Quotes of All Topics . Occasions . Authors
Before the group left, Gary asked for my phone number, and the next day he called to ask me to dinner that night. I had no idea he was married, but I found out that night.
There's a picture of the real Coach Gary Gaines in the book and he's sitting in the locker room after a game, and he just looks so much like Billy Bob, that we went to him.
The ways in which I was obsessed with Gary Payton and Shawn Kemp 20 years ago is completely replicated by my daughters' and my crush on Marshawn Lynch and Richard Sherman now.
'Paranoia' was pretty awesome because it was the cast of 'Air Force One,' Gary Oldman and Harrison Ford back together, pitted against each other again, so that was pretty neat.
There is this preconceived idea that I would follow the likes of Michael Owen, Jamie Carragher, and Gary into the media because it's a really good life. But football is my life.
I always felt something different when I saw Gary Oldman on screen. It just felt like he knew how to reach a deeper level of himself, which is something I keep striving to reach.
Gary Cooper was a good friend. He was a great nature lover. He was like an American Indian, he knew every leaf that was turned over. It was an education to go for a walk with him.
If it wasn't for guys like Gary Moore, I wouldn't exist. He not only proved that the blues could rock but it could draw a crowd as well. All of which made a huge impression on me.
In early 1983, Gary Goetzman and I went to see my favorite band, the Talking Heads, at the Hollywood Bowl in Los Angeles. The show was like seeing a movie just waiting to be filmed.
So on May 1, 1987, at Gary's invitation, I agreed to see him one last time - to confront him face-to-face about his sincerity and with the intention of ending our brief relationship.
The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him.
I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.
We have never had a more qualified and capable champion of personal and economic freedom than the 2012 Libertarian Party candidate for President of the United States - Governor Gary Johnson.
Anyone who would let Gary Cooper and the entire cast go charging on horseback without first finding out what kind of footing the horses had is nuts and cannot possibly direct a motion picture.
There must have been something in the air of Gary that led one into economics: the first Nobel Prize winner, Paul Samuelson, was also from Gary, as were several other distinguished economists.
I went to public schools, and while Gary was, like most American cities, racially segregated, it was at least socially integrated - a cross section of children from families of all walks of life.
Over my NFL career, I've had five head coaches who have helped me become better at my craft and have helped me become a better human being: Jim Mora, Tony Dungy, Jim Caldwell, John Fox, Gary Kubiak.
Gary Speed was honourable, trustworthy and a joy to manage. He was honest, he was a role model and he was a great bloke. An avid learner, he recognised responsibility and he was always fully committed.
When the Mets were on their run in the 1980s, Gary Carter was often seen hugging somebody. It was easy to joke about that. The best hug of all was with Jesse Orosco at the end of the 1986 World Series.
After we finished filming 'Sinbad,' I went out to Los Angeles for meetings and was invited to a pre-Oscars party. I met Victoria Beckham, Kenneth Branagh, and Gary Oldman. That was quite a leap for me.
I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
There's a lot of guys that I obviously admire. The Gary Paytons, me growing up in Seattle being able to watch him play. Even my peers now, the Patrick Beverleys and the Kawhi Leonards, I admire those guys.
Since war became a geographically distant but very real way of life after Sept. 11, 2001, no Hollywood star has stepped up to support active duty U.S. military personnel and wounded veterans like Gary Sinise.
I remember I used to go school with guys who couldn't afford notebooks, pens, paper: the necessary tools needed in order to survive in school. It's a lot of kids in Gary who are at a disadvantage without that.
Hard work does pay, and you just have to continue to work, and you got two guys, when you're talking about Gary and myself, we have a God-given talent, but we worked at it and we're happy to be where we are today.
Popov was double Olympic champion in '92 and '96, and then Gary Hall came along and won in 2000 and 2004, and I would be the next on the list. That's a good goal, to have my name on that list alongside these guys.
If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard.
When we made that album with Gary Moore, I was still kind of searching for the right direction for myself. Although the music is quite good the direction was like a box of fireworks that caught light all at the same time.
Gary Ross is amazing. He's just - he always has a billion ideas of what he wants, but has a very clear perspective also; he just makes it work. He really does. He's trying different things and making everything look amazing.
I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
Gary Sinise and I go the furthest back of the Steppenwolf people; we were both saved from academic mediocrity as sophomores by being cast in 'West Side Story' by this transformationally beautiful teacher named Barbara Patterson.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
I like men who are very cool but who are also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Bob Dylan, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets.
When I was little, my older brother, Gary, was forced to read a book a week in fourth grade. The books he liked he threw on my bed when he was finished with them. This continued throughout my childhood and made me a reader for life.
Look at the greatest dressers in history - Philadelphia socialite and diplomat Angier Biddle Duke, Sir Anthony Eden, Fred Astaire, the Duke of Windsor, John F. Kennedy, and Gary Cooper - they all sport the well placed pocket adornment.
I used to come out and say I was targeting certain players in the opposition team, particularly players I had had success against in the past: Gary Kirsten, Brian Lara and Michael Atherton, for example. It is a mental part of the game.
The things I rap about are 100 percent real. But at the same time, I don't rap about those things to tear my city down. I give you the reality of what it is and what I been through and how it is living in those conditions in Gary, Ind.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.
Well, everybody is trying to make this a money thing. If you send me to another team, let's see what I ask for. I won't ask for nothing. I'll play under the same terms. So it is not Gary wants more money. Gary has money. What else do I need?
I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me. The only person I could prepare for events was me. And if I didn't play well, I didn't play well, and I wasn't going to compete.
I want to be Gary Barlow and peak when I'm 40. That's my plan - he's who I'm modeling myself on. Most people are completely beautiful when they're young, and then there's always a point when they get older where they say: 'Oh, what happened?!'
Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'
I loved Gary Neville's energy, to get up and down for 90 minutes, and his leadership as well. He was always organising; he was passionate. It was just his all-round game. He was a quality defender and could also chip in with a goal and an assist.
I didn't see Kirby Puckett as a Hall of Famer. I didn't see Gary Carter as a Hall of Famer. I didn't see Don Sutton as a Hall of Famer. I didn't see Phil Niekro as a Hall of Famer. As much as I like Jim Rice, I'm not so sure he's a Hall of Famer.
Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.
My brother Gary, who was my coach, five years my elder, studied human movements at Queensland University in Brisbane. We used to train together every day, and we'd train for so long that at the end of a session, we would physically almost collapse.
For actors, when you first get the project and you see that it's a Steven Spielberg, Tom Hanks and Gary Goetzman-produced project, right away, from an acting standpoint, you go, 'Wow. That'd be great to be part of that. What a career move that'd be.'
I never thought I'd spend all my life with Gary. I suppose I was quite cynical about marriage. But with Jude, I knew right from the beginning: there was an electricity I'd never felt before. It was so easy, we talked for hours. It was a relief, really.