Quotes of All Topics . Occasions . Authors
When you're paying everybody nothing, I mean, they have homes to pay for. And my movies are like putting on theater. Nicole Kidman is at craft services, and John Cusack is moving furniture; there are no egos. The only ego is the story.
Osama bin Laden characterized his terrorist activities as 'defensive jihad,' provoked by 'debauched infidels' bent on enslaving the Muslim world. The lead industry blamed 'ignorant parents' for applying lead paint to juvenile furniture.
I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.
The architect who first inspired me to follow this profession was Sir John Soane and his Regency home; well, his three homes, now a museum. The place is like an encyclopedia of paintings, antiquities, furniture, sculptures, and drawings.
A well-designed home has to be very comfortable. I can't stand the aesthetes, the minimal thing. I can't live that way. My home has to be filled with stuff - mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books.
Everybody knows I'm interior-design obsessed because when I got my office, I came in and painted everything and put all-white furniture in. People would literally go, 'Can we just stop by and peek in your office? We heard it's fabulous.'
Usually, when people think of marquetry, they think of Dutch 17th-century furniture with inlaid flowers and jugs. Our goal is to break down the barriers between old and new, to combine traditional marquetry techniques with a modern idiom.
If you're entering a room for the first time, do it the way you would in life - look around; see how they have the furniture arranged. If your character is meeting another character for the first time, meet them the way you would in life.
People rich enough to redecorate every 10 months are certainly careless with antique furniture. I found four 1760 French side chairs, tapestry seats intact. Claiming them proved easier than persuading any cabdriver to transport the things.
When I left Parnham aged 18, I could easily have ended up twiddling my thumbs in a workshop all week. But I lucked out and found an agent who immediately got me work and before long there was enough demand for my furniture to start a shop.
There are people I've worked with who have never understood how fashion works. They keep saying they love fashion, yet they've never actually grasped that this isn't yoghurt or a piece of furniture - products in the purest sense of the term.
I grew up in a modernist house, in a modernist culture. There was a love for modernism everywhere - the furniture, the books, the food, even the cutlery. So I learned very early to appreciate the value of design and the value of architecture.
Most Americans acquire dogs impulsively and for dubious reasons: as a Christmas gift for the kids. Because they saw one in a movie. To match the new living-room furniture. Because they moved to the suburbs and see a dog as part of the package.
I've talked to several CEOs - from a recycling company in Indiana, a furniture company in Kentucky, a brewing company in Colorado, and more - who believe paying higher wages is both the right thing to do and part of a successful business model.
We have international standards regulating everything from t-shirts to toys to tomatoes. There are international regulations for furniture. That means there are common standards for the global trade in armchairs but not the global trade in arms.
I'm not an interior decorator; I'm a designer, and that includes the architecture. The package must be strong and controlled, the rooms aligned, and the windows positioned to make sense with the furniture. Fluff it up, and you've got big trouble.
When I wanted to go away to college in Toronto, my dad said, 'You can't go.' When I got to Toronto, I bought a couch, and my dad cried for the whole weekend because, as my mum told me, 'Now you have furniture; he knows you are never coming back.'
The urge to miniaturize electronics did not exist before the space program. I mean our grandparents had radios that was furniture in the living room. Nobody at the time was saying, 'Gee, I want to carry that in my pocket.' Which is a non-thought.
HubSpot's offices occupy several floors of a 19th-century furniture factory that has been transformed into the cliche of what the home of a tech startup should look like: exposed beams, frosted glass, a big atrium, modern art hanging in the lobby.
When I was younger and obsessed with becoming an artist, the hospital was my New York loft apartment. I would move the furniture around to create space on the floor, throw down some sheets and indulge in any form of art that I could get my hands on.
Corruption is when a politician uses public funds to deliver pistachio ice cream to his home and transfer garden furniture to his Caesarea villa, then requesting that the expenses be covered for the water in his pool and fights to get a private jet.
Not addicted to gluttony or drunkenness, this people who incur no expense in food or dress, and whose minds are always bent upon the defence of their country, and on the means of plunder, are wholly employed in the care of their horses and furniture.
We believe that God is big enough to give every nationality their own religion, as he's given them their own taste in food, in plants, in furniture, and housing. I think that each religion has their basic Christ-ish way to get to the Everlasting God.
Sometimes I fantasize that all my furniture has been destroyed in a cataclysm, and I have to start again with only the stationery catalogue. My entire house would become an office, which would be an overt recognition of the existing state of affairs.
I have a big brother who would make dolls' houses and playhouses and furniture out of wood. He was the one who taught me from such a young age that you could just make something. The physical act of gluing something together was really formative for me.
As much as I love my work, I do appreciate my rare days off. Even then, I can't afford to let the dancing go. I need at least an hour just to keep in shape, so wherever I am in the world, I'll grab the door or the furniture and do some serious exercise.
To me, all these things tell a story, and I find clothespin parts as interesting as 'collectors' furniture.' Good pieces of Shaker furniture are interesting, but only so much. It is the other things and the personal effects that let me feel the Shakers.
I grew up in a time when Eames and Le Corbusier and Frank Lloyd Wright and other architects were putting their furniture and objects on the market. You could buy some of those objects on the open market. Eames was a huge influence on all of us in school.
My grandmother was divorced, and she had 10 children herself. She never finished high school. She started selling lace on the side of the road and then grew that into a multimillion-dollar business - a retail store selling mostly furniture and appliances.
Actors spend most of their time out of work, so I actually spend more time making furniture. The thing about furniture that's much better than acting is that it's just me. There's no director, no script - the concept is me, unless a client wants something.
I fled my home town and did odd jobs, including things like re-designing old furniture, before I became an actor. Having said that, I don't think the story of my life is in any way remarkable. What is remarkable is how acting opportunities have come my way.
The Idea enters the brain from the outside. It rearranges the furniture to make it more to its liking. It finds other Ideas already in residence, and picks fights or forms alliances. The alliances build new structures, to defend themselves against intruders.
People sometimes ask who I would cast in my books and I never have any idea. I don't think I could ever write a book thinking of it as a movie the whole time. This would be like building a house and filling it with furniture just so you could have blueprints.
My mother did play classical piano, not that well. And actually, my father sang with the big bands - he sang with Bob Crosby's band - but he had to give up show business when his father died. He had to come back to Montgomery and take over the furniture store.
The Italian Renaissance extends beyond food, of course. Just about every major Italian furniture designer now has a shop in Paris, and Le Bon Marche recently opened an outlet for Santa Maria Novella perfumes, elixirs and soaps from Florence on its ground floor.
It is funny, the things you miss about a more conventional lifestyle. I miss seemingly mundane tasks, like cleaning the kitchen, moving my furniture around to achieve just the right look, and checking the mailbox. I miss making my bed in the morning before work.
My family were wheeler-dealer class. They were their own bosses and very glamorous. We lived in a beautiful, big townhouse in Arklow, in Ireland, that we couldn't afford to heat. My father had a business fitting bar furniture, and my mother is an antiques dealer.
It was also a room full of books and made of books. There was no actual furniture; this is to say, the desk and chairs were shaped out of books. It looked as though many of them were frequently referred to, because they lay open with other books used as bookmarks.
I'm really such a bumbler! Writing fiction is like arranging furniture in a dark room. I can't see what I'm doing. I grope for the right words. I bump against the wrong words and stumble and stub my toe and curse and keep trying to guess what belongs in the space.
The conceptual artist Ai WeiWei illustrates the schizoid society that rapid change has produced - sometimes by reassembling Ming-style furniture into absurd and useless arrangements, or by carefully painting and antiquing a Coca-Cola logo on an ancient Chinese pot.
There's something special in music about the repetition of playing something where it becomes a home and a fortress and a space that you inhabit, like maybe we could move this little thing here, or rearrange the furniture. You're so acquainted with every part of it.
I spend a lot of time just, you know, with my girlfriend and my dog. And I mean, we don't have a lot of furniture in our house, so it's really simple. And we're trying to build products for everyone in the world, right. And you don't want to get isolated to do that.
I always encourage my young clients just starting to create a home, to buy at least one piece of investment furniture, or accessory, or piece of art each year rather than following a trend that will come along, be copied cheaply for the mass market and then be gone.
If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.
It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.
As a child, I read a great many books in which animals and birds played significant roles, not only in the narrative itself, but also in creating the emotional and psychological atmosphere of that narrative - the imaginative furniture, as it were, in which any story unfolds.
I want to do stories that are about the bits of cultural furniture that are sitting there that we're like, 'Oh yeah, that's been there for years! What could possibly be weird about it?' And then we're going to lift that piece of furniture and look at all the bugs scurry away.
Every time I score the passion comes out and I try to relay that back to the fans and to the players and the staff how grateful I am to be playing for such a good football club. The fans have taken well to me. I am part of the furniture at Everton, but I don't take it for granted.
I look at my faith like a room, and there was all of this furniture in there, but I had inherited most of the furniture. Then, when I got divorced, I took everything out just to see how I was going to refurnish the room, and that was a very essential step in my life. It was great.
There's no reason to keep a piece of furniture in your house that is so sacred and rare that you can't put your feet up on it and a dog can't jump up on it. Likewise, a book that sits on a shelf like a piece of porcelain, only to be admired, never to be read again, is a dead book.