Fun Quotes - Page 169

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So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?

The first time The Runaways played in Britain, Joan Jett wore my bullet belt onstage. The Runaways were really the first all-girl band to really strut their stuff and say, "F**k you." "Cherry Bomb" was the best song for a girl band to sing. It was just outrageous at the time. There were American families sitting on the sofa watching television going, "F**k me." It was great fun.

I tell my coach all the time "Hey, listen, coach. You know the hardest person on me isn't you, right? It's me." I'm the hardest person on myself, my biggest critic, always pushing. But there are days when I have to tell myself, "Relax, breathe, you're too stressed out." When it's no longer fun, when it's no longer something you can tolerate, that's when you have to take a break.

You'd be amazed how much fun you can have if you get out of your own head. The problem is that now people are only interested in themselves. What we have is a non-voting generation. That's what they should call you guys, the non-voting generation. You think you can't fix anything until you fix yourselves. Well, let me be the first to tell you, you will never fix yourselves. p.32

Live life fully while you're here. Experience everything. Take care of yourself and your friends. Have fun, be crazy, be weird. Go out and screw up! You're going to anyway, so you might as well enjoy the process. Take the opportunity to learn from your mistakes: find the cause of your problem and eliminate it. Don't try to be perfect; just be an excellent example of being human.

I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."

Now it’s either about technology that doesn’t work or about technology that’s used in bad ways. The anthology of the top twenty-five sci-fi stories in 1970 was, like, ‘Me and my friend the robot went for a walk on the moon,’ and in 2008 it was, like, ‘The galaxy is run by a fundamentalist Islamic confederacy, and there are people who are hunting planets and killing them for fun.’

When your vision is powerful enough, everything else falls into place: how you live your life, your workouts, what friends you choose to hang out with, how you eat, what you do for fun. Vision is purpose, and when your purpose is clear, so are your life choices. Vision creates faith and faith creates willpower. With faith, there is no anxiety, no doubt - just absolute confidence.

I know I have within myself... a side of solitude. I think people who know me can see, but people who just meet me can't because I'm generally very fun and gregarious. I love to spend a lot of time on my own. I can seriously go into my own head and often love to let myself travel where I don't know where I'm going. I always felt that that was his kind of form of escape, in a way.

I have sought earnestly and with great diligence that good and high virtue by which man may draw closest to God... and as far as my intelligence would permit, I find that high virtue to be pure disinterest, that is, detachment from creatures. Our Lord said to Martha 'Unum est necessarium', which is to say; to be untroubled and pure, one thing is necessary and that is disinterest.

The script in many ways is limiting and novel is liberating. You get to go into the heads of your characters and their background and have fun with them; something you are discouraged from doing with a script. With the novel, I can tell you what the characters are thinking, I can tell you their view of the world, background information, things I wouldn't dare touch in the script.

It [Hancock] happens to be a big budget film and big star like Will Smith, but it actually has a lot of weight to it. But it was very smart and very intelligent and had this kind of historical element to it that I was fascinated by. It's not silly. It's not stupid. It's fun, but I think it's smart. I think Akiva [Goldsman] writes really interesting material and there you have it.

Sometimes when I get up after writing, I'm surprised at how my body feels. Suddenly I'm not a lanky, hungry young boy any more. It's no fun putting on ten years and fifty pounds all of a sudden. Other times, I get up and I'm pleasantly surprised that I'm not a weary innkeeper, hopeless, with bones that feel like they're made of lead. I really sink into the characters that I write.

When you become an adult you just make that transition and you're right... it's fun and exciting to be an adult and exciting to have independence, but once you're out from under the cover of your family's protection and love, you sort of have to take a step back and come to terms with the fact that you won't really ever have that again in the same way. You'll never be a kid again.

Whenever actors tout off about doing their own stunts, it's always ... they're so protective of you that I always know these stunt guys are so good [and] they're never going to put you in danger. But it's fun to do something kind of exciting, even something as simple as driving 70 through a tunnel with five motorcycles ... it sounds simple, but it's actually really nerve-wracking.

It looked like it might not work out with Michael Keaton, so they asked Joel Schumacher, `Who do you want for Batman?` When he said me, I asked my agent, `Why? Who did they not get?` I`d met with Joel a couple of times before about other (movies). I didn`t know anything in terms of the cast, story or anything, but I said, `Sure, sounds like fun.` - On accepting his role as Batman.

A man who has the courage of his platitudes is always a successful man. The instructed man is ashamed to pronounce in an orphic manner what everybody knows, and because he is silent people think he is making fun of them. They like a man who expresses their own superficial thoughts in a manner that appears to be profound. This enables them to feel that they are themselves profound.

...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.

I suppose I could let bygones be bygones, forgive and forget, yadda yadda. But where's the fun in that? These pretty little bitches got everything I ever wanted, and now I'm going to make sure they get exactly what they deserve. Does that make me sound awful? Sorry, but as every pretty little liar knows, sometimes the truth's ugly-and it always hurts. I'll be watching.... Mwah! -A

The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.

I meet with Satya [Nadella] what probably amounts to four or five times a year - either to brainstorm something or just as a shareholder, we'll sit down and chat. That's always quite helpful for me and hopefully him in terms of thinking things through. I still have a number of friends and colleagues who occasionally want to brainstorm or chat about something, and that's always fun.

Because of my age and what I do for a living and the amount of time that I've spent away from my family and loved ones, I'm starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There's a darkness inside of me that I'm only now starting to come to grips with and accept. And it's starting to scare me.

There was a period there where I was like, "No, no, no, this is crazy. I don't want to take any more drawing classes and talk about what looks best. I want to study math and psychology and physics and all these nerdy things with computers." That was fun and great, but that didn't work out. At the end of high school, I was like, "Uhh, what's easier? Drawing is easier, I'll do that".

I'm sure in less than 10 years there will be several streaming services or whatever you want to call them that are dedicated to retro television, like rare retro television, and maybe we'll end up doing something with that. Maybe Gigi will find popularity there, because it was fun, it was kitschy and very stupid and very dirty. But it had heart. I hope people will watch it one day.

I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.

When you're doing physical comedy, everybody's involved, not just the actors. Everybody's behind the scenes following them, and we've got Jillian the cinematographer running after them, then we've got three guys behind her who are cable-wranglers running with her so she doesn't trip on it. Every day was a mad-dash to the finish line. Every day was so stressful. Every day was so fun.

The Christmas presents once opened are Not So Much Fun as they were while we were in the process of examining, lifting, shaking, thinking about, and opening them. Three hundred sixty-five days later, we try again and find that the same thing has happened. Each time the goal is reached, it becomes Not So Much Fun, and we're off to reach the next one, then the next one, then the next.

I salute you! There is nothing I can give you which you have not; but there is much, that, while I cannot give you, you can take. No heaven can come to us unless our hearts find rest in it today. Take Heaven. No peace lies in the future which is not hidden in this present instant. Take Peace. The gloom of the world is but a shadow; behind it, yet, within our reach, is joy. Take Joy.

I get cast gay a fair amount throughout my life. It's not the first time. Matt [Letscher] was kind of like, 'Jeff, um, I'm gonna pretend this is real easy and not a problem, but I've never done this at all.' And so you know, we were awkward for a while. And then he said, 'Let's go for it. Come on. I'm gonna pretend you're my girlfriend, my wife. Here we go.' And we had a lot of fun.

The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.

Dexter thrust a pamphlet into Samuel's hand. "Greenstreet Mission. We're doing a Christmas dinner. You can get a meal and hear the word of God." Samuel smiled in relief. This, finally, he understood. "Which word?" "What?" "Well, God's said a lot of words, you know, and a word like 'it' or 'the' wouldn't be worth hearing again but its always fun listening to Him try and say aluminum.

As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.

When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.

I listened to my first comedy album in 6th grade. It was Bill Cosby. My brother and I would play it over and over on a Fisher Price record player. A friend in high school also introduced me to Richard Pryor. I wasn't writing material back then, but I would say funny stuff. I was good at making fun of people's moms. If I knew something personal about you, it would be used against you.

The ad industry isn't struggling for a new set of principles or abandoning the ones that made it great from the start. It's simply in the midst of a business cycle. I don't think it's more profound than that. And despite the economic downturn, I'm having more fun today than at any other moment in my 30-year advertising career. The game is more interesting and more relevant than ever.

I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.

It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.

I think one of the things that is important, for me, though a lot of people would disagree with me, is that you be founded in theater so that you understand what an audience is, what kind of an animal it is and how to play with it. How to have fun with it, how to sympathize with it, all the things that an audience is. I don't think you're going to find that out unless you do theater.

One of the biggest things I've done is learn how to love myself, flaws and all. Even the things I don't like about myself, I accept. People have made fun of me and made me self-conscious about talking so softly, for example, but I accept that as who I am and I'm not changing it for anybody. I'm at peace with who I am now, and once you've achieved that, all the other stuff disappears.

As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.

That's how people make sense of a meeting: they eat something. If they were in a sad moment it would be the same thing, they'd be eating something. It's what makes life fun. We don't need it to be delicious or great or all these things if we're just to survive. But it's one of those things that makes life fun, livable. And the more I submerge myself in it, the more fun I seem to have.

I would always drink purple drink - syrup. I would just be in a room, screwing and chopping up music. It was like an alter ego - I would turn into another person when I was on a substance. My music would get darker and weirder, and it inspired a lot of people. But I've changed my life and stopped smoking. I like to turn up and have fun when I get the chance, but I don't overdo it now.

Will it/won't it be back kind of game is never fun but I've been doing it for over 10 years and it's the name of the game really. As an actress, you never know what next year's going to bring, whether you're doing films or seasons for TV. It's just the way it is. You can let it drive you crazy, or you cannot. I choose not to let it bother me too much and just always hope for the best.

Apart from a couple that were just having fun with the concept and making fun of [Donald] Trump - like the one we did with Keegan Michael-Key - they really are little hero narratives. The whole "Save the Day" - it's called that, specifically, for a reason - ethos is there is this heroic act called voting. And the world is scary, and things are overwhelming, and there's a lot at stake.

I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.

The life of a family is filled with beautiful moments: rest, meals together, walks in the park or the countryside, visits to grandparents or to a sick person... But if love is missing, joy is missing, nothing is fun. Jesus gives always gives us that love: he is its endless source. In the sacrament he gives us his word and he gives us the bread of life, so that our joy may be complete.

Extroverts want us to have fun, because they assume we want what they want. And sometimes we do. But "fun" itself is a "bright" word, the kind of word that comes with flashing lights and an exclamation point! One of Merriam-Webster's definitions of "fun" is "violent or excited activity or argument." The very word makes me want to sit in a dimly lit room with lots of pillows-by myself.

I play Edward G. Robinson [in Trumbo], who was a close friend and a co-worker of Dalton's [Trumbo]. They worked together on at least one or two screenplays. A lot of these stories take famous people and show you who they are behind the scenes, which is kind of fun. One of the things about getting to play Edward G. Robinson was learning who the man was away from his movie-star exterior.

Each day is a miracle that intoxicates me. I want more. I greet every morning like a new pleasure. And yet I am keenly aware of all life's artifices. Getting dressed, wearing make-up, laughing, having fun-isn't all that just playing a role? Am I not more profound, carrying the burden of those twenty years when I 'wasn't alive', than all those who rushed around in vain during that time?

Half the time, you go on any one of these news sites, whether it be a Yahoo or a Google, and one of the top headlines is always, "Did a comedian go too far?" or "Comedian offends." It's like, "Really? Comedian?" A person that's supposed to make funny and make silly and historically was the only person who was allowed to make fun of the king? We're the ones that you're taking seriously?

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