If I tried to somehow wrap my head around the fact that Francis Ford Coppola directed my first movie, there's never a slot into which that ever fits in your mind.

I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.

The stability and peace which seemed to be so firmly established by the brilliant monarchy of Francis I vanished with the terrible outbreak of the Wars of Religion.

It makes me really proud to be an Argentinean, to have the pope be Argentinian. Pope Francis has been incredible. My mother used to know him when he was in Argentina.

Francis Underwood was entirely based on Richard III. When Michael Dobbs wrote 'House of Cards' in the original British series, Richard III is what he based the character on.

When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.

I cooked for the two Popes that were here. Pope Francis I cooked for and Pope Benedict before him. Pope Benedict is German. And I did a little research - his mother was a chef.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I remember when you used to have your profession on your passport and I always thought that being a painter was the best one to be, because my heroes were Goya and Francis Bacon.

I think Francis at half form is better than anybody else by 50%, you know? I think it's just that he has never... he has a late pick of the things that are ambitious enough for him.

What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.

My trainer, George Francis, used to train a lot of African boxers. They're hungry guys, man. They've got no trainers, got nothing. They're so hungry to do boxing, to make some money.

Burleigh, absolutely; and a lot about Elizabeth. I mean I found when I play Henry V a lot of connections with the hidden history of the connection between Francis Bacon and Elizabeth.

At Tenafly High, I was lucky to have some dedicated teachers; I'm especially indebted to my calculus instructor, Francis Piersa, who opened my eyes to the striking beauty of mathematics.

'Amoris Latetia' reiterates that Pope Francis is interested in changing both the tone and reception of people and families in the church to a more hospitable, less judgmental environment.

Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.

It's not name dropping, but not many people can say, like me, that they spent the day with the likes of Francis Bacon or that boring drunk Dylan Thomas. You don't forget things like that.

Pope Francis is calling for a better way to hold together complicated family lives in the midst of official church teaching without alienating people who have marital issues and family problems.

I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.

Nobody has Francis Bacon on their walls in their house - or very few people - but sometimes people listen to Beethoven as though it was background and a comfort, and I think that is very dangerous.

I went to see 'Francis Ha,' which I could certainly relate to. She ends up wandering the streets of Paris all alone - something I've ended up doing a number of times in capital cities around Europe.

I get anxiety from a noise or some scuffling at the side of the stage. I hear stories all the time, from as minor as Dillon Francis getting smacked in the head with a flying beer can to Dimebag Darrell.

I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff.

It is difficult to convey the excitement I first felt when it was revealed that His Holiness Pope Francis was invited to Washington D.C. to address the world from the floor of the House of Representatives.

When Pope Francis touched down on French soil for the first time in his papacy with a visit to the European Parliament in Strasbourg last November, Ms. Royal was the senior French official there to greet him.

I've been lucky enough to support some absolute legends and incredible songwriters over the years, including Hozier, Daughter, Willy Mason, Catfish and the Bottlemen, Nick Mulvey, and Benjamin Francis Leftwich.

My best chance is that, in a happy moment, I hit upon St Francis as the subject for a series of plays. Others might have written them better: but, as I have written them, the advantage will probably remain mine.

Though it is perhaps expected for the bishop of Rome to warn against the idolatry of money, what is striking is how Francis suggests that not only God but also secular politics must outrank economic imperatives.

I remember Francis Bacon would say that he felt he was giving art what he thought it previously lacked. With me, it's what Yeats called the fascination with what's difficult. I'm only trying to do what I can't do.

I'm digesting C.S. Lewis and Tim Keller and so on and so forth, Francis Schaeffer. I'm seeing how they've affected culture and politics and science and so on and so forth, with implicit faith versus explicit faith.

Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.

Pope Francis has stressed humility and austerity - a far cry, according to many, from the predecessor's bling and Ferragamo shoes - those were pretty entertaining. And he's translating all of that into a policy agenda.

Pope Francis is not only changing the face of the Catholic Church, he's challenging us to be the face of God in the world by seeing the face of God in the person we least expect to see it, including the person in the mirror.

But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays.

My early paintings weren't that good - I was very influenced by Francis Bacon. But there was a kind of intensity there. And however influenced they may have been by other people, even my earliest paintings were recognisably my own.

I think that was very important to Bacon... personally. I think he went to great efforts to get a house for the Stratford man, to make it so difficult for us to prove that it was Francis Bacon, because it is very difficult to prove.

In a world where families are drowning on beaches to escape war, leaving the church because of sexual abuse, or denied access because of sexual orientation, the utopia that Pope Francis desires may be impossible for the church to attain.

Few cities have been more definitely impressed upon the imagination of the world than San Francisco, this gray-hilled city on the peninsula by the hospitable bay, where Saint Francis protects the ships as he protected the birds of Assisi.

You cannot just be working in a vast, air-conditioned loft space and think you are going to make a decent painting. Francis Bacon had a special studio built, and he felt completely emasculated in there. I have to be somewhere comfortable.

Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop Art, Jeff Koons, Marcel Duchamp, Francis Bacon, and Catholicism.

I have very good relations with Pope Francis. I read constantly what he says and follow his speeches. Pope Francis has come to renew the Catholic Church, and he has new air to renew the spiritual world. Now, Venezuela does not need mediation.

Pope Francis reminds us of Pope John XXIII because both men share the same lack of self-consciousness, and neither needs to keep his guard up through the use of psychological defenses such as rationalization, projection or intellectualization.

I keep saying I am an auto-didact, but I have a lot of outside influences. One I could cite is juggler Francis Brunn, who was the first man to throw ten rings in the air; he was really an amazing juggler who showed onstage the quest for perfection.

The issue of the environment as seen by Pope Francis is not a matter of purely scientific or, indeed, theological debate: it involves economic and political views on how the world's poor can be brought out of poverty while protecting the environment.

I've noticed that some Democrats, who seldom mention their faith or maybe never mention their faith, will seize on to a phrase that Pope Francis may have said, and they want to attach themselves to that agenda. Political opportunists is what they are.

I was influenced very much by St. Francis of Assisi, whose idea was to radically live the gospel. He was not a priest, or even a brother. He was a layperson. His whole concept was to emulate Christ through the gospels, and to live it in a radical way.

In Pope Francis's 'Amoris Laetitia' (The Joy of Love), an apostolic exhortation on Catholic family life, he does not make earth-shattering doctrinal changes with regards to divorced Catholics, same-sex married Catholics, or the church's stance on homosexuality.

Pope Francis tells us who he is by pointing to Caravaggio's St. Matthew: 'Here, this is me, a sinner on whom the Lord has turned his gaze.' He is telling us that he has experienced the same rush of speechless wonder and graced love Caravaggio depicts in his painting.

Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.

If you want to put golf back on the front pages again, and you don't have a Bobby Jones or a Francis Ouimet handy, here's what you do: You send an aging Jack Nicklaus out in the last round of the Masters and let him kill more foreigners than a general named Eisenhower.

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