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And at a relatively early age, ten or so, I invested my first share of stock. And I used to follow, look at companies and so forth. But throughout the whole period, and indeed right through my college years, while I was involved in the stock market, always interested in finance, I never thought of it as a full-time job.
The very first thing I tell every intern on the first day is that their internship exists solely on their resume. As far as I am concerned, they are a full-time member of my team. For all the negative stereotypes about millennials, you would be astounded by how hard they work when they believe their contribution matters.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.
An executive producer with an all-male writing staff once inadvertently revealed his deep, dark fear. While discussing a full-time position for me, he mused out loud, 'I wonder if having a woman in the room will change everything.' Of course, what he really meant was: 'I wonder if having a woman in the room will change me.'
Young people, particularly in their teens and 20s, are not consuming sports the way my generation did. They are doing lots of things; they are multitasking. They are getting downloads; they are getting alerts on their computers or on their cellphones, and they are consuming sports in a more real-time but less full-time basis.
New York musicians rarely have the time for idle chat and conversation after a gig. Despite popular assumption of our scintillating after-hours, that illusion is overtaken by the constant hustle to juggle a part-time or full-time job, a myriad of errands, a second or third gig of the day, and perhaps a child or two somewhere.
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the 'Time Warp Trio' novels, take a little longer to write - more like four seconds.
When I had a baby, I didn't leave the second floor for six months. I nursed my babies. I was a full-time homemaker. I taught them all how to read before I let them go to school. So I gave them that care in the early life that somehow feminists have been led to believe is demeaning and is not worth the time of an educated woman.
I always knew I'd keep at it with the plodding doggedness that I used to master lump-less gravy and wriggle out of fitness classes; I always knew I'd get a zillion rejection slips. I figured I'd write part time while working various full-time office jobs, and maybe, maybe in my 50s, I'd be able to quit and try writing full time.
Remember 'The Brady Bunch' TV show? That 1970s family had a full-time live-in housekeeper called Alice. Mrs. Brady worked at the PTA and did community work. She didn't clean her own house. That was middle class. Now you have to be very rich to employ a housekeeper. Everything it meant to be middle class has changed dramatically.
The decision to write full-time meant I couldn't afford to buy a house. A friend kindly offered me the use of his apartment in a thirty-six-story building full of newlywed couples in the southern area of Jakarta. I didn't like my working space at first, but the scenery and everything going on outside have worked their magic on me.
It's a life choice to be a girl chef, as it is to be a boy chef. It feels pretty natural to me. It's a full-time, full-scale, full physical job, and a lot of times, it can take the place of kids and family. To be in this career is much more difficult for a woman to have a family, marriage - whatever that means. It's not a 9-5 job.
Many adult book authors supplement their income by teaching at the college level. Full-time professors fare well, but pay for adjunct professors is notoriously shabby. Children's book authors have a sweeter deal. We're invited by schools, libraries, law firms, and Fortune 500 companies to share our best writing tips and strategies.
As hardware doubles its density every 18-24 months, courtesy of Moore's Law, and as software eats the world, technology will replace a broad swathe of jobs outright - from burger-flippers to diagnosticians - and atomize many others from full-time positions into gigs performed by many fungible workers. Tech, in short, will eat jobs.
Of my three daughters and one daughter-in-law, they all work. They all work, some of them full-time, some of them part-time. But they're still there as moms. And when they come home and take over that responsibility, they need a shared partner, and that partner is that partner for life. And I'm talking about, of course, the father.
I got some experience appearing as a guest on several news channels, and I thought over the years I would be able to mix practicing law and writing with providing analysis on TV. I didn't know that would lead to a full-time opportunity that would take me away from my law practice. When MSNBC made me an offer to join, I jumped at it.
The job numbers are positive. We've had more jobs created now than were lost during the recession. We're seeing that the creation, we're seeing those numbers not only grow but shift toward the private sector and shift toward full-time employment and these are all signs that the recovery is taking some hold but we're not out of woods.
Having full-time classes, it doesn't really work out because there's so much workload and so much studying that you really don't have time to train. I'd stay up until two or three in the morning just studying, and then I'd have to go get a few miles running, work out at the gym super late, and try to get my working out in late at night.
My mother was a full-time mom, and Dad started his own business. He was a mini-American dream story. Came from Russia at age 4, started his own pen business in Brooklyn. The company isn't around now, but he created his own healthy little world, leaving a decent legacy. My dad taught at Cooper Union but was never fully graduated himself.
The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.
Before I became a full-time writer, I worked in tech support in those giant cubicle farms you see. I was surrounded by people who played video games all the time - sometimes actually in the call centers, playing online multiplayer games. I saw friends of mine who began to feel that going online was more compelling to them than real life.
When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.
I would eventually leave the business in 1999 to work full-time as a writer, but during the previous decade, I would advise French businessmen on how to succeed in Germany; tell Americans what to do in Eastern Europe; show the Spanish how to become more like the Americans. I spent one particularly haunting year advising bankers in Mexico.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
That was the special thing about the Carolina Chocolate Drops. We didn't want to do music full-time. We weren't looking to get rich, which is good, because we didn't. But we went further than we thought we would go. We started that band to celebrate Joe Thompson and the black string band music. That's not really a recipe for commercial success.