Quotes of All Topics . Occasions . Authors
Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
Being sensitive to the problem of women is just another symptom of the quality of movies: I don't think you can do anything that's very sensitive. Everything's sort of broad strokes and big gestures - adventure things that boys, guys want to see.
The first several years of my life were used to upload incredible amounts of fear, and I just became afraid of everything. I was afraid of my parents, afraid of my classmates, afraid of the streets of Washington, D.C. I would flinch at every gesture.
I wore it, this careless thing you don't even remember giving to me from your bag. It wasn't a gift, this thing I'm returning. It was barely a gesture, almost forgotten already, this thing I wore like it was dear to me. And it was. No wonder we broke up.
We can't equate spending on veterans with spending on defense. Our strength is not just in the size of our defense budget, but in the size of our hearts, in the size of our gratitude for their sacrifice. And that's not just measured in words or gestures.
A single smile from her could make his entire being burn. One touch from her hand and he was undone. It was terrifying to think of how much power this one person had over him. How one single gesture from her could affect him so profoundly. (Sin thinking about Kat)
The material memories are not usually part of what is said about a picture, and that is a fault in interpretation because every painting captures a certain resistance of paint, a prodding gesture of the brush, a speed and insistence in the face of mindless matter.
Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
There is only one way to receive transmission. When I tell you something, do it immediately, without the least wavering thought. That's it. Learn. Open your heart and act. Thought stops action. It perverts it into calculated gesture stripped of grace and efficiency.
As an attorney, I could be rather flamboyant in court. I did not act as though I were a black man in a white man's court, but as if everyone else - white and black - was a guest in my court. When trying a case, I often made sweeping gestures and used high-flown language.
The paintings are more about physicality and gesture than meditation. I'd compare it to playing scales on the Cello - each sound (pitch and intensity) depends on the manner in which you hold and apply the bow. The same goes for the gesture of applying paint to a surface.
It is impossible to foretell the future with any degree of accuracy, that it is impossible to rehearse life. A fault in the scenery, a face in the audience, an interruption of the audience on to the stage, and all our carefully planned gesture mean nothing, or mean too much.
Saddam Hussein has set an example of defiance, especially against the first President Bush, that other Arab leaders cannot and should not emulate; the example leads only to empty gestures and developmental stagnation, both of which the Arab nations have had enough of already.
I walk along a street and see in the faces of the passersby not the expression they really have but the expression they would have for me if they knew about my life and how I am, if I carried, transparent in my gestures and my face, the ridiculous, timid abnormality of my soul.
There's a spectrum of possibilities. You can underline the bass, or not at all. You can create something that is well-anchored or that is floating and never arriving. You can make a melodic line dominant or barely visible. The conducting gesture is akin to painting or sculpture.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
This changes nothing. It can't. You are my friend, my king,but that's.... All you can be." He nodded, but it was a gesture that indicated that he heard her, not that he agreed, which was abundantly clear as he said, "And you are my queen, my savior, my partner---and that's everything.
I used to love watching Angela Lansbury and other people when they were doing voice-overs for Disney shows. You'd see them doing these wild gestures in front of the microphone. I used to think, 'Is that really necessary?' What you realize when you're doing it is that that's the only way.
I feel like women bond with other women in this nonverbal way, where they take on each other's gestures. You start dressing more like each other, you eat the same food... It's a way of expressing regard: I want to be like you. Which is flattering, but if you view it another way, terrifying.
To imagine a new world is to live it daily, each thought, each glance, each step, each gesture, killing and recreating, death always a step in advance. To spit on the past is not enough. To proclaim the future is not enough. One must act as if the past were dead and the future unrealizable.
I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
Artists have different responsibilities in different eras. But at this point, I really feel like it's all hands on deck. An artist that's fiddle-faddling in opaque, gossamer gestures - I mean it's fine to do that, totally fine, but there's no time left. We don't have the luxury of time anymore.
For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.
She believed not in divine salvation but in the proposition that we poor mortals are fully capable of saving ourselves, if conditions and inclinations are right, and the evidence of this potential is found in the smallest of gestures, like the uncertain resting of a large hand on a bony shoulder.
What I dislike is conventional realism - a system of gestures, descriptions, psychological revelations that was once a vital way of representing the world but has become hackneyed through endless repetition. I'd argue that a conventional realist isn't a realist at all, but a falsifier of the real.
You don't know what you need when you're a young writer. You can get small slivers of critical input, advice, comments, but if you're deep in the perplexity of your own process, as you should be, sorting it out in your own way, nothing is going to guide you more than small gestures of encouragement.
I can be whatever it takes to be a folksinger. Folk music to me, if we had to have a definition, is portable music. A lot of what I do is flash, gesture, athletics, but what it comes down to is getting across a melody that will help it stick to your ribs, and being able to take it from town to town.
I have kids, so I can understand the image that footballers have. They are fans of some players; I see in their eyes. They admire and try to imitate their gestures, their words, their celebrations. They love Ronaldo and Messi. Since Euro 2016, though, they have no right to pronounce the name of Ronaldo!
Knowledge is the reward of action. For it is by doing things that one becomes transformed. Executing a symbolical gesture, actually living through, to the very limit, a particular role, one comes to realize the truth inherent in the role. Suffering its consequences, one fathoms and exhausts its contents.
There are endless consumer applications, but what excites me is how this can help people. A man who cannot speak communicates with sign language, but the average person doesn't know that language. SixthSense, if equipped with speakers, can recognize the gestures and form the words - it will speak for him.
How much truth is contained in something can be best determined by making it thoroughly laughable and then watching to see how much joking around it can take. For truth is a matter that can withstand mockery, that is freshened by any ironic gesture directed at it. Whatever cannot withstand satire is false.
I only tend to think of the week ahead, to keep my eye on the ball and question whether a full stop is in the right place. It's easy to get distracted by the wrong things. If you start thinking of grand gestures, it's going to be a lot of hot air. You have to be logical. The theatre is a very logical place.
All of my fights are planned. I study my opponents from A to Z. How he walks, how he looks, how he speaks, gestures of the human body, which is a certain language that provides you lots of information if you have the ability to read it. You just need to pay attention to it and gain experience over the years.
Don't underestimate your own strength. To persevere. To make it through the most difficult of times. And, JUST as importantly, don't underestimate your ability to help someone ELSE during THEIR most difficult times. Sometimes all it takes is a kind word, or gesture, to help someone make it through their day.
The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
We are in the society of the teacher-judge, the doctor-judge, the educator-judge, the 'social-worker'-judge; it is on them that the universal reign of the normative is based; and each individual, wherever he may find himself, subjects to it his body, his gestures, his behavior, his aptitudes, his achievements.
Offer some gesture of kindness to yourself. Sometimes it's just a message, to say: "It's okay. You're going to be okay. We've been through this before." The intention is reassurance, that you are not alone and you can do this. It is the most powerful way to come out of what I call the "trance of unworthiness."
Coincidence obeys no laws and if it does we don't know what they are. Coincidence, if you'll permit me the simile, is like the manifestation of God at every moment on our planet. A senseless God making senseless gestures at his senseless creatures. In that hurricane, in that osseous implosion, we find communion.
The starting point for understanding the deterioration in the relationship between the U.S. and Russia lies in Washington rather than Moscow. After 1989, Russia was a defeated power. Despite the fine words and some limited gestures, the Americans have treated it like one. Their policy has been one of encirclement.
Time's Up is finally, it would seem, activism with some teeth. It isn't perfect, however. One of the first acts of protest - urging celebrities to wear black to awards shows - reveals a worrisome willingness to keep lunging toward those lazy, meaningless and empty gestures that cheapen the seriousness of an issue.
Looking ahead, future generations may learn their social skills from robots in the first place. The cute yellow Keepon robot from Carnegie Mellon University has shown the ability to facilitate social interactions with autistic children. Morphy at the University of Washington happily teaches gestures to children by demonstration.
For me, personally, life in South Africa had come to an end. I had been lucky in some of the whites I had met. Meeting them had made a straight 'all-blacks-are-good, all-whites-are-bad' attitude impossible. But I had reached a point where the gestures of even my friends among the whites were suspect, so I had to go or be forever lost.
It's very hard to make grand, romantic gestures on a mandolin, and there are times, particularly when playing Bach, that you long for just a little more sustain. But for better or worse it's my voice, and the trade-off comes with increased intimacy. It's like you're beckoning the audience closer: 'C'mere, I've got something to tell ya.'
What you do for yourself, any gesture of kindness, any gesture of gentleness, any gesture of honesty and clear seeing toward yourself, will affect how you experience your world. In fact, it will transform how you experience the world. What you do for yourself, you’re doing for others, and what you do for others, you’re doing for yourself.
Even if you close your eyes, you'll still hear Donald Trump sniffing. Linguists might call [these visuals] paralinguistics, every form of information including facial gestures and facial features. Obviously these things get scrutinized in tremendous detail, so that a cough can be of outsized importance. [But] that's all part of the package.
In a movie, it's often important to have aliens whose gestures and facial expressions can be 'read' by humans. And in the days before sophisticated computer animation, most extraterrestrial bit players were guys in rubber suits. Such practical considerations forced Hollywood's hand when it came to aliens - they look like us for good reasons.
It is hard for me to imagine that I felt good about behaving like that. I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Sometimes all it took was a scene in a movie. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.