Quotes of All Topics . Occasions . Authors
Upon the clothes behind the tenement, That hang like ghosts suspended from the lines, Linking each flat, but to each indifferent, Incongruous and strange the moonlight shines.
I think anybody's who's ever traveled to Paris or any sort of older European city will get caught up in the romance of the history and the ghosts you're surrounded by every day.
People want a story - and my horror films have never been about only ghosts and spirits. They have their share of love, hatred, jealousy and complexity of relationships involved.
Man has not really vanquished Shamanism and its spooks till he possesses the strength to lay aside not only the belief in ghosts or in spirits, but also the belief in the spirit.
It took a while for anyone to want to publish 'To Repel Ghosts.' I thought people would want to publish a three-hundred-and-fifty-page book about a dead painter, but they didn't.
I romanticize. I live with the ghosts of Elvis and Frank Sinatra. It seems so glamorous. They were American men who don't exist anymore. But there are ugly things about them, too.
I realised that today we are very much interested in reading about subjects that would have also interested people in the 1500s: ghosts, demons and things that go bump in the night.
I did 'Hawa' to understand what ghosts and the supernatural are all about. I don't believe in them and wondered how I could essay a part in a project I don't necessarily understand.
Counterintelligence is, in effect, chasing ghosts, which is why the tools used to investigate foreign intelligence activity are secret, like human sources or electronic surveillance.
Halloween might be a time that's renowned for ghosts, but we no longer experience ghosts only on Halloween. In our dating lives, we are now used to being 'ghosted' the whole year round.
I can't think of any musician or producer who has influenced me more than Brian Eno. From when he was in Roxy Music, producing Devo, the Talking Heads and My Life in the Bush of Ghosts.
Movies by Carlos Saura and others had ghosts, memories from the past, that they used to make a political point. Things you couldn't talk about openly, you could speak of through ghosts.
I was haunted by a bear attack that happened in Algonquin Park in 1991. The problem was that I don't believe in ghosts, so that ruled out an exorcism. My other choice was to start writing.
My mother is an immigrant from China, and she filled my head with stories about ghosts and fighting monks in China, so the world of 'Crouching Tiger, Hidden Dragon' was a very familiar one.
As a kid, I was more scared of the supernatural stuff and ghosts and goblins and the Crypt Keeper from 'Tales from the Crypt.' I was always scared he would chase me up the stairs, as a kid.
I've been overexposed to so much energy - not just ghosts and spirits but residual energy - overexposing myself to locations where bad things have happened and to levels of electro-geometric energy.
I know that there are energies that vibrate frequencies that are so subtle you could say that they exist in a different territory or realm or sphere, and people mistake these frequencies for ghosts.
A lot of the time, I write in the third person, but I'm mostly describing my own ordeals. When those unsettled struggles prey on your mind, you become haunted. To get free, you must defeat your ghosts.
Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.
I always liked it when people go back in time to discover things about themselves, like with 'A Christmas Carol' and you're getting a tour of your life by the ghosts of Christmas past, present and future.
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have seen one because then I could believe in God. If I can see it, feel it and taste it, then I believe in it.
I do believe in ghosts, but I haven't seen one. I can imagine that you cross over to the other side, some different dimension or whatever, but how do your clothes get there? Ghosts are always wearing clothes.
I've always liked telling stories. That probably came from my dad, who definitely had the gift of gab and who wove a kind of personal folklore about his youth - stories full of adventure and ghosts and wild antics.
I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.
I was such a sullen, angry, sad kid. I'm sure there are writers who have had happy childhoods, but what are you going to write about? No ghosts, no fear. I'm very happy that I had an unhappy and uncomfortable childhood.
All cultures have had a belief in ghosts and a fear of ghosts. People have always told stories, and everybody likes being frightened, especially when you feel safe. Personally, I find them scarier than vampires or zombies.
Whoever thinks... that the European economy can be competitive without economic cooperation with Russia, whoever thinks that energy security can exist in Europe without the energy that comes from Russia, is chasing ghosts.
I think there are probably ghosts in the world. I have not seen one but I feel like I felt the presence of one. In Korea there's been a superstition that ghosts love music, so they're always in a studio or a dance-training place.
Halloween is bigger than Christmas in America. I've experienced it in New York, Los Angeles and Washington D.C., and if you're in the right neighbourhood, every house is decorated with spooky ghosts, spider webs, and jack-o-lanterns.
Just by my home is an entrance to the sewers they used in the Warsaw uprising. I grew up knowing people died down there. Warsaw was once a battleground; then it became a morgue. It's a city littered with ghosts. And that never left me.
The South is full of memories and ghosts of the past. For me, it is the most inspiring place to write, from William Faulkner's haunted antebellum home to the banks of the Mississippi to the wind that whispers through the cotton fields.
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
It is, alas, chiefly the evil emotions that are able to leave their photographs on surrounding scenes and objects and whoever heard of a place haunted by a noble deed, or of beautiful and lovely ghosts revisiting the glimpses of the moon?
What scares me? I kind of believe in ghosts. I believe they can wander around, so that scares me. But the stuff that really scares me are the catastrophic events like my husband or children or my family being harmed, or something like that.
In my first book, 'Ghosts Of Manhattan,' the setting was Wall Street, and I explored the predictable nature of a bond trader inside the compensation scheme at Bear Stearns and the government regulations of Wall Street. That was about money.
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
Tyria's a big world. We get a grand tour in 'Ghosts of Ascalon.' We're in Divinity's Reach, we're in Lion's Arch, we're in Ebonhawke, we're in the Dragon's Land, we're in Ascalon. We're basically hitting a lot of the major human and charr locations.
Alien abduction movies are always the scariest; no matter how cheesy they are, they still scare me for a week. I live by myself in my apartment, and I don't worry about intruders or robbery; I mostly worry about alien abduction or evil, mean ghosts.
I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.
I went to Cork, Ireland, and stood on the dock some of my ancestors had left from. I felt their ghosts gather round me, and I cried to imagine what it must have felt like - leaving that beautiful land and those beloved people, knowing it was forever.
A large part of the appeal of this novel when I was lucky enough to stumble across the story idea for 'A Head Full of Ghosts' was that I'd finally be writing a horror novel. In a lot of ways, the book is both my criticism of and love letter to horror.
Even more than dying itself, I'm scared of the horror-movie changes that happen to the human body as it ages. I think of it as a sort of haunted-house effect, living inside a crumbling, creaking structure that is full of ghosts and will, some day, fall down.
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
It's not a field, I think, for people who need to have success every day: if you can't live with a nightly sort of disaster, you should get out. I wouldn't describe myself as lacking in confidence, but I would just say that the ghosts you chase you never catch.
What's fun about these pure action games hasn't really changed since the 8-bit days. Every time I make a new 'Devil May Cry' game, I always go back and play one of the 'Ghouls & Ghosts' games to remember what it is about those pure action experiences that's fun.
Ghosts of Marriages Past can haunt many aspects of a new relationship - your expectations of what a man should do, how you behave in conflict, your ideas of how commitment should look - they can even make your new man look untrustworthy when he's really behaving normally.
I fully believe in ghosts. I have, my entire life. The first house I ever lived in was haunted. There was a grave of a man in the backyard. I was just a baby then, but my parents would tell me that every night, at the same time, they would hear someone walking up the stairs.
My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts.
If you look at the practice of 'crisis management,' and maybe squint at it a little, you can make out in the corners of your vision the ghosts or the vestiges of a much older, but still thoroughly American, form of public life, one centered not on public opinion but on religion.