Quotes of All Topics . Occasions . Authors
I am a freelance artiste.
I freelance as a sports broadcaster.
Old age treats freelance writers pretty gently.
I've lived a life of unplanned freelance employment.
I'm a freelance person, and I've always been able to support myself.
The freelance writer is a man who is paid per piece or per word or perhaps.
I went freelance in 1996 and my children are now teenagers and it seemed right.
I wanted to work strictly as a freelance actor, and that's the way it turned out.
I opted for a freelance writing career. I was lucky enough to have the means to do it.
I was struggling, I was hungry, I was a freelance copy editor but had very little work.
I'm only a freelance TV presenter and, in many ways, it's all just been a massive fluke.
In the theatre in the U.K., women are at the very top of the tree as freelance directors.
Acting is a freelance career... you never stop having to prove yourself and fight for work.
I think that one of the strangest things about being an actor is, it's almost freelance work.
When you're a freelance director, you are hired to create the art, and it kind of stops there.
Regardless, I did rise to the editorship before embarking on a freelance career in the late '60's.
I was freelancing for years in Cork and around. I also wrote freelance pieces for 'The Irish Times.'
I became a freelance stylist to survive, and then I had a kid. I bankrupted in 1988 and had a kid in 1990.
I've never lost that freelance mentality. You can't take a holiday because you're worried the work will dry up.
I've always worked in cinemas or cafes to make money because it turns out freelance journalism is quite hard to get into.
In my 20s, I was a freelance writer with little money and living in a rabbit warren one-and-a-half-bedroom with a roommate.
My father was a freelance writer/director/producer, and my mother was a stewardess for Pan-Am. It was very non-traditional.
We started Good Neighbor in like 2006? Right around the time that Kyle graduated college. And I was doing freelance editing.
My life used to be record, tour, record, tour. You can never say no as a freelance musician. I was on the road 200 days a year.
For the vast majority of my adult life, I was a freelance writer, forever scrambling for work that paid an insulting non-amount.
I am really only interested in new information, not freelance opinion. I don't really care what you think off the top of your head.
When I left 20th Century-Fox to freelance, my agent believed that getting big money was the way to establish real importance in our industry.
Like a lot of freelance cartoonists, when any opportunity like that comes along, I have a hard time saying no, whether it makes sense or not.
It's not that I'm apolitical... In my youth, I was a freelance political speechwriter, which taught me a lot about writing fiction, I must add.
If you dig deep and keep peeling the onion, artists and freelance writers are the leaders in society - the people who start to get new ideas out.
I've never had a terrible job. I've been a cook, waitress, bookseller, teacher, freelance writer. I know what the bad jobs are, and I haven't done them.
If pro athletes and entertainers want to freelance as political pundits, then they should not be surprised when they're called out for insulting politicians.
Anybody who is in freelance work, especially artistically, knows that it comes with all the insecurity and the ups and downs. It's a really frightening life.
The only really committed artist is he who, without refusing to take part in the combat, at least refuses to join the regular armies and remains a freelance.
I do work for Impact Wrestling, but I'm just a straight up freelance agent in wrestling. I can work for anybody at any time. Basically every company calls me up.
I got asked by a freelance journalist to jump in front of Princess Diana's funeral. How pathetic is that? That would have been the stupidest thing on the planet.
Accompanied by an Australian photographer named Nigel Brennan, I'd gone to Somalia to work as a freelance journalist, on a trip that was meant to last only ten days.
I knew that you couldn't make a living simply writing about the outdoors, so I made an effort from the beginning of my freelance career to write about other subjects.
I'm a freelance writer, and I work alone at a big desk in the living room of my apartment. There are many days when I don't utter a single word to anyone but my husband.
I went to Aspen right after school and got a freelance gig writing articles for the 'Aspen Times.' I was their nightlife correspondent. They paid me fifty bucks an article.
My father started his own business, and before that was a freelance lecturer, and my friends are artists and musicians; they don't have real jobs - none of us have real jobs.
I think when you work enough on your doing freelance stuff on other films, you start to feel what it feels like to work with people who are not totally on the same page as you.
I always feel freelance writers are leading a heroic life. I think that is the real writer's life. On the other hand, it's good to have another job. It gives you something to do.
I was freelance proof-reading, freelance editing, creating illustrated slides for doctors' presentations - just so I'd have enough money to take the time to write. That's how I got by.
In 1975, I quit my tenure, and we moved from Ann Arbor to New Hampshire. It was daunting to pay for groceries and the mortgage by freelance writing - but it worked, and I loved doing it.
The worst thing about being a freelance film director is that you're scrambling around Soho with a briefcase, looking for somewhere to make phone calls. That was my position for 10 years.
Sixteen years as a freelance features journalist taught me that neither the absence of 'the Muse' nor the presence of 'the block' should be allowed to hinder the orderly progress of a book.
As a freelance artist, you have to please somebody instead of just making music. But when the employer trusts and leans on you to determine what is right for a scene or feeling, that's ideal.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.