Quotes of All Topics . Occasions . Authors
My dad is a bank president and my mom was an accountant and they didn't think that seeking the life of a freelance writer was very practical, you see. Of course, I was just as determined to do it.
The life of the professional writer - like that of any freelance, whether she be a plumber or a podiatrist - is predicated on willpower. Without it there simply wouldn't be any remuneration, period.
I never expected to make the videos a full-time job. I thought I would continue to work as a freelance Web designer and just do the videos for fun. But the audience built so quickly that it became full-time.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
I wrote for my university newspaper and went on to freelance for a Los Angeles publication in my first months after graduating from UC Santa Barbara. I also interned at a couple of TV stations in the L.A. area.
As a freelance writer, I'd be asked to become an expert for various magazines on any subject, whether food or wine or history or the life span of veterinarians. I was completely unschooled in any of these things.
I started freelancing, writing op-eds and book reviews, one at a time. I then got the opportunity to write recurring freelance pieces for 'The Nation' magazine, focusing on how the Internet was changing politics.
The Hermes scarf is a coveted, much-collected symbol of success that defines the Paris-based luxury company. But it has no single designer. Rather, the scarves are designed by a far-flung array of freelance artists.
I was doing well in TV as a freelance cameraman, but it wasn't the direction I wanted to go in. I directed videos and tried to put something cinematic in every one. Dialogue, action sequences, helicopter, Steadicam.
It was daunting, giving up a regular job for a freelance world, where every day off is a day of unemployment and you are conscious you are not earning. But it was time to take a gamble and see what's on the other side.
The biggest mistake is to assume that another writer's successful strategy will work for you, too. Publishers' marketers - and even freelance publicists who cost mega bucks - tend to do the same basic things for all books.
I used to be a freelance journalist, so I had to write fast, but I always found writing nonfiction constraining. I like the freedom of fiction, where I get to invent everything, and tidy, conclusive endings are within my control.
For 10 years, I'd been working as a freelance writer and editor, making money but not a living. It was a good arrangement family-wise, allowing me to stay home with our daughter, but not so great financially or, sometimes, ego-wise.
Constant rejection. No security. Career paths being dictated by freelance reviewers. And of course, the terror of the writing desk, of the blank page. Why is it so hard for our non-writer friends to understand this - that it's a job?
Between 1950 and 1951, I worked as a temporary employee in the Cologne Bureau of Statistics. From summer 1951 on, I have lived as a freelance writer with a fixed postal address in Cologne but with a continually shifting place of work.
Atari collapsed in '84, and I went freelance, and that was when I started spreading out and doing my own thing. I really cut loose and did a game called 'Trust and Betrayal', which was the first game solely about interpersonal relationships.
I have to be a freelance writer for the rest of my life, unless I get some kind of real lucky break. But other than that, I'll always have to work. I always worry about whether my stuff is going to get over. Will they like this, will they like that?
I greatly enjoyed working as a freelance journalist, because it gets you out of the house, and it gets you talking to people, but it wasn't satisfying all of my cravings, and I knew that I needed to work with the other side of my brain - the darker, murkier side!
For 14 years I had that run in Canada as a newscaster. When I decided to quit in 1953 I was making more money than the prime minister. Then I was a freelance actor for six years in Canada, the U.S., and England. Then 'Bonanza' came along and I had another 14 year run.
There's a cumulative effect to getting good parts as a freelance actor, because you're only as good as your last job, and you have to keep going out and getting them. Unless you're part of the finance structure, by which I mean a bankable star, which I never was and never will be.
I have a fear of poverty in old age. I have this vision of myself living in a skip and eating cat food. It's because I'm freelance, and I've never had a proper job. I don't have a pension, and my savings are dwindling. I always thought someone would just come along and look after me.
I hope to submit to the little pamphlet magazines here 'freelance' and perhaps shall join the Labour Club, as I really want to become informed on politics, and it seems to have an excellent program. I am definitely not a Conservative, and the Liberals are too vague and close to the latter.
When I started out doing comedy, I was still in college and was working day jobs. I taught preschool for a few years. And then I got more into freelance writing. So stand-up has always been my primary independent creative mode of expression. I've done it my whole adult and young adult life.
If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.
I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I have certain rules that I've established for myself that took a while post-day job to figure out. Everyone says people who freelance or are writers struggle with the structure of it. I'm not allowed to check email before a certain hour. I'm not allowed to run errands during the day. I have to write a certain amount every day.