Quotes of All Topics . Occasions . Authors
Nobody ever said that growing old would be easy. Just having to hold the newspaper out in your forties and then hair growing out of unusual parts of your body in your fifties. It's tough on the ego.
You know, I really enjoy longevity. I see actors in their forties and they just turn out these really fabulous roles and characters. You know who they are, but you wouldn't necessarily know their names.
Forties are good! I'm thinking with my brain now, which is a lot more clear, and women seem to appreciate that. It's a wonderful decade where you're in control of yourself but the women are still interested.
It was an odd coincidence that my career took off the same decade as having babies. I often wished it had been different, that I had my big career bump in my thirties and my babies in my forties or vice versa.
Certainly I was a bully. I'm not ashamed of it at all. The hostility of the establishment to what you were able to do in the Forties and Fifties was very strong. Sometimes you have to fight against your society.
I've never wanted to be the ingenue. Now that I'm getting into my forties, I think my time as a woman has arrived; I think I might have a new moment in my career. I have that drive left - just for a little while.
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
The British who arrived in the United States in the eighteen-thirties and forties had imagined the young republic as a wide-eyed adolescent, socially ungainly and politically gauche, but with some hint of promise.
When I was in my early forties, I slept with a loaded gun under my bed. I'd become severely depressed in my thirties, and for almost a decade I spiraled down into paranoia, rage, self-loathing, and thoughts of suicide.
The interior nature of 'Basic Black' is central to its unfolding. Shirley Kaszenbowski, regarded from the outside, is the embodiment of the invisible woman. She is in her early forties, long married, with two children.
I've always loved the way movie stars in the Forties looked when they were off set. Shot poolside or at their home, they always wore a matte red lipstick with practically no foundation - it was how they wore makeup in real life.
In my twenties, I was obsessed with what other people thought of me. In my thirties, it's about my children, my husband, my work. In my forties, it's going to be about me, and I shan't care what anyone else thinks. I can't wait!
My grandmother studied medicine in the Forties, which was very rare in Egypt, and my mother was a university professor, so my idea of religion wasn't about a woman not working or having to dress in a certain way; it was more to do with the faith.
Downtown Toronto is a very good place to talk about the neutrality of modernist architecture. I'm sure this kind of box-building was interesting in the Twenties, Thirties and Forties, but I think it's absolutely ridiculous to build like this in 2013.
I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid.
Just as dressing well in your forties entails making choices that reflect who you are and not just wearing generic basics, looking good as you get older requires accentuating and enjoying what's specific to you rather than striving for cookie-cutter perfection.
I remember 'The Norfolk Journal and Guide,' which is a black newspaper that still exists, but it was really influential, as you can imagine, in the Forties, Fifties, and Sixties. But all of their archives are online and digitized, and it was a really great resource.
I was adopted without the benefit of papers. They used to hide adoption in the forties; I don't know why. Perhaps it was shameful. I could have been kidnapped - there are all kinds of crazy things that people have done - but I got over dealing with that a long time ago.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
I knew that if I wrote a new book every six months or every year, if I continued to read great books, eventually I would write something worthy of publication. I understood I might be in my forties or my fifties or even my sixties, but I felt confident that it would happen.
It sounds so weird, but I'm totally pro-aging. If you look at the film industry, it's so funny how it's so much more accepted that actors begin their prime in their forties or fifties, and for women, it's so different. I think it's time to change that. Aging is a beautiful thing.
You see these casting directors' lists of characters, and they're all boxed in. Twenties is the hot girlfriend, thirties you can still be hot but moving swiftly to hot mum. Forties, you're the legal person in a pantsuit. Then, once you reach your fifties, you're positively elderly.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.
It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.
The forties are the time when you begin to take notice of certain aches and pains. Your body and brain behave in inexplicable ways: Less hair on your head, more in your ears and nostrils. More memories in the bank, less synaptic firepower with which to access them. Gravity has started to show its inexorable pull.
Women in their thirties are much more nervous about dating. They feel time is 'running out for them. They want to get married and have a family. The women I see in their forties and fifties know what they want. They are amazing, confident women with good jobs, but they are just struggling to find someone who is their equal.
Here's an irony of the history of conservatism's relationship with business and business's relationship with conservatism: 'Wall Street' used to be the right-wing industrialists of the forties and fifties' greatest term of derision. (Wall Street was the place that humiliated them by forcing them, hat in hand, to beg for capital).
You do certain things in your twenties that are just not appropriate in your thirties and certainly not appropriate in your forties. Eventually you even the scales, and it's time to move on and become an adult and start working hard again and going to sleep a little bit earlier. Fortunately, I got a job to facilitate that transition.
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
I'm really still a child of the Forties. I still think about it a lot, about the repercussions of armed conflict. Until 1953 we had rationing. We couldn't buy meat, we couldn't buy pleasurable goods like cigarettes and sweets. I didn't starve - my family were lucky - but I knew what it was like standing in line waiting for foodstuffs.
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
During childbearing years, changing jobs - even for a fundamentally better gig - can be a very bad idea. Those prime childbearing years - mid-twenties to early forties - overlap precisely with prime professional years. This is when employees are most attractive to new employers, when they should be able to zip up ladders with the most alacrity.
