In horror, character development is often pushed aside in favor of the shock value. The best genre movies to me are movies like The Shining. You had a connection to the characters in that film.

I love my genre films, but I think when I get older, the way I tell it will be very different to how I told it when I was in my mid-twenties, which is how old I was when I made the first 'Saw.'

When I was writing for children, I was writing genre fiction. It was like making a good chair. It needed four legs of the same length, it had to be the right height and it had to be comfortable.

I think a big part of 'American Idol' that scares people and actually has, I'm sure, stopped people from trying out is the fact that you do have to do things that are necessarily not your genre.

You know when you're a kid and you get to pick a movie every Friday? I watched everything. There's no particular genre that was appealing. I just loved the idea that you could dress up and play.

The people I admire are Tim Buckley and John Martyn - singers that grew into themselves and were honest. John Martyn is one of the great soul singers because soul is not a genre; it's a feeling.

I'm a fan of genre in the abstract, but at best, perhaps all we can really say when we talk about genre is that we're talking about an umbrella that covers a kind of story with certain elements.

Joe Lansdale is one of the few writers able to write in whatever genre or mode he wants on any particular day. How? He doesn't ask permission. He just steps in, out-writes everybody in the room.

I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.

I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre.

I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.

There are people who say they want to write novels. They think, 'I'll learn my craft on the romance novel.' If you don't love the genre, it's going to show, and it's not going to be a good book.

Genres give a vocabulary. They give a frame of reference for the audience to enter into a movie. Then, once they have their footing, that's when you can start doing things that they don't expect.

The talk show, as a genre, has been in decline for a while. It started with Jerry Springer, when the talk shows suffered a metamorphosis, going from the real and social issues to the hair-raising.

When I was making my first record, I think I felt slightly trapped by my mind and my genre. I think in one way, that archaic language I was using came from a kind of mild obsession with the devil.

In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.

I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.

I have really diverse tastes, which can be problematic sometimes, but it's good because it means I'm always listening to as much music as possible. I love listening to music, whatever genre it is.

I read nonfiction almost exclusively - both for research and also for pleasure. When I read fiction, it's almost always in the thriller genre, and it needs to rivet me in the opening few chapters.

As a solo artist, it's so easy to be lumped into a singer / songwriter genre and writing sleepy, sad songs that are very emotionally rich that mean a lot to you, and people just get kind of tired.

With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.

I also love the zombie genre, my zombie fandom going way back to 'Night of the Living Dead.' And 'The Walking Dead' is truly the ultimate representation of that sensibility in the comic book genre.

I'm not really devoted or specified towards any specific genre at all. I really like it all. There's good storytelling in all the genres, you know. I just want to tell good stories and do good work.

A lot of people are surprised by my love of heavy metal. I fell in love with heavy metal almost before any other genre. One of the first concerts I went to was a Donnington Monsters Of Rock concert.

I always felt that sci-fi and fantasy were my thing. Bit of a geek, I'm afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.

I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.

I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'

To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.

I think the industry is oblivious to the fact that most people listen to all kinds of stuff. I personally don't know of anyone who listens to only one genre of music. It's vanity because no one does.

I'm a working actor so I never really pick a film because of a genre, and I don't really turn them down because of genre. Anything that's unlike the picture I just finished is always more interesting.

Obscure as still remains the origin of that 'genre' of romance to which the tales before us belong, there is little doubt that their models, if not their originals, were once extant at Constantinople.

My bread and butter is rom-com, and if I had to go back and tell my 15-year-old self watching 'When Harry Met Sally' that one day I would be writing a film in the same genre, I would have freaked out.

Maybe if I'd studied writing instead of anthropology, I'd be more sensible. You know - pick a genre, follow the rules, stay in the box - but let's face it. Sensible people don't major in anthropology.

I've read everything that Isaac Asimov ever wrote, for a start. I'm massively into my fantasy genre, anything by R.A. Salvatore or David Gemmell. I've read every single book those writers have written.

At first, because this genre of music was so urban, sometimes we would sing songs that were so aggressive. And my parents didn't like it. They would break my cassettes and say, 'That music is garbage.'

La de couverte d'un mets nouveau fait plus pour le bonheur du genre humain que la de couverte d'une e toile. The discoveryof a newdish doesmore for thehappiness of mankind than the discovery of a star.

'Jurassic Park' movies don't fit into a specific genre. They're sci-fi adventures that also have to be funny, emotional, and scary as hell. That takes a lot of construction, but it can't feel designed.

The Bee Gees were always heavily influenced by black music. As a songwriter, it's never been difficult to pick up on the changing styles of music out there, and soul has always been my favourite genre.

Sometimes, going to see one opera is hard because you don't know the genre. Good opera is like good wine. There are so many varieties, and it helps to inform you about what you like when you see a lot.

The prose of Joe Pulver can take its place with that of the masters of our genre – E.A. Poe, H.P. Lovecraft, Ramsey Campbell, Thomas Ligotti – while his imaginative reach is something uniquely his own.

Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.

The horror fan base is fantastic. It really has devoted fans, and I like that aspect of the genre. The people who are making it are always really wonderfully nerdy, creative people, which I always love.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.

One might say that the novel is the genre that most predisposes one to a profound insight into the tremendous life around us, instead of putting forward one's own tiny ego as the centre of the universe.

'Skyline' is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.

I've done a lot of sci-fi, so I was a little hesitant because you get pigeonholed into that genre and world. But at the same time, I love sci-fi because the women are so strong and independent and smart.

What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.

I've been singing one kind of genre for a long time but have always tried to push to new auras about picking new songs or the same kind of genre but trying to sing it differently, treating it differently.

I listen to the Mars Volta and Fiona Apple every day. I feel if you do write music, you write what you listen to, and you couldn't possibly write in another genre. So those are the two that I usually use.

The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.

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