “And a good notion it is! All this American business of running around marrying for love, like servants, like Yankees! The best marriages are when the parents choose for the girl. For how can a silly piece like yourself tell a good man from a scoundrel?

I have often been downcast, but never in despair; I regard our hiding as a dangerous adventure, romantic and interesting at the same time. In my diary I treat all the privations as amusing. I have made up my mind now to lead a different life from other girls and, later on, different from ordinary housewives. My start has been so very full of interest, and that is the sole reason why I have to laugh at the humorous side of the most dangerous moments.

What do you think deja vu is for?". Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others.

I think... girls have a hard time being interesting. It’s actually easier to be famous, or notorious, than it is to be interesting. In our world, girls climb very well until they hit puberty-sexual maturity-and then they begin to fall out of the tree. They start role-playing instead of thinking, flirting instead of learning. They start admiring how smart the boys are-or how athletic or how handsome-instead of concentrating on their own intelligence.

You have to sit with the songs until they start to live. Or do things straight-up spontaneously. I set up a beat just like I do in the live show, add the lyrics that I wrote in thirty minutes - I already had a topic in mind because I had this crazy experience with this girl who was trying to get close to me and it freaked me out because she was really close to another friend of mine, and I thought, "This is a story, I'm gonna make this into a song."

There's this book," Jared said. "And in this book a guy said that he would rather touch someones hand if she was dead than another girl who was alive. It's creepy. I know that." He was staring off into space, as if at some private nightmare. "Nothing matters in comparison. Nobody is real but her. So it feels sometimes as if nothing else matters at all, including other people. She wouldn't like that. Other people SHOULD matter." *** So he loved Kami.

The 1992 US Olympic basketball team is the best sports team ever, the equivalent of rounding up the greatest American writers of the last century or so and watching them collaborate: 'OK, Twain, you do the dialogue and hand off to Faulkner. He'll do the interior monologue. Hemingway will edit - no, don't make that face, you know you overwrite. And be nice to Cheever. He's young, but he's got a good ear. Wharton and Cather can't play - they're girls.'

Girls . . . were allowed to play in the house . . . and boys were sent outdoors. . . . Boys ran around in the yard with toy guns going kksshh-kksshh, fighting wars for made-up reasons and arguing about who was dead, while girls stayed inside and played with dolls, creating complex family groups and learning how to solve problems through negotiation and roleplaying. Which gender is better equipped, on the whole, to live an adult life, would you guess?

Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear. Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory. But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear.

Oh, shut up. He is not saying that he's too good-looking to be friends with girls. But then again, yesterday at the beach, there were a high percentage of beach beauties sitting very close to us and/or sauntering repeatedly past. And he never looked up once. I snort. "You poor handsome thing. If only you were ugly, then girls wouldn't have to throw themselves at you all the time. I could break your perfect nose for you, if it'd make your life easier.

The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. (Speak To Me Of Death)

Did you imagine that you would make me believe ill of Sophy with your foolish and spiteful letter!' he demanded. 'You have tried to set me against her from the outset, but you over-reached yourself today, my girl! How dared you write in such terms to me! How could you have been so crassly stupid as to suppose that Sophy could ever need your countenance to set her right in the eyes of the world, or that I would believe one word of slander against her?

It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who has had children and I think, they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is their little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move.

But who wants to hang aroundfrat guys ? I want to be with guys who have more on their minds than where the next keg party is. I want to be with guys who care about making this world a better place-the way Andrew does. I want to be with guys who know that what's important isn't the size of a girl's waistband but the size of her heart-like Andrew. I want to be with guys who are able to see past a girl's outward appearance, and into her soul-like Andrew.

She's different from the girls I'm used to dating. She doesn't get tired of my stories and jokes or expect me to start reading her mind. She doesn't want me to dress better or put highlights in my hair or serious up. I'm not a lifestyle accessory to her. I'm a necessity. I'm the guy that's going to crack open her cocoon. She doesn't need to change me - she needs me to change her. At least until her little butterfly wings get strong enough to fly away.

When you are old you can look back and see yourself when you are young. It is almost like looking down from heaven. And you see yourself as a young woman, just a big girl really, half awake to the world. You see yourself happy, holding in your arms a good, decent, gentle, beloved young man with the blood keen in his veins, who before long is going to disappear, just disappear, into a storm of hate and flying metal and fire. And you just don't know it.

I don't know about immortal, but I must say that to me to touch more women and to have them understand friendships is important. I've had girls come up to me who said, "Yeah, after I saw 'Beaches' I called up my friend Denise who I was really mad at. She got me so aggravated and I called her and we made up." So if I could do that with this new release, yes, that would be very pleasing to me because, hey, it's a tough world. You need friends out there.

I began to think about the extent to which nude and semi-nude female bodies are commonplace in our present day culture and how young girls might be affected. I wondered if, at some point, this bombardment of images could possibly get boring and that concealing - rather than revealing - would awaken sexual desire. I don't think that will ever be the case, of course, but I was intrigued to write a poem in which dressing was just as erotic as undressing.

All writers are insecure, the male ones especially. It's well known. Why else would they spend so much time on make-believe? They're only happy in their imaginary worlds, because that's where they're in charge - where they're God. Did you know that Hemingway's mother dressed him as a girl until he was six years old?" I was not offended by Claudia's glib psychological theory. Like many glib psychological theories, it struck me as fundamentally correct.

Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.

This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.

You'd think with all the magazines and the covers and all the sexy stuff I've done, that that's hugely a part of me. But even though I've played those roles and I've dressed up and been on the covers of these things and done this and that, it is all such pretense. So I just thought, "I can't be one of those girls. I wear bib jeans. I don't wear underwear like that. I don't move in the world like that." You know, I'm more bare-footed Rastafarian, crazy.

There's definitely a lot of trash that comes with the prize of being famous. It's a nice gift, but there's a lot of wrapping and paper and junk to cut through. Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me. I mean, everybody would love to have their clothes torn off by a mob of girls, but being screamed at is different.

Boys. Listen up. We are going out for a girls’ night, where there will be dancing.” Kami did an illustrative shimmy. Angela looked resigned. Jared looked amused. “What was that?” “You’ve got to dance like nobody’s watching, Jared,” Kami informed him. “Have you considered that perhaps nobody’s watching because they’re too embarrassed for you?” “Fine,” said Kami, grinning at him. “Be a hater of dances. Be a hater of joy. I don’t care. You’re not invited!

Girls face two major sexual issues in America in the 1990s: One is an old issue of coming to terms with their own sexuality, defining a sexual self, making sexual choices and learning to enjoy sex. The other issue concerns the dangers girls face of being sexually assaulted. By late adolescence, most girls today either have been traumatized or know girls who have. They are fearful of males even as they are trying to develop intimate relations with them.

But on top of all that, the feelings about Princess, I'd also gone through an entire year of celibacy based on my feeling that lust was the direct cause of birth which was the direct cause of suffering and death and I had really no lie come to a point where I regarded lust as offensive and even cruel. "Pretty girls make graves," was my saying, whenever I'd had to turn my head around involuntarily to stare at the in­comparable pretties of Indian Mexico.

I grew up in LA so I'm definitely a West coast girl. It's a totally different beach. It's a totally different ball game. I feel like on the East Coast being at the beach is something they don't get to do a lot. So you get this feeling where feel the energy of everybody just being so excited to be on vacation or in the sun. Here in LA I feel like we get that a little bit more so we don't appreciate it as much. But there you could really feel the energy.

There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot. To be the outsider is actually a great thing in England. I don't know - I'm not American. But I think the majority of American teenagers don't want to be the freak.

There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars.

He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.

I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.

Fighting positions, please, ladies...' 'That's debatable,' Halt said in an undertone to Will as they stood watching... 'The 'fighting' part or the 'ladies' part?' Will replied with a grin. Halt looked at him and shook his head. 'Definitely the 'ladies,'' he said. 'There's no debate about the 'fighting.'' Will shrugged. He knew there was an edginess to the girls' relationship and that it had something to do with him. Why that should be so was beyond him.

I was a working class Jewish girl. In my girlhood, anti-Semitism was a daily fact of life in Detroit. I did not come from people who had many options in their lives or many choices open to them. I was a girl in a family in which women were, as in society at large, very much second-class citizens. I did not see why I should accept these forced limitations without a fight. Being free to make my own choices thus became very important to me at an early age.

Every fairy tale, it seems, concludes with the bland phrase "happily ever after." Yet every couple I have ever known would agree that nothing about marriage is forever happy. There are moments of bliss, to be sure, and lengthy spans of satisfied companionship. Yet these come at no small effort, and the girl who reads such fiction dreaming her troubles will end ere she departs the altar is well advised to seek at once a rational women to set her straight.

Walt Disney has never addressed himself to children once in his life - never. The material of his cartoons is made to reach an adult audience. This is the whole trouble. Everything is made to reach everyone, and in order to reach everyone, he must introduce the Hollywood touch. Every illustration of a girl in Disney's books looks like the Hollywood queen and every picture of the hero looks like a badly drawn Cary Grant. Obvious symbols of an adult world.

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.

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