Quotes of All Topics . Occasions . Authors
Readers have always read high and low, and to fight that urge is to fight the freedom inherent in the act of reading itself. The only arguments that have any traction, as best as I can see it, are about whether the genre classification of 'young adult' should exist at all.
I love music. I love every kind of extreme sort of music, and many different genres, and if I were to have to dedicate myself to just one kind of genre, I would feel kind of gypped. I'd be like, man, I wish I could do this or that. And really all it takes is trying it out.
I feel like movies should stick to a genre and give the audience what they want, and then surprise them with the unexpected and not just do the same thing you've always seen. But of course, you're gonna see some of the same things you've seen before. It's part of the deal.
The first Amy Silver book was commissioned, and they were not books that came completely from me. They weren't necessarily the sort of books I read, and although I enjoyed doing them very much, and they were great training, I never felt completely comfortable in that genre.
It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.
Within the macho-melodrama tropes of the superhero genre, it's fair to say 'Watchmen' stands out for its rich entertainment, its darkness, and its lurid pleasures. Its vividly drawn panels, moody colors and lush imagery make its popularity well-deserved, if disproportionate.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can.
I loved when the superhero genre crosses with horror. Morbius. Those are the guys I gravitated towards. Blade. So for me, to be interested in doing a superhero movie, it would need to be on the dark side or a Jack Kirby property. Kamandi, Demon, Mr. Miracle - I love any Kirby.
A romance is a courtship story. In the 19th century, the definition of the romance genre was an escape from daily life that included adventure and love and battle. But in the 20th century, that term changed, and now it's deemed only a love story, specifically a courtship story.
I enjoy turning things on the audience. I really like working in genre because people come into the films with certain expectations. They know the tropes so well that, when you turn on those, it can be shocking because there's a complacency that comes with watching those films.
George Jones is country soul. Once this kind of music sits in you and you take it all, it reaches down into your soul. George Jones to me was one of the most soulful singers of any genre. That drew me to his music. He knew how to present a song without really thinking about it.
What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.
When we started with 'Big Brother' and created the reality genre, no one could ever foresee that there was so much space in the genre that it could deliver so many formats. There will be periods where there is not enough new stuff to keep the genre alive. But it will never die.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
There is no winning or losing, but rather the value is in the experience of imagining yourself as a character in whatever genre you're involved in, whether it's a fantasy game, the Wild West, secret agents or whatever else. You get to sort of vicariously experience those things.
There is a lot of evidence to back up the assertion that war fiction takes time. Many all-time classics of the genre, from Erich Maria Remarque's 'All Quiet on the Western Front' to Joseph Heller's 'Catch-22' to Tim O'Brien's 'The Things They Carried,' took over a decade to pen.
I was raised on John D. MacDonald's Travis McGee series. Something about this genre - hard-boiled-private-eye-with-heart-of-gold - never failed to take me away from whatever difficulties haunted my daily world to a wonderful land where I was no more than an enthralled spectator.
I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.
It's a really diverse time in music, with all these different DJs and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can take a trance idea and put it into a trap record - it's not that uncommon.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
To tie in the whole Christianity aspect, as Christians, we're taught our whole lives to love people no matter what, and in country music, that's okay; that's something that's accepted. That's why it's a great genre for us, because we can speak about all kinds of different things.
I tried almost every genre. I decided at 14 I wanted to be a writer. I think I had to wait until they invented word processors to get serious about it, but I really tried every genre, and fantasy was the one that gave me the scope to do the most... you could play with worlds more.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
To me, the horror genre is the genre of non-denial. It's about admitting that there is evil in the world and recognizing that there is evil within us and that we're not in control and that the things that we are afraid of must be confronted in order for us to relinquish that fear.
If it's a good romantic movie like The Notebook or...The Longest Ride . No, I don't know. I thought it would be great to work on one of those genres and we made a pretty darn good version of one of those. There are some that come off as sort of cheesy, but this one was pretty good.
I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.
Pop music is actually a challenging genre. Not only do you have to be artistically expressive, but you also have to do that in a very strict format. I've always liked that challenge, but it's very easy to slip into something non-creative. You just have to stay inspired all the time.
Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
There is a sort of genre of optimistic science fiction that I like, and I don't think there is enough of. One of my favourites is a short story by Arthur C. Clarke, 'The City and the Stars.' It's set in this far future on Earth in this somewhat static society and trying to break out.
'Menace II Society' itself was a groundbreaking film. It's definitely going to go in the vaults of classics in all of cinema. The Hughes Brothers created an incredible project. Just gave the world something a little different than what we had seen in previous films in that same genre.
My favorite film of all time is 'Raising Arizona.' I watched it again as soon as it was over. I had it on VHS, rented it, and I watched it and said, 'I want to watch that again, right now.' I think I did the same with something like 'Goodfellas,' which is a completely different genre.
I decided to take my foot off the pedal with all the detail. I'm sure after 'Animalia' and 'The Eleventh Hour,' readers thought that's what to expect from Graeme Base. With 'The Sign of the Seahorse,' I took a step away from the puzzle-book genre - that was more of an adventure story.
I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
Speaking out against rap music is useless, and it's futile. The reality is there's criticism for everything, but Jay-Z is one of the most remarkable artists of our time of any genre, and as a hip-hop artist he carries the weight of that art form with such splendor and grace and genius.
Repetitiveness is one of the things that's most difficult to get away from in genre pictures, because people come specifically to see certain kinds of things but get disappointed if they're presented in the same way. So to try to find a new way to show old stuff is always the challenge.
Rawn did her own thing in her own way. She cast the female gaze on a genre heavy with all-male quest fellowships, trophy females, and the occasional Smurfette. Her world was male-dominated and highly patriarchal, but she populated it with notable numbers of well-drawn female characters.
I teach 18- to 21-year-olds - the 'Harry Potter' generation. They grew up as voracious readers, reading books in this exploding genre. But at some point, I would love for them to give Umberto Eco or A.S. Byatt a try. I hope 'A Discovery of Witches' will serve as a kind of stepping-stone.
I've tried to show in my most recent book, the 'Irresistible Fairytale', that in order to talk about any genre, particularly what we call simple genre - a myth, a legend, an anecdote, a tall tale, and so on - we really have to understand something about the origin of stories all together.
The cool thing for me is, I go to a lot of conventions - a lot of science fiction conventions like Comic-Con - and there are always a lot of attendants of color. And I think some people believe that black people or people of color are not into science fiction or hero shows or genre shows.
On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
I don't like being pigeonholed. Why would you want to limit yourself to one style or one genre? Labels are something I want to avoid. I've had it my whole life, being pushed into a place, a circumstance or situation I didn't want to be in. My motivation has always been to get away from it.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
Oddly enough, my favorite genre is not fiction. I'm attracted by primary sources that are relevant to historical questions of interest to me, by famous old books on philosophy or theology that I want to see with my own eyes, by essays on contemporary science, by the literatures of antiquity.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.