Life isn't about algebra and geometry. Learning by making mistakes and not duplicating them is what life is about.

Geometry is knowledge that appears to be produced by human beings, yet whose meaning is totally independent of them.

People were going to geometry class and I was swimming through vats of chili on 'Even Stevens.' It was like a dream!

One geometry cannot be more true than another; it can only be more convenient. Geometry is not true, it is advantageous.

The geometry, the content, and the fate of the universe are all intricately linked. If you know two, you can deduce the third.

When I was a young kid at art school, I loved the sensual geometry of Poliakoff, which, of course, is inherent in my own work.

Experience proves that anyone who has studied geometry is infinitely quicker to grasp difficult subjects than one who has not.

There is still a difference between something and nothing, but it is purely geometrical and there is nothing behind the geometry.

Geometry existed before the creation. It is co-eternal with the mind of God...Geometry provided God with a model for the Creation.

The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.

It is hard to convince a high-school student that he will encounter a lot of problems more difficult than those of algebra and geometry.

In geometric and physical applications, it always turns out that a quantity is characterized not only by its tensor order, but also by symmetry.

And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art.

Golf is basically about geometry and your ability to gauge how things are, the terrain, the distances, and exerting the right amount of swing and force.

I am coming more and more to the conviction that the necessity of our geometry cannot be demonstrated, at least neither by, nor for, the human intellect.

I love the simplicity of the Cube because it's a very clear geometrical shape, and I love geometry because it's the study of how the whole universe is structured.

I can't stop biting my nails. It's a bad habit of mine. I like anything to do with math and numbers. I know a lot of people don't like geometry, but for me it's fun.

Analytical geometry has never existed. There are only people who do linear geometry badly, by taking coordinates, and they call this analytical geometry. Out with them!

The description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn.

Baseball is a game of geometry, while football is a game of explosive emotion. Every emotion known to mankind is in that 60 minutes - pride, pain, dedication, satisfaction, fear.

I call it sacred geometry. When everything's just right and it feels really balanced, so that when it unfolds to the next part, you feel totally familiar and at ease within the song.

Fractal geometry is everywhere, even in lines drawn in the sand. It's the cycle of life... You see fractals in plants, in flowers. Within the human lung are branches within branches.

What physics tells us is that everything comes down to geometry and the interactions of elementary particles. And things can happen only if these interactions are perfectly balanced.

In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.

I'd been doing projects outdoors for the public. I made pigeons eat geometry by putting bread out in rhomboids and triangles. I don't know if this activity made sense, but the work was available.

Crystals grew inside rock like arithmetic flowers. They lengthened and spread, added plane to plane in an awed and perfect obedience to an absolute geometry that even stones - maybe only the stones - understood.

Not that the propositions of geometry are only approximately true, but that they remain absolutely true in regard to that Euclidean space which has been so long regarded as being the physical space of our experience.

We learned to put discipline in the haircuts by using actual geometry, actual architectural shapes and bone structure. The cut had to be perfect and layered beautifully, so that when a woman shook it, it just fell back in.

Einstein's gravitational theory, which is said to be the greatest single achievement of theoretical physics, resulted in beautiful relations connecting gravitational phenomena with the geometry of space; this was an exciting idea.

A geometry implies the heterogeneity of locus, namely that there is a locus of the Other. Regarding this locus of the Other, of one sex as Other, as absolute Other, what does the most recent development in topology allow us to posit?

If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.

A multitude of bees can tell the time of day, calculate the geometry of the sun's position, argue about the best location for the next swarm. Bees do a lot of close observing of other bees; maybe they know what follows stinging and do it anyway.

This is the first real evidence that we've seen now of high gravitational field strengths: monstrous things like stars moving at the velocity of light, smashing into each other, and making the geometry of space-time turn into some sort of washing machine.

In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.

If the chemistry is right between star and photographer and the geometry of the pictures pleases the star, often the two people end up with a long-term professional friendship during which they continue to work together and to produce highly personal images.

Relying on the face might be human nature - even babies prefer to look at attractive people. But, of course, judging someone based on the geometry of his features is, from a moral and legal standpoint, no better than judging him based on the color of his skin.

The bones of my architecture are very much related to the structure, to the physical fact of how a building can stand up; it's also related to geometry and a certain understanding of the architecture in which there is a balance between expression and function.

I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square, then when you lift it up it will drape in a certain way, and I can feel how that will happen.

Every one who understands the subject will agree that even the basis on which the scientific explanation of nature rests is intelligible only to those who have learned at least the elements of the differential and integral calculus, as well as analytical geometry.

I got into animals by drawing hair follicles. I liked drawing hair, and from that I got into feathers and fur, then into images of animals. The patterning is the same, but the proportions of the body change from one animal to the next. A lot of it is just geometry and consciousness.

There's a theory that says that life is based on a competition and the struggle and the fight for survival, and it's interesting because when you look at the fractal character of evolution, it's totally different. It's based on cooperation among the elements in the geometry and not competition.

I've learned that I've just barely scratched the surface of knowledge of the profession, and I have deep envy of and appreciation for filmmakers who really, truly understand the physics, the design of filmmaking. They can do story and color and composition and geometry and math and science all at once.

The citation for the 1971 Nobel Prize in Chemistry reads, 'for contribution to the knowledge of electronic structures and geometry of molecules, especially free radicals,' and therefore implies that the Prize has been awarded for a long series of studies extending practically over my whole scientific life.

I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.

It turns out that hyperbolic structures are very common in nature, and the place where lots of people encounter them is coral reefs. Sea slugs, and a lot of other organisms with frilly forms, are biological manifestations of hyperbolic geometry, which is also found in the structure of lettuce leaves and kales, and some species of cactus.

My family was well off but not rich. I spent the four years I was an undergraduate working on the beach. And it wasn't because I was lazy; it was because my freshman class would go to a hundred different employers and wouldn't get a nibble. That was a disequilibrium system. I realized that the ordinary old-fashioned Euclidean geometry didn't apply.

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