Quotes of All Topics . Occasions . Authors
I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one particular thing to put more attention on.
What I find most satisfying about photography is the way in which it allows me to document 'reality' while at the same time creating my own version thereof; in other words, the reality I present is a reality based upon what I choose to include in the frame and what I choose to leave out.
People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.
I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think there are enough of them in songs anymore.
It's easy to get negative because you get beat down. You go through a few disappointments and it's easy to stay in that negative frame of mind. Choosing to be positive and having a grateful attitude is a whole cliche, but your attitude is going to determine how you're going to live your life.
It took me a while to understand the meaning of a franchise: the reasons why you see lawyer, doctor, cop shows. It's not because anyone in their right mind says, 'You know, what's the most fascinating thing in the world?' It's because you need something new that happens every week in a frame.
When you get a typical injury, you're given a time frame; you're gradually working towards getting back. With concussions, there is not generally a time frame or a span where you're feeling better. You feel like you're getting better, and it can be one day and you're back to where you started.
I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
Many times when we are talking about displacement, we talk about it within the frame of gentrification, which focuses on transitioning neighborhoods. But man, every city I've looked at, Milwaukee included, most evictions are right there, smack dab in ungentrifying, poor, segregated communities.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm-up. And that's an invitation to be inauthentic.
When it comes to getting promoted, you want to present yourself in a way that feeds into the biases that bosses have about what makes someone promotable. You're already doing the hard work, so why not frame your effort in such a way that it increases your chances of obtaining the position you want?
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I want to work with kids and help develop them, show them the right way, the right morals and attitude into how to become a better footballer. Australia has many different cultures but I'd like to bring in the indigenous style, bring their competitiveness, athleticism and raw ability into the frame.
I grew up in the South under segregation. So, I know what terrorism feels like - when your father could be taken out in the middle of the night and lynched just because he didn't look like he was in an obeying frame of mind when a white person said something he must do. I mean, that's terrorism, too.
For the longest time, the state discourse in Singapore has eschewed any reference to welfare. Similarly, the state has tended to place meritocracy on a pedestal. Political leadership has tended to frame both issues in the extreme, with welfare representing the bad, and meritocracy representing the good.
One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me.
In my dreams, whatever I am doing, I look down to see if I have prosthetics. It sets my time frame in my dream, I think. I'd have these dreams that I am running and launching myself, and I look down and see that I have prosthetics. I have a lot of those, where I do great, amazing things with my prosthetics.
It's almost a very rough rule of thumb: when Democrats are able to successfully frame the meaning of an election season around middle-class fears, Democrats win the election; when Republicans are able to successfully frame the meaning of an election season around cultural fears, Republicans win the election.
Change is a continuous process. You cannot assess it with the static yardstick of a limited time frame. When a seed is sown into the ground, you cannot immediately see the plant. You have to be patient. With time, it grows into a large tree. And then the flowers bloom, and only then can the fruits be plucked.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
One must know the so-called 'lesson of a downpour.' A man, caught in a sudden rain en route, dashes along the road not to get wet or drenched. Once one takes it for granted that in rain he naturally gets wet, he can be in a tranquil frame of mind even when soaked to the skin. This lesson applies to everything.
I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.
I do feel like, especially nowadays, we are inundated with the message that, 'Oh my God, you aren't making your own clothes? You didn't make your own bread? And you also don't have a career, and you don't look unbelievable, and you have 5 pounds on your frame? Where is your book that you haven't published yet?'
Before we start anything creatively, we have a firm understanding of our objective and our frame of mind for the campaign. Who's our audience, and what's their day-to-day behavior? How can we complement those behaviors? How is our message more than an interruption? Why would people care about what we're saying?
I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I've got eight kids, and they're always laughing all the time. It's like music to my ears. I think that my frame of mind these days is probably happier than I've ever been, which is kind of odd, coming close to the finish line.
After all, what is cinema? It is an interaction, a discussion that throws up questions and provides some solutions. The solutions might look simple, impractical or too fictionalised. But one must realise that viewers empathise with certain characters because they strike a chord with the viewers' needs and frame of mind.
Governmental intervention and personal responsibility are not mutually exclusive issues, but they do frame a 'do it ourselves' vs. 'what are you doing for us' debate. For the black community, that's a debate that's been raging at least as far back as the W.E.B. Du Bois, Booker T. Washington philosophical grudge matches.
I've had parties where I found photos of whoever is coming, put them in a cute little woven frame and used that as their place card at dinner. Then they get to take it home afterwards. It's the little things that make people feel special and like they were a part of the thought process that went into assembling a dinner.
At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.
It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster.
The wonderful thing about 48 fps is the integration of live action and CG elements; that is something I learned from 'The Hobbit.' We are so used to 24 fps and the romance of celluloid... but at 48 fps, you cannot deny the existence of these CG creations in the same time frame and space and environment as the live action.
You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.
I think it is easier for thinner people to build on a frame once you get lean muscle. I get bored lifting weights at the gym, and it isn't enough as your body becomes stiff. So I train in different ways such as core training, cardio with weights, playing sports such as tennis, cycling, swimming and running 10 km once a week.
I think that is just a limitation of any questionnaire - that we apply a frame of reference or standard. It's a well-known finding in psychology that when people are total beginners at a skill, they tend to overrate their skill level. They don't know what they don't know. The more expert you are, the more critical you become.
The word 'art' interests me very much. If it comes from Sanskrit, as I've heard, it signifies 'making.' Now everyone makes something, and those who make things on a canvas with a frame, they're called artists. Formerly, they were called craftsmen, a term I prefer. We're all craftsmen, in civilian or military or artistic life.
Any active sportsman has to be very focused; you've got to be in the right frame of mind. If your energy is diverted in various directions, you do not achieve the results. I need to know when to switch on and switch off: and the rest of the things happen around that. Cricket is in the foreground, the rest is in the background.
Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.
From the beginning, about the rude altar of the god, to the days of Goethe, of Leopardi, and of Victor Hugo, the poet is the leader in the dance of life; and the phrase by which we name his singularity, the poetic temperament, denotes the primacy of that passion in his blood with which the frame of other men is less richly charged.
Before moving to L.A., I was working with a lot of people who were manipulating me, where they either wanted to put things out immediately or didn't - I was on everybody else's time frame. But once I was on my own, I was like, 'You know what? I'm going to do this right and take my time, and I'll put things out only when I'm ready.'
We frame things in an off-kilter way because it's unsettling. In the 'Mr. Robot' world, that's the norm, and it's the norm for the point of view that we're looking for, which is Elliot's. With our compositions and our visual language and camera movements, it's important to always evoke that unsettling feeling underneath every scene.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
Just like hair frames our face, brows frame our eyes. I see so much potential in harmonized beauty whenever I see a woman who's not filling in her brows, and I just want to go in with my brow pencil and just be like, 'Filling in eyebrows, OK, done - look in the mirror and be inspired.' That's one of my pet peeves, but beauty is subjective.