I was the music director at a dinner theater called the 'Pheasant Run Theater' in the suburbs of Chicago, and that was my side gig while I acted.

It's not an easy gig, being in the NRL sometimes: you always feel for the boys because you have that mutual respect knowing what they go through.

I don't tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.

Some people think it's an easy gig working as an extra, but you often have to stay very concentrated for long stretches in challenging conditions.

When I started working with my manager and started going out on auditions, I always viewed Hollywood as a 'snowball's chance in hell' kind of gig.

When people say, 'I don't like laughter on a TV show', I think, 'How do you cope when you're watching a stand-up gig live?' - it's the same thing!

I love the press; I even like the people that don't like me. If it wasn't for those people, no one would know who I was and I wouldn't have a gig.

At 20, I was married, working as an auto mechanic, and living in Gainesville. I was doing Against Me!, but it wasn't by any means a full-time gig.

Music is a gut thing. You're working in a medium which is more in touch with the primal than the modern. A gig is a ritual. There's a congregation.

I joined Yes in July 1971. I had heard Yes live, as Strawbs had supported them at a gig in Hull. I thought they were amazing - incredibly different.

I'm always nervous before playing a gig, to tell you the truth. It's what nearly did me in when I was with the Libertines. I just couldn't handle it.

Finding great songs is the hard part of my gig - it's not as hard as songwriting, that's much more daunting - but I love playing other people's music.

I do the same gig. I might change it a little; I might slow it down if I'm in the South. I talk fast, and they're not used to people talking that fast.

The first gig we ever played was in Halifax, Nova Scotia, where I'm from. I was in a band called the October Game, and we opened up for a Vancouver band.

After a gig I always head back to the hotel, remembering granny's words of wisdom. I cancel the late-night pizza and watch the Jonathan Ross show instead.

Back in the day, you could have a crap gig, and nobody would film you. Now, everybody's got an iPhone - you have a bad day, and it's going on the Internet.

I did a modeling gig for Burberry once, and it was a great experience, but no I am not a model. I want to be a model because it's a lot easier than acting.

I don't envy anybody else's career because I feel they've earned where they're at and worked hard. I wouldn't mind Jack White's gig, though. He does it all!

It was so much fun to work with the cast on 'School of Rock'. I was a little nervous because it was my first acting gig, but it was such a great experience.

Life is about putting forth your best effort and showing up. When you show up to the gig fearlessly and put forth your best, who knows what could come of it?

Nick Knight was my first big gig as a 'real' model. Prior to and during 'ANTM,' I never actually called myself a model because I always viewed it as a hobby.

When I was managing Boyzone and Westlife there were screaming girls every night. If there wasn't a high-piched screaming, it was a bad gig. I got used to it.

I decided I'd never do a series again, but I was offered a pilot for a series through Eddy Murphy Productions, and that was the gig that got me Parker Lewis.

For my first acting gig, I was a hand model for a Barbie commercial that was only going to air in Asia. And I was constantly trying to get my face in the shot.

The idea is every time I go to a show, that night or the next morning I write it down in the gig log. Sometimes they're very scant, sometimes they're very long.

Genuinely, the first gig I did when I was 18, it felt like the world shifted. I realised that I had stumbled upon a mechanism through which you could view life.

We played a gig and we had a song that was offensive to people of the Jewish persuasion, and we led off with it, and they were offended by it, and that was that.

When you have the thrill and the pleasure to do something that means so much, you'll do whatever you've gotta do to get to that next gig and play that next song.

I did an open air gig in Regent's Park and that's an incredible venue because the sun sort of sets while you're on stage and you can see the audience so brightly.

I was getting gig offers from neighbouring countries, but no one knew me in India. Just when I was about to accept an offer, one of my videos went viral in India.

I don't know what my next dream role gig is, but I have so, so many shows that I'm like, 'Oh my God, can I guest star on 'New Girl?' Like, that would be amazing!'

I never wanted to be one of those desperate actors, just waiting for their next gig, who might have to take something that they didn't want to do to pay the rent.

The worst thing that happened to me at a gig was when the microphone wasn't on one time, and for the three lines of the verse with Chipmunk, you couldn't hear me.

It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.

Man, it was a great ride back in the day. Obviously, I started out in WCW, and I was a good mechanic back in the day. Got fired from that gig, made a turn for ECW.

Calgary wins for my coldest New Year's Eve gig. That's when I learned Fahrenheit and Celsius cross at 40 below. I could see callers' breath coming out of my phone.

I used to be good with kids, but as I get older, I'm grumpy and terrible with them. As for doing a gig at a 6-year old's birthday party, you couldn't pay me enough.

When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.

I'm trying to get an acting gig on 'CSI' or something like that, so we'll see how that works out. I'm a singer, definitely not an actor, so I just follow directions.

If I'm playing a gig in London, it feels so important. The adrenaline rush here is bigger than anywhere else. I kind of like the pressure that London puts you under.

The gig economy is empowerment. This new business paradigm empowers individuals to better shape their own destiny and leverage their existing assets to their benefit.

My friend, Zachary Throne, was playing a gig with Lemmy and the Upsetters. Knowing of our shared love of Motorhead, Zach called me up and invited me to the rehearsal.

I'd like to go back to standup. I don't like to think I've done my last gig. At the moment it terrifies me, I get really nervous. It's a great buzz when it goes well.

My first professional gig was 'Once Upon a Mattress' at the Drury Lane Oakbrook... I was in the ensemble. I was one of the ladies in waiting, and I covered Winnifred.

Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.

You never know when your last day gig is, and if you spend your life thinking about it, you'll drive yourself nuts. But I try not to foster or exhibit any desperation.

I once got my stiletto caught in my horse's tail on stage and went flying into the audience. It was a mental gig, so I think the crowd thought it was part of the show.

I wake up every morning, and life is different. I've got a gig or a shoot. Flying here, flying there. Meeting wicked people. Going to amazing places. I'm relishing it.

I'd gig three to five times a week while I was doing my A-levels. I'd always come in with a runny nose 'cause I was always ill and run-down. But I just pushed through.

In today's gig economy, where jobs have been replaced by 'portfolios of projects,' most people find themselves doing more things less well for two-thirds of the money.

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