Quotes of All Topics . Occasions . Authors
There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out.
I hung out with Merle Haggard on his bus, which sort of freaks me out. It was him and his wife. We played with Merle in Oklahoma City. I'm from Arizona, and we talked about Arizona, and he remembered playing for two dollars a day down there at a bar.
What we're most aware of in 'Eight-Legged Freaks' is how similar it is to other movies, a recombinant mutated species itself, the product of the crossbreeding of the suffering-from-gigantism movies of the 1950s and the 1990 B-picture classic 'Tremors.'
I was really young when I was working on 'Freaks and Geeks.' In a lot of ways, that was the experience that informed a lot of what I've become, and I feel like every experience I have is in some way or another an extension of something that started there.
I want to fall in love, I think. I've never. I know. Everyone I know's been in love or in relationships now and... There's only ever been... there's been people telling me they love me, but it freaks me out and I just run, run. I think I'm a bad girlfriend.
I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks and Geeks Sara, who was this sort of subordinate and shy girl.
I've had a couple of ghost experiences, but I'm not a big fan of the spiritual side of things, of the ghost type thing. I don't know why; maybe it freaks me out a bit, or I'm more into tangible, physical beings rather than things that can pass through walls.
I love the NBC comedies. I DVR 'Parks and Recreation,' 'Community,' 'The Office,' '30 Rock.' I love most of the HBO shows. I love 'Archer.' 'Archer's a great show. I'm big on Netflix; I've seen every episode of 'Freaks and Geeks.' We need more shows like that.
All directors are control freaks and very obsessive. I get the feeling that directors as kids, they all have had a childhood with not too much contact with other kids. They constructed their own reality and they continue to do it. It's a funny breed, directors.
Rush Limbaugh is a lame professional swine, and he makes a good living at it. He is like a hired geek in some traveling backwoods carnival - the freaks who bite the heads off chickens - but Limbaugh is a modernized geek who thinks he can bite the heads off of people.
My 15-year-old threw open the door the other day to my room and screamed, ''Freaks and Geeks' only has one season? Can they make another one?' And I tried to explain to her that it happened a long time ago. She didn't understand that because it felt very relevant to her.
Half the time I feel like I'm appealing to the downer freaks out there. We start to play one downer record after another until I begin to get down myself. Give me something from 1960 or something; let me get up again. The music of today is for downer freaks, and I'm an upper.
In my gym class, we had something called The Pit, this little alcove where we had to sit if we forgot our gym clothes. It was usually just the crippled kid, the pregnant girl, and me. It was pretty awkward, just hanging with all these freaks who didn't want to show their legs.
I don't even have voice mail, and people get all out of shape about that. But, you know what, I don't want to transcribe your message; I want to talk to you. And that kind of freaks people out a bit. They go, 'Oh, who has time to talk?' and I'm like, 'Well, I'm gonna make time.'
I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.
Even the most brilliant accomplishments on the Internet are essentially cold. Google has changed the world, but you don't snuggle up to it. YouTube is a giant carnival, filled with freaks and mountebanks, a place to gawk and laugh and get bored. Certainly not a place to feel anything.
In a weird way, 'Veronica Mars' was my reaction to 'Freaks and Geeks' because 'Freaks and Geeks' was the show I wanted to write, the one I wanted to create, where there was no gimmick; you didn't have to have a teenage private eye. It was just these beautiful small stories about real kids.
I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
When I first started dating my husband, I had this weird fascination with the circus and clowns and old carnival things and sideshow freaks and all that. About a month after we started dating, he bought me this amazing black-and-white photo book on the circus in the 1930s, and I started sobbing.
I'm so grateful that the Internet and the DVD came along because, otherwise, something like 'Freaks And Geeks' would have been dead. At the time we made the show, those avenues weren't really available, and the idea of the show carrying on after it was canceled was something that didn't really happen.
After 'Freaks and Geeks,' I dealt with several producers who wanted to cover up all my beauty marks, every single mole on my body. They tried to cover them on my first two episodes of 'Dawson's Creek,' and it just looked ridiculous, so I had to put my foot down. But it's not something I'm insecure about.
Sometimes when a scene is written or directed to be shouted or played incredibly angrily, I always think it's way more terrifying when someone is fuming and talks in a very calm way. I always want people to shout at me if they're angry - it freaks me out that whole thing of, 'I'm not angry I'm just disappointed.'
I came in with Halley's Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don't go out with Halley's Comet. The Almighty has said, no doubt: 'Now here are these two unaccountable freaks; they came in together, they must go out together.'
I did a show called 'Freaks and Geeks' when I was very young. And I had the naivete and arrogance of youth. You know, I really assumed that when the show got cancelled, like, oh, it doesn't matter, you just keep rolling, you know. I'm about to be the biggest star of the world. And then I was met with five years of unemployment.
When I was a teenager, in the '80s, it was 'Dynasty.' It was 'Beverly Hills, 90210.' And those were fantasies. Those weren't reflective of my experience. And I think we all want that; we all want to see ourselves, our story told, something to relate to, to help us and know that we're not freaks, that our experiences aren't odd.
I do hope to be an adult actor. But if it doesn't work out, I've been thinking about doing something in the medical therapy field, chiropractics or something like that. I've always been into the idea of helping people medically, but I can't stand blood or surgery. That freaks me out. So this would be a bloodless way to help people.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
The Wall Street Dow Jones up and down thing that's moving when the stock market's open? That thing freaks me out. It's up, it's down, it's just maddening to me. I guess I'm such a super-focused kind of person that I get distracted really easy. I'll watch that thing, and it's like I'm losing money, I'm getting money. It's just crazy.
You know, as kids were weren't jazz musicians or anything. But, the circle of friends and the neighborhood I lived in, we were really big Rush freaks and Yes fans. We would listen to 'Close to the Edge' and 'Hemispheres' and '2112' - the more artsy, progressive stuff. Some of the guys were into King Crimson and Genesis and all that.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
I watched 'Freaks and Geeks,' and I was like, 'Oh, if you write about your own personal experiences, and if you're specific about it both in what happened and how you felt about it, it can make for scenes that are really compelling.' For the rest of college, I was basically ripping off 'Freaks and Geeks' with plays I wrote and stuff like that.
