Quotes of All Topics . Occasions . Authors
They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
I really liked the script of 'Alone.' I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
I don't want to be one of those 'hour' guys who is all bitter about reality TV. It's as viable as any other genre - when it's great, it's great. However! Reality does a certain thing. It burns quickly, brightly, and then it burns out. You can't repeat them.
Write the best book you can, the one that demands to be written, no matter what genre it is. Even a trend the trades tell you has gone stale can be revitalized by a superb piece of writing. It'll never be revitalized by someone jumping on a trend bandwagon.
I definitely gravitate towards quality genre projects and genre of any kind whether it's science fiction, horror or really anything. I'm just drawn to quality. I don't think 'Darkness Falls' is horror; there isn't any gore by any stretch of the imagination.
When aspiring writers ask me about how they should target their writing, I tell them to pay no attention to that kind of thing. It will restrict you. You will end up falling into stereotypes in an effort to tailor your work toward a perceived genre category.
Nothing surprises me on 'Happy Endings,' because the show - I think one of the awesome things about the show is that it's so open to doing anything. We could do a genre episode. We have the green light to do whatever we want. Mostly because no one's watching.
In America, they have specialist mystery book stores with whole sections devoted to cat mysteries, golf mysteries, quilting mysteries. It's a hugely broad genre from the darkest noir to tales of a 19th-century vet who solves crimes, thanks to his talking cat.
I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
Musically, I'm always gonna take it a little farther, and Lord willing, people are gonna get that and understand that: that there's not really one genre I'm trying to be in, but just as a producer, as a writer, as an artist, that I'm planning on going farther.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
There are only so many stories in the world... Duplication of plots is bound to happen because most writers have read very extensively in their genre and have become aware they are adding an extra layer to the meta-narrative, finding a new spin on the original.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
I'll always be reading a good book. I don't have, like, specific genre tastes or anything or things that I kind of get hooked on, reading genre books or anything like that. It's just really anything anyone kind of recommends or is going around or I hear is good.
I don't like rock. Honestly, I like to listen to it, but it's not for me. There's a lot of musical genres that I find interesting, but they don't suit me. It's one thing to listen to different genres, but to perform a genre that isn't yours is counterproductive.
After 'Student Of The Year,' when I played that baby-doll, diva character, I knew I would be stereotyped, and I wanted to break that image of me. I loved that role, but I don't want to be attached to one particular genre, so 'Highway' was a blessing in disguise.
Can we call the essay its own genre if it's so promiscuously versatile? Can we call any genre a 'genre' if, when we read it from different angles and under different shades of light, the differences between it and something else start becoming indistinguishable?
I was always interested in trying to find how different genres would affect the lyrics that I'd written. Salsa is where most of my songs have been recorded, the genre of salsa. It's very frenetic, fast-paced. And I felt that the lyrics sometimes were being lost.
Genre expectations can kill creativity. If you do something different, it will get hated. The best filmmakers can do everything on the approval list and knock it out of the park. For me, I have a hard time being creative when I have to color in between the lines.
The majority of the time, we try to hire the best people that we can get just to make the best films, and I think that's something that Pure Flix has been known for the movies we produce on the budgets that we do... our production values have elevated this genre.
Misconceptions about Young Adult fiction aren't new to fans of the genre. From being dismissed as mindless fluff for 'Twilight'-obsessed tweens, to constant warnings that the genre is dying, kerfuffles between the media and readers occur with alarming regularity.
Many science fiction writers are literary autodidacts who focus on the genre primarily as a literature of ideas rather than as a pure art form or a tool for the introspective examination of the human condition. I'm not entirely at ease with that self-description.
'Indigo Prophecy' already brought a lot of new features to the traditional adventure genre, including the Action system, MultiView, Bending Stories, etc. 'Heavy Rain' will include features like advanced physics and AI, realistic characters and living environments.
I have been blessed to have been working since I was 11. I think horror is an underrated genre. When done really well like in 'The Ruins', it pays homage to some of the stuff I really love in the '70s and incurs some of that energy the fanbase really wants to see.
When I was twelve or thirteen, if you liked something that was outside of your friend group genre, you had to rationalize and explain it in some way. It's totally irrelevant, I think, now. I don't think anybody cares. Not young people, at least. Maybe journalists.
'Luther' is raw and brutal like 'Game Of Thrones,' but it's coincidence. If I'm drawn to anything, it would be the writing. Choosing a project is an organic process where I'm taken in by the character and storyline, not the genre, whether fantasy or gritty and raw.
I chose to stylize 'Among Friends' and add a dark comedic element because I didn't want to get pigeonholed as a genre director. I have a pretty dark sense of humor and knew that in order to get distribution, I had to do something in the genre for my first time out.
Before you worry about what genre it is, about whether it's a loop or a drum, it's about what suits the song. It's using what's within your reach, but also reaching for everything you can. I don't know if I always get it right, because I don't know every sound yet.
I love action films because I have grown up seeing some of the brilliant movies of the genre like 'Ghatak,' 'Ghayal,' 'Shiva.' Watching people doing such stunts had always mesmerised me and fascinated me to think that I should also do such things if I become a hero.
The evil within the fantasy genre tends to be threatening to the heroes within the story, but not to the reader - or not to the viewer, in the case of cinema - and that's why I think it's more palatable and something that is more easily embraced for a lot of people.
It's really weird being placed into something like that because it was never an intention to make bedroom pop. I was just making music. All the people that have that genre placed on them are not the first people to have a home studio and and post it on the Internet.
The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.
On the other side of that coin, and far outweighing it, is the fact that I've been able to use genre of Fantasy/Horror and express my opinion, talk a little about society, do a little bit of satire and that's been great, man. A lot of people don't have that platform.
The shores of the Black Sea lend themselves to the literary genre that may be classified as 'cultural pilgrimage,' which is not just a higher form of travel writing but which has the further mission of reporting on present conditions and supplying neglected knowledge.
If I had stayed purely a horror writer or thriller writer, I might have more of a presence in those particular genres, and I'd certainly have more individual titles to market, since it's much easier to write pure genre fiction than it is to create something different.
The appeal of the Golden Age heroes for me is their simplicity, even their naivety - they represent the fundamental building blocks of the whole superhero genre, whether it's a 'super' man able to lift cars, or a vigilante who terrorises criminals at night like Batman.
Anime has been good to me. I made and continue to make very little money at it, but the undying, feverish loyalty of the fans of the genre has been such a life-changing influence for me that I wanted to do everything I possibly could to help give something back to them.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
I'm not feeding my kid off movie roles so it's easy for me to say 'no' to things but it's important for me to have this presence and I know it's easy to stereotype and pigeonhole certain people that come from a certain genre but I can do more than a lot of people expect.
Not enough books focus on how a culture responds to radically new ideas or discovery. Especially in the biography genre, they tend to focus on all the sordid details in the life of the person who made the discovery. I find this path to be voyeuristic but not enlightening.
When I came up with the idea for 'Tuskegee,' I didn't want to be confined by boundaries of age, genre or demographics. I am thrilled with how well this album has been received by people from all walks of life. It is truly living up to the vision we had when we created it.
I think suspense should be like any other color on a writer's palette. I suppose I'm in the minority but I think it's crazy for 'literary fiction' to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
It's difficult to do a genre film well, and it doesn't matter if you're talking vampire movies or 'Dawn of the Dead' or 'The Thing' or 'Escape From New York.' Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.
I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities.
If Death Grips isn't the fourth horseman of a hip-hop apocalypse, its music at least tests the genre's threshold of extremity: The trio's abrasive, jittery style teeters on the edge of palatability, and plays toward a morbid curiosity to which many listeners won't succumb.
The horror genre gets you in touch with our primal instincts as a people more than any other genre I can think of. It gives you this chance to sort of reflect on who we are and look at the sort of uglier side that we don't always look at, and have fun with that very thing.