Quotes of All Topics . Occasions . Authors
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage. I'm happy to be in that category.
Many of the writers who have inspired me most are outside the genre: Humorists like Robert Benchley and James Thurber, screenwriters like Ben Hecht and William Goldman, and journalists/columnists like H.L. Mencken, Mike Royko and Molly Ivins.
Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.
I think that first-person shooter is a stable genre that's going to be here forever, just like there are going to be driving games forever. There's something just intrinsically rewarding about turning around a corner and shooting at something.
I'm not saying that hip-hop needs gay rappers or anything, but they need to stop being so close-minded because that will just cause the genre to fail. Look at pop. Pop doesn't discriminate against people. Look at Lady Gaga, y'know what I mean?
I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material.
For commercial books in a genre, readers' and editors' expectations may be fairly rigid. Some romance lines, for instance, issue fairly detailed writers' guidelines explaining exactly what must happen in a book they publish (and what must not).
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.
Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction.
When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I like to think of my style as pretty versatile. And I'd like whatever I record to reflect that to be mostly genre - to be just something that people want to listen on to see what I'm going to come up with next. That's the kind of music I'm into.
I read about violent things. I think what I get out of that is entertainment by learning about different things, and reading the genre and getting an understanding of motivations. But at the end of the day, it's still a book, and I can walk away.
The best way to learn to write is to read in the genre you might be interested in; then, you need to actually sit down and write. In a lot of cases, the first book you write will not get published. Do not get hung up on that. Start a second book.
Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.
Even as a child, when kids my age would watch cartoons, I preferred watching horror flicks. I had watched some Hollywood horror flicks and even films made by the Ramsay brothers by the time I was six! I have always been biased towards that genre.
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.'
I was very aware of the fact we were so out of fashion when I shot 'Chicago.' And I was trepidatious as to whether it would be seen or embraced by anybody, but I've never stopped believing in the genre. There's nothing like it. It's American-born.
The fantasy genre is so in at the moment. Viewers want to escape from their lives and watch something that is so separate from their everyday existence. People have always wanted to escape their lives - that's why they go to movies and the theatre.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
Something I've learned being in this industry for so long is that if you want to work with somebody, call them up. Very few musicians have any illusions about genre boundaries. They are useful descriptive terms, but they don't really bind musicians.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
'Among Friends' was really well written and had strong characters, and while all the elements were there to make it a great genre film, it also left room for me to put a creative flair on it that wasn't your typical slasher or psychological thriller.
Honestly, I had a kid, so you watch the movies your kids want to watch. I'm also a producer, so when I watch movies, I look at them from the genre they are, the budget they had, and the time they had to produce it. That's how I evaluate their success.
I think that the 'Bourne Trilogy,' it's definitely redefined the genre and took it to a new level. It was really great to be part of that experience. It is a very smart movie and a very smart script, great director, and great, you know, fellow actors.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.'
American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.
'Celluloid' is set in the 1930s. During the decade, the folk-classical genre seems to have been in vogue. It didn't take much effort to compose because my guru Neyyattinkara Mohanachandran and his guru, M. M. Dandapani Desikar, used to sing this genre.
Light and funny has a more compelling quality when you're younger. But I haven't abandoned the genre: I love falling down; I love Lucille Ball. It's just that a lot of those stories revolve around problems that I can't convincingly portray at this age.
I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
When someone talks about Western films, you probably think of those old black and white cowboy films your granddad likes. But the Western is a wonderful genre because it is usually a story of a lone hero fighting against corruption in a dangerous world.
I don't know exactly what genre to put it in, I just know that I grew up listening to a lot of soul music - Stevie Wonder, Michael Jackson, Prince, and Whitney Houston. I was inspired by all these great big voices, and I try to do music that's timeless.
I'm not as worried about the process of writing, simply because I think I've got that one down, you know? I think I know what brings specificity to these ideas, what brings specificity to the genre elements, or anything else, and it's personal emotions.
I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.
My parents and grandparents listened to bacheta heavy, the true bachata from back in the day - Juan Luis Guerra, Anthony Santos. I liked the genre, but I remember thinking, 'OK, enough of this.' I would sing Usher's 'U Remind Me' to the girls in school.
Not a lot of people get a second chance. And I think for a while there, my name kind of got in my way a bit, based on all of the television I was fortunate enough to do. But after a while, you sort of wear out your welcome in that genre, in that medium.
In 1935, Faber & Faber published an anthology entitled 'My Best Western Story' in which the genre's leading practitioners contributed what they considered their finest. Alas, literature the stories ain't; they appear more like fossils from a spent mine.
I love the Country Music Hall of Fame. I don't think it's just a hall of fame and it's not just a museum. It's a schoolhouse. It's a place where people from all across the world can come and learn about this great genre that we're making a living out of.
It's just a way of trying to get to a third thing that's not particular to any quote-unquote genre. It's been great for me; it's really opened me up and gotten me to use that part of my imagination. It's very scary in a lot of ways, and just as exciting.
I've never been specifically attached to westerns, but there are those I like - one of the best westerns I've seen is 'Unforgiven.' I think the genre has something extremely powerful that can allow them to talk about good and evil in a very straight way.
I've been a huge fan of all things paranormal my whole life. For me, it was always a question of when, not if, I was going to write a paranormal series. I dipped my toe in the genre by incorporating a mystical curse into the 'MacCarrick Brothers Trilogy.'
You want to play another kind of character in another genre, and it's been something I've been trying to do if I can in the career so far, and it's something I hope to continue because it's interesting to me and you get to do different things as an actor.
I go by the role pretty much. And I think the only genre I haven't gotten to do but I'd love to is a western, but no one has ever asked me to do that. Unfortunately they are very few and far between these days, but that is one type of film I'd love to do.
As an actor, the ambition is to play interesting characters. And in the indie genre world, the budgets are low. That allows me, as an actor, not to have a financial value behind my name, to justify me being in these bigger parts for these types of movies.
Adaptability is crucial to working on Glee because every day is adapting to something. Because we're doing a different genre of music, doing a different type of scene with a different scene partner, recording and dance rehearsals... no day is like another.