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I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.
European countries simply do not have the ideological framework the United States has in the shape of the 'American dream' that has helped to absorb successfully wave after wave of immigration to the States, including Muslim Americans who are well integrated into American society. There is no analogous French dream or German dream.
I like to be surrounded by books. My wife Evelyn has a Ph.D. in comparative literature, so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called 'FMR,' so we have a common interest in design.
If European monetary policy is run according to German interests, huge structural imbalances will accumulate. The Germans will then either have to pay to correct those imbalances or agree that the euro should not be run primarily according to German interests. If they are unwilling to do either of those things, the euro can't survive.
Living in Manhattan opened me to whole new sets of things to envy, study, gather and imagine stealing. A full-size 1809 German harp, beautifully painted with three goddesses, covered in a pea-green coat of great silvery refinement: mine for $180. Though all its strings were broken, its beauty let it claim a quarter of my one - bedroom.
Sometimes, I had very little - if any - idea for whom I was really working: at the end of the day, who reaped the profits? Was it a privately controlled German foundation or a global array of stockholders? A middle-class guy on the Upper West Side or Rupert Murdoch? Were we pursuing mere profit, or self-perpetuation, or something bigger?
The German physicists knew at least so much about the manufacture and construction of atomic bombs that it was clear to them that the manufacture of bombs in Germany could not succeed during the war. For this reason, they were spared the moral decision whether they should make an atomic bomb, and they had only worked on the uranium engine.
While I was able to pass as white as soon as I came to America, this was not really possible while I was growing up, as it was pretty obvious that I wasn't 'all German.' So my privilege was that in America, I could conveniently withhold one of my bloodlines and avoid racism and discrimination. That is not a privilege most people of color have.
The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.
There was a time for German stars in the 1950s with Curt Jurgens, Hardy Kruger, O. W. Fischer, and Maria Schell. That was a totally different generation. It all ended in 1968 during the big students' movement in my country. It was an anti-authority movement that changed everything. All my country's hierarchies, morals and values were questioned.
As I was looking through a book about German Expressionist films and their stars, it all came together because of the extreme way actors made their faces up in those early day of film in order to pop out in the black-and-white. I just wanted to use makeup in the same way, partly perhaps because as women get older, they're told to wear less makeup.