The declaration of love marks the transition from chance to destiny, and that's why it is so perilous and so burdened with a kind of horrifying stage fright.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

Throughout my career, the pounding in my heart, the fright, has been ever-present, but I never turned back. Fear can be a highly motivational part of the journey.

I conquered my stage fright a long time ago. In my line of work, it's kind of a pre-requisite that you not feel bad about looking stupid in front of a lot of people.

I don't get stage fright, I actually love the energy, I love the spontaneity, I love the adrenaline you get in front of a live audience, it actually really works for me.

It is a great mistake, as we have already remarked, to be afraid of Him and to act in His presence like a timid and craven slave trembling with fright before his master.

With stand-up you can just be yourself on stage. And ideally, you can't see the crowd most of the time - it's just lights in your face. But I still have had terrible stage fright.

I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.

The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.

I graduated from school for graphic design, and I started to get into acting class just to get over severe fright. I was an extremely shy person. I could barely say hello to anybody.

If you don't have a certain amount of stage fright, then it's not going to be that interesting. It's not going to have the inner vibration. I think screen work needs inner vibration.

For 'Fright Night,' we really want to convey the fun attitude of the movie and show the intensity of Colin Farrell as a predator. He's not a brooding vampire - he's dark and dangerous.

I guess you could say I'm an addict - an adrenalin addict - I get great excitement and stimulation from doing stuff in public, even though I'm nervous and I have very bad stage fright.

I am not - thank heavens - one of those 'driven' writers who spend a fortnight buckled with empty fright over an untouched page only to wake at two in the morning feverish with paragraphs.

The gospel sets us free to become the romantic leaders of our marriages without fright or hesitation. Because we have been forever wooed by Jesus, we are now free to forever woo our wives.

I had stage fright for years and years, and I could hear it in my singing. But since I've done it so often for so many years, you'd think that I'd relax a little bit, and I think that I have.

Stage fright is my worst problem. A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations.

Those among them that have not received our religion do not fright any from it, and use none ill that goes over to it, so that all the while I was there one man was only punished on this occasion.

You'd think we'd be exhausted by that rhetoric but you're still able to move people with fear and fright and lies that somebody's going to take your place, that in order for someone to rise, you have to fall.

But I have fun with the fright, work with it. You have to - that's your timing, that beat of excitement. And when I go on stage, it's just like taking a step into heaven. Poof, you know? Poof - and there I am.

As for the stage fright, it never goes away. When I'm waiting in the wings to go on, it's agony every single time but I stay focused and I know that once I'm on stage it'll be fine; I'll be in my happy little bubble.

I really love visiting schools - in fact, that's my favorite part of being an author now - even though I still get stage fright! When I visit schools, I know I'm going to be talking to some kids who don't like to read.

During my teen years, I just really started to get anxiety. I would get stage fright when I would do certain speaking engagements and I always would get through them, but it was a really nerve-racking and hard thing to do.

When you're sick on the road, it's the worst. That's when you become the most vulnerable and neurotic. You become scared. If I had a cold or a chest infection, and I had to sing all those high parts, there was stage fright.

The Catholic Church, though I think it's important that people grow up with moral values, I just always disagreed with their tactics, which I thought were fright tactics, as opposed to sitting down and explaining the situation.

I was in sixth grade the first time I was required to speak in front of an audience. I had terrible stage fright and felt quite ill, in fact, by the time I had to give my little talk to students in another class across the hall.

I wake up around nine and do morning chants in my bed. I learned transcendental meditation four years ago, and I do it twice a day, plus an extra ten minutes before the show because I struggle with stage fright just before I go on.

Stage fright is not a thing about 'Am I any good?' It's about 'Am I gonna be good tonight?' It's a right-now thing. It helps me. If I went out there thinkin', 'Eh, we'll go slaughter 'em,' I'm positive something would go seriously wrong.

I used to suffer from stage fright, which at times was an ordeal. I won't perform live again. I'm going to do some TV shows and videos but nothing else... I don't like to travel too much or do concerts. I'm more of a studio and home girl.

I definitely suffered from stage fright. I had to work really hard to come out of my shell. When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious.

I'm just living each day, and I'm better equipped to do so. I mean, I used to be totally afraid, I used to have, like, permanent stage fright. But now I'm trying to have fun. I'm trying to bring as much happiness to as many people as possible.

My dad was listening to me noodle around on the guitar in the house and sing, and he was like, 'Man, you're funny, and you sound good when you do that. You should do that at a bar.' I had stage fright, so I was like, 'No, Dad. Leave me alone.'

My tenure at 'The Daily Show' started during the decade after September 11, and fear of Muslims was at an all-time high. Politicians and the media seemed to dial the fright, mistrust, and animosity up to a fever pitch to gain votes and ratings.

Once, and only once, I walked on stage and my mind went utterly blank! I had no idea why I was there! My fellow actors had to rescue me. I was very young and new to the business, so I'm glad it didn't give me stage fright for the rest of my life!

I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.

I had big problems with stage fright in the past. I think, slowly, as I've gotten better at it, I've started to enjoy it. It's made me a more confident person in my normal life. I can open up and be myself in situations that used to be abject terror.

God bless Dad, he came to every one of my shows. I was bad, and I had horrible stage fright. My dad was so relieved - he'd say, 'You were terrible; this kid is not going to be an actor.' Finally, I did a play and he said, 'Son - you were really good.'

I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.

Ned made a tremendous rattling, at which Bullet took fright, broke his bridle, and dashed off in grand style; and would have stopped all farther negotiations by going home in disgust, had not a traveller arrested him and brought him back; but Kit did not move.

When you get real stage fright, it comes like a sledgehammer out of the blue in the middle of something that you know you've done too many times before, and there's no rhyme or reason for it. It's something quite different from being nervous. It's almost paralysing.

Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.

I suffer from stage fright, so I blabber on stage and stop midway through my performances. I cannot even write a cheque, as it makes me nervous. Being around people makes me nervous. But I'm very comfortable in front of the camera, and this I realised many films later.

I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform.

'Fright Night' I can just about deal with. Because the original is such a 1980s extravaganza. Which is a good thing. Obviously. But something like 'The Others' or anything psychological: I'm no good with that. I don't like it when there's space for me to use my imagination.

I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.

I had - after I sang the 'Star Spangled Banner' so badly, after my tragic singing accident, after that, you know, all my stuff kind of, like, really got even more full blown and, you know, I got stage fright and, you know, I couldn't do stand-up anymore and let alone sing and all the other things.

I love readings and my readers, but the din of voices of the audience gives me stage fright, and the din of voices inside whisper that I am a fraud, and that the jig is up. Surely someone will rise up from the audience and say out loud that not only am I not funny and helpful, but I'm annoying, and a phony.

When I was trained as a journalist, as a race-relations reporter in Nashville covering the end of the civil-rights movement, we were strictly forbidden to use the first-person pronoun. There was kind of an electric charge around it. To come out from hiding and use the word 'I' carried a lot of fright for me.

When a herd of cattle see a strange object, they are not satisfied till each one has sniffed it; and the horse is cured of his fright at the robe, or the meal-bag, or other object, as soon as he can be induced to smell it. There is a great deal of speculation in the eye of an animal, but very little science.

I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.

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