Quotes of All Topics . Occasions . Authors
I respect Frankie Randall.
Yes, there is another brother. His name is Frankie.
I love 'Grace and Frankie!' Oh my God, it's the best show.
There's a band from Brooklyn called Frankie Cosmos, which is very nice.
As a kid, I wasn't listening to The Who; I was listening to Frankie Knuckles.
The groups, though, were my inspiration way back then. I liked Frankie Lyman and the Teenagers.
Thank God that I lost against Frankie Randall because he made me put my feet firmly on the ground.
I try very hard to live my life in an exemplary way, which is, you know, 'Shine bright like Frankie.'
Whatever ambivalence I felt about my own career, Frankie more than made up for it with his ambition and tenacity.
I asked for a tough fight, and I'm very excited to fight such a good fighter and a former champion like Frankie Edgar.
I think every young actor in Los Angeles went up for that role. It was between Frankie Muniz and me, and he pulled out, so I got the role.
Being a child of the 1970s, I remember cleaning up on the weekends. we would listen to everything from Marvin Gaye to Frankie Beverly and Maze.
If I ever have a son, I would call him Frankie, and it's a family name - it's my dad and my dad's dad, so you know, it sticks. I won't forget it.
Frankie Muniz is amazing at everything he does. Many people don't know that he can play the piano like you wouldn't believe, and he can bowl and play basketball like you wouldn't believe.
I came out with my five-piece group and opened at Billy Burke's Swing Oar. This was when Hollywood was really jumpin'. This was when Frankie Laine used to come in and ask if he could sing a number.
I got to share the Octagon with Clay Guida. I got to share the Octagon with Cub Swanson. Now I'm going to share the Octagon with Frankie Edgar. These are things that, as a fighter, you always dream of.
I had to make a name up, and it came from one of my sisters; she was a fan of Frankie Laine. The 'Denny' thing, in those days, everyone had a backyard, and a den to hang out. I think I got that nickname there.
I definitely take influences from my idols David Bowie and Billy Joel. I've combined them with the Frankie Grande-isms that I've cultivated over singing every night for two shows a week for four years on Broadway.
I've lived a lot in the last 12 years or however long its been since Boy Meets World. I have a lot more to draw upon in playing Randy than I did playing Frankie. Although, I did have a lot of fun playing that role.
I was a teenage idol, but not the one that the girls would put up on their walls, like Fabian and Frankie Avalon. I was more cerebral, like a Roy Orbison or a Buddy Holly. I was one of the few who could write songs.
I want to be the guy with the fresh new sound. I can remember as a kid thinking about a DJ going, 'Ladies and gentlemen, here's the new one from Frankie Ballard. He's the guy with that hot new sound.' That's the dream.
It's sad when you see most of your friends in the business gone, like Tommy Cooper, Frankie Howard, Eric Morecambe, Roy Castle, Les Dawson. They were very dear to me. You no longer have the chance to bump into them at a celebrity do.
I was into all sorts of music as a kid. I was very curious about ethnic music and different styles. I loved Django Reinhardt. I loved Ella Fitzgerald. I was also influenced by all the crooners of the day, like Johnny Ray, Frankie Lane.
I wanted to make the kind of records that I heard in the discos that I danced in at that time. Funky, electronic sounds, while the musicians in the band were more rock oriented. This I suppose created the sound we know as Frankie Goes To Hollywood.
I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.
Frankie is my baby. He is the sweetest dog in the world. Frankie is like the son I never had. He keeps me healthy; I walk and run him. I always feel that I need to spend more time with him and give him more attention. I find myself unloading my emotions on him.
I moved to L.A., and I lived in the Oakland Apartments, which is this notorious hub for actor children and their stage moms. For the first few years that I lived there, Hilary Duff and Frankie Muniz frequented the apartments. I was much younger than them at the time.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.'
When I was a kid, I never thought I would ever be able to make records and never really thought seriously about a musical career because a musical career was being Fabian or Frankie Avalon or something. It didn't make any sense. There wasn't any possibility to get into that world.
In the 1950s, when I was hanging around Sullivan's Gym and the Gramercy Gym, there were fixed fights. Mob guys like Frankie Carbo and Blinky Palermo had taken over the sport; one lightweight champion loaned his title to others at least twice; the welterweight division was a slag heap.
I've played Frankie Cosmos shows where the promoter or whoever sees that I'm the lead singer, and then they go up to David, the bassist, and are like, 'So, do we pay you?' And he's like, 'No, you pay her; she's the boss.' Those are moments where I'm just like, 'I'm clearly in charge.'
I destroyed all my geek stuff because I didn't want to be a geek, and I regret it to this day. Consumed in the geek bonfire of the vanities was a collection of autographs and letters from Peter Cushing, Spike Milligan and Frankie Howerd, the first Doctor Whos, actual astronauts, and many more.
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
I think one of the reasons all the comics I worked with dropped off the log so early, and a lot of them did - Tony Hancock, Frankie, Sid James, it's dreadful really - was the stress. You can only be as good or better than the last show, and there's the permanent aggro of hoping you get the right writers and the right material.
