Quotes of All Topics . Occasions . Authors
The great thing about 'Friday Night Lights,' unlike so many other shows and movies, is that it doesn't take the obvious beats to pull your heartstrings or manipulate you.
I was a member of Corstorphine Library in Edinburgh, and every Friday night, my parents took me there to borrow books. I also used to spend nearly all my pocket money on books.
Growing up in San Antonio, I was the dork at the Friday night football games with my head buried in a book - Jack Kerouac or Oscar Wilde, years before I really understood them.
A perfect weekend in London has to start on Friday night, by going to the theatre, the Donmar or the National. It's a cliche for an actor, but I enjoy going as much as possible.
'True Blood' is amazing. I have to give a shout out to 'Melrose Place' because I do watch. I love 'Entourage.' One of my favorite shows back in the day was 'Friday Night Lights.'
Although I am not Jewish, I have been to many Friday night Shabbats at my friends houses, and I absolutely love it. It's a great and inspiring tradition to keep the family close.
In 'Friday Night Lights,' the relationship between the coach and his wife, that marriage was something that you couldn't really understand until you actually saw it exist on film.
I'm one who will go and have a beer with my pals on a Sunday afternoon. I'll go on a Friday night and have an hour with my pals, lads that I've knocked about with for 20-25 years.
Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.
Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful.
I think my real depressions started when I was about 16 and doing The Patty Duke Show. I would go to bed at about 10 o'clock on a Friday night and not get up again until 6:30 Monday morning.
As a professional ballet dancer, I have to accept that weekends are about work. The notion of a leisurely break with all the buzz and excitement of a Friday night simply doesn't exist for me.
Happy Days, which we did for 11 years, we did with three cameras in front of a live audience. Very special. We had a party every Friday night. The boys, Ron, Henry, they grew up on that show.
When I was a kid growing up in the States in the late '70s and early '80s, as soon as 'Dallas' came on on a Friday night on CBS at 9 P.M., we stopped everything from that moment on as a family.
I'd had to grow up pretty quickly, and going back to drama school gave me a chance to be with people my own age and do normal things, like going to a pub on a Friday night and just hanging out.
With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.
Deep down, I have always been 72 years old. In college, my friends used to make fun of me because I would sometimes skip a Friday night party to stay in my dorm room watching Turner Classic Movies.
The Foxy character and Inga Marchand are two different people. My fiance calls me Inga. No one around me calls me Foxy. I go to church every Sunday. I go to Bible study every Friday night. I'm saved.
They say that women dress for other women, but I don't think that's entirely true. If we want to look flossy out-and-about on a Friday night, we're dressing for the boys - and it's nice when they notice.
Work hard. I got tenure a year early. Junior faculty members used to say to me: 'Wow, what's your secret?' I said: 'It's pretty simple. Call me any Friday night in my office at 10 o'clock, and I'll tell you.'
I was too young to be an avid enthusiast for the franchise, but like billions of people I remember as a child sitting around with the family on a Friday night with pizza and popcorn and a 'Die Hard' movie on.
That smell of freshly cut grass makes me think of Friday night football in high school. The smell of popcorn and cigar smoke reminds me of the stadium. The cutting of the grass reminds me of the August practice.
I think I had heard Al Di Meola on the radio when I was a kid, that acoustic record, 'Friday Night In San Francisco,' with Paco de LucÃa and John McLaughlin. His picking was unbelievable. I thought it was incredible.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
I loved the idea of playing quarterback on Friday Night Lights in high school, that whole experience. I wanted to be a Division I quarterback, that became my goal growing up, other than being a professional hockey player.
There are a lot of bands who would get really big in Fort Worth and play shows on a Friday night that everybody would come out to. But I've never been really big in my hometown. My shows would have 10 or 15 people at them.
I loved 'Friday Night Lights' because it was totally committed to every facet of its storytelling. Incredible actors, story lines that weren't easy or predictable. It made me laugh, and it broke my heart over and over again.
I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.
I had great luck with Tim McGraw twice in 'Friday Night Lights' and 'The Kingdom.' I love finding off-beat casting and finding someone you know in one way and you reinvent them in another way. I like doing that as a director.
What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.
For myself, anyway, I think that recurring has been such a gift, because I've been able to work on a lot of shows that I've really had a lot of respect for before I went in, shows like 'Friday Night Lights' and 'Nip/Tuck,' for example.
The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.
TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.
I was in a peacetime army. It was like something out of a Le Carre novel: studying the habits of your enemy. It was very exciting. It's interesting living life as a civilian, then on Friday night you're parachuting into a foreign country.
We turn off the TV, video games and computer - except for homework - during the week. The TV's reserved for Friday night, Saturday and Sunday just because that's the time to do homework, and it makes it that much less chaotic in our house.
In his 40s, my dad refound his youth a bit, and started going to the West Indian club in Northampton, where I'm from, where the West Indian diaspora would go to socialise on a Friday night, and have a drink and a dance to soca and the like.
In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
Joe Louis was one of my closest friends.... I'm a great boxing fan. I used to go to the American Legion Stadium in Hollywood, every Friday night for 15 years. Down the aisle would come Lupe Velez, Johnny Weismuller, Mae West. All at ringside.
In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease.
My recipe for bliss on a Friday night consists of a 'New York Times' crossword puzzle and a new episode of 'Homicide;' Saturdays and Sundays are oriented around walks in the woods with the dog, human companion in tow some of the time but not always.
I feel like maybe I'm part of that generation that became more of a gamer than a video consumer. It's always been something I've done with my spare time. If I had three hours on a Friday night, I'm not out partying. I'm probably playing video games.
We've had to pay to play. We've had to borrow kit. We've had to train on a Friday night. Maybe a lot of boys, given that opportunity, would slip away, whereas we've had the mentality to go, 'I really want this. I'm going to show that I can do this.'
If anything, 'Friday Night Dinner' is quite mean. All these pranks that we play on each other, there's a lot of hitting and slapping and jumping at each other trying to scare each other. But underneath it all it is a family, so we all love each other.
'Family Ties' was a very successful situation comedy. And, in almost every respect, it functioned on a day to day basis like a well-run, well conditioned basketball team. The show was performed live each week in front of a studio audience on Friday night.
Something that's interesting with season two of 'Total Divas,' Fandango and I's relationship has been on the surface level, as far as WWE programming with 'Monday Night Raw,' 'Main Event,' 'Friday Night SmackDown.' You see us on camera and that's about it.
I was still with Sunderland at the time of my first cap in 2010, and I remember getting the text to let me know that I was going to be called up to the squad - it was a Friday night, and I was in a hotel in London because we were playing Chelsea the next day.
I look at 'Friday Night Lights' as one of my all-time favorite series finales, and that is what you want. After all the roads you've traveled with these people, you just want to know that they're going to be happy. I'm a big believer in shows that make that choice.
Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.