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Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities.
I play games on-set at work. Sometimes I can't remember people's names, so I start throwing out clues. Like if I can't think of George Clooney, I'll say, 'You know, drop-dead gorgeous, was on a big TV show... ' Until someone says his name, I can't finish my story!
As soon as someone tells me: 'You're rather sexy,' I wish I could disappear. If somebody says: 'You were voted the world's sexiest man,' I have no idea what that means. How do I respond? 'Thank you' is the best you can do. George Clooney is the world's sexiest man, anyway.
George Clooney is exactly what you would expect. He's annoyingly good looking, insanely funny, and super smart. So you just feel really inferior around him all the time. You end up feeling really bad about yourself, but you walk away feeling really great about George Clooney.
One day during filming, George Clooney was wearing his surf shirt and board shorts, and my six-year-old daughter was in the background as an extra, playing in the sand - playing herself. She and Clooney suddenly looked equally Hawaiian, equally related to the place I call home.
These women whose antics we smirk at good-naturedly in the pap-traps put themselves out there at least partly on their beauty; they are in showbiz, and showing what they've got is part of their business as much as it is for male show-ponies from the Chippendales to George Clooney.
I was one of the first to read the 'ER' script and the good news is George Clooney still gives me credit for helping to launch his career. I had George Clooney under contract for four years in a row before 'ER' happened. He's one of the few who remembers the people who helped him.
There is an established tradition of actors directing films that have a particular, personal meaning for them - Warren Beatty, Clint Eastwood, Kevin Costner, and most recently George Clooney to name a few. Remarkably, their films share an unusually high percentage of being very good.
The fact is Jerry Weintraub, the handsome, bearish movie producer, the man with the long career, who worked with Arthur Godfrey and Elvis Presley and Frank Sinatra and George Clooney, is a great storyteller - he's this as much as he's anything else. He takes time telling stories, too.
George Clooney and Brad Pitt, with those 'Oceans' films they do, they get to work together, make a whole lot of money, and make a major film statement. Imagine if once a year, myself, Denzel Washington, Laurence Fishburne, James Earl Jones, we did some relevant film together to make a statement.
If you're unhappy with your circumstances, then change them. Don't blame the government or your boss or the guy down the street who's better looking than you (exceptions include Hugh Jackman and George Clooney). Just take some Pepto-Bismol and be a man (or woman, for all of you bullish feminists).
There's still this idea that women are over by the time they are 40, so that they can't play the love interest opposite a 50-year-old man. George Clooney is 52, but he's always on the arm of a thirt-something actress. He gets Vera Farmiga. You don't get a 50-year-old woman on the arm of a 30-year-old guy.
You can relax more when you're playing a silly character than when you're playing a really rigid character. But to be fair, I think George Clooney is a bigger teenager than any of the 'Twilight' cast. He's the guy throwing a football at your head and then hiding around the corner, pretending it wasn't him!
There's a theory about fame: the moment it strikes, it arrests development. Michael Jackson remained suspended in childhood, enjoying sleepovers and funfairs; Winona Ryder, an errant teen who dabbled in shoplifting and experimented with pills; George Clooney, a 30-year-old commitment-phobe, never quite ready yet to settle down.