We have harmonies, folk songs, and compositions attached to each occasion - ranging from birth, harvest, to our festivals. Our country thrives on culture, music, and arts. Musically, ours is a very rich country.

I'm actually doing what I like doing, which is mixing opera music and classical music with soul and folk. And I was writing and talking about what I've actually experienced, and I don't think that's very common.

In my early life, I was a professional folk singer. I used to sing on the national television and radio in Canada. Nobody knows that - but now I've said it, haven't I? I'm strictly a shower singer at the minute.

When I first started working on 'Staying Dead,' I got some well-meaning but negative feedback from industry folk because - back in 2001 - epic fantasy was still the big thing, alternate history a tight runner-up.

I went to school in Gainesville because it was a huge punk and folk town. So I went to class twice a week, and then I went to shows and wrote. I did a lot of music writing before I actually started playing music.

When I really started liking music was when I could play some of it myself, and after a couple of years of playing folk music, I kinda rediscovered those hits that were on the radio all the time when I was a kid.

Folk music is music that everyday people can play, and it inspired a lot of people to make their own music. That trailed into making your own pop music, and that's why garage bands started springing up everywhere.

I didn't have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn't have been able to get started.

In 'Spinal Tap,' there's the fake historical quality of 'Stonehenge.' It's something the musicians look at with a mystical reverence. In folk music, it's the seriousness with which these people approach their 'art.'

Folk tales are my favourite form of story telling. They not only just adjust the reader according to the world it is introducing the reader to, but also enchant the reader with its mysterious and magical characters.

Lizz Wright, we call her lovingly 'Amazing Grace.' She has a folk and gospel kind of approach to the music, and she writes beautiful lyrics and songs. She's like this balm that is really full and very rich and deep.

Some scholars attribute the decline in nicknaming to the evolutionary process that turned folk heroes into entrepreneurs. The truth is: George Herman Ruth, the namely-est guy ever, exhausted our supply of hyperbole.

Clarinet is often associated with certain genres, like swing or folk music. I combine the old and new, using the clarinet as an expressive tool and not in one genre. I'm just happy that people are drawn to what I do.

Most boys' first hero is their father. That was definitely true of my dad. He was a proud Irish American and he taught me a lot about ethics and responsibility. He also introduced me to a lot of wonderful folk music.

I had always loved Haitian art, but I stumbled onto Haiti quite by accident. I went there on vacation after finishing a movie called 'The Delta Factor,' and I met lot of painters and fell in love with their folk art.

Conspiracies, since they cannot be engaged in without the fellowship of others, are for that reason most perilous; for as most men are either fools or knaves, we run excessive risk in making such folk our companions.

I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.

I'm kind of like a folk singer mixed with soul, but I feel like if you really are a lover of hip-hop music, make the beat banging as possible and then put the message in so that people get the honey with the medicine.

I didn't have a manifesto. I had some discontent. It seemed to me that midcentury mainstream American science fiction had often been triumphalist and militaristic, a sort of folk propaganda for American exceptionalism.

I was introduced to classical music by my grandparents - my parents were mostly into folk and jazz. Even as a young man, I was literally unaware of the distinctions between any of that, and I still think it's pointless.

This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.

From the first album, Led Zeppelin was always going to be a totally new approach from what had gone before - whether it was approaching the blues or folk music like 'Babe I'm Gonna Leave You': nothing existed like that.

I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.

I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.

As artists, we must not go down to the level of the masa; we should bring them up, intellectualize our languages, create classics out of our folk arts. We can do this if we are true to our roots and strive for excellence.

The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.

Tricks you need to transform something which appears fantastic, unbelievable into something plausible, credible, those I learned from journalism. The key is to tell it straight. It is done by reporters and by country folk.

I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.

Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.

'Take Her Up to Monto' is a very satirical song. I don't really like people calling it a folk song because it kind of isn't. It's a bit cheeky calling it 'Take Her Up to Monto,' but the whole idea was to be very irreverent.

Pete Seeger is a modest, unassuming, cheerful, and kind-natured man. He's a good folk singer, if you can stand folk singing. And he's such an excellent banjo player that you almost don't wish you had a pair of wire cutters.

Back in high school, I had this folk protest band, and I used to write all the time. And then, when I got in The B-52s, we began to write collectively, collaboratively - most all of our songs are written by jamming together.

There's a long history of anthropomorphic animals in Japanese literature. The so-called 'funny animal scrolls' were the first narratives in Japanese history, and the heroes of many folk tales have animals as their companions.

Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.

Lana Del Rey seems to be bothering everybody because she allegedly 'remade' herself from a folk singing, girl-next-door type into an electro-urban kitty cat on the prowl (of course I like her), and they feel she is inauthentic.

After a summer trip to Switzerland, which was rich in experiences, I started writing. In the beginning, I aimed at descriptions of nature and folk life until, as the years passed, the description of man became my chief interest.

My dad worked all sorts of jobs when I was growing up and finally ended up as a surveyor; my mum delivers meals to old folk around where we live. We didn't have much money when I was growing up, but I had a very happy childhood.

I grew up listening to popular music. My father was a Peruvian folk singer. He played the guitar at home. He sang songs with a waltzing rhythm, yet you can still hear the Spanish influences. I accompanied him to his performances.

My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.

New Orleans is just so full of culture in the music content - blues, folk. I was introduced to a lot of things. My mother didn't keep me away from other music. She only kept me away from rap. The closest I got to rap was D'Angelo.

The first thing I would like to say is that I don't think folk at Westminster - or for that matter at Holyrood - constitute an elite. They are representatives who are elected and who are at the service of voters who can fire them.

I always wanted to get on the telly. Then see when I did, and there was talk about doing more online, Comedy Labs or iPlayer, I was: 'Naw, naw, naw, I want to be On The Telly that sits in the living room and folk watch it together.

I was looking for some vintage furniture, and I came across this booth where they sold old pictures. This guy didn't just have things in a box; he had really curated his collection. Each image was like this little folk masterpiece.

Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.

Trans-dating is hardcore, and it's really scary. And that's coming from me, someone who couldn't be dating in a more open-minded Manhattan pool of artsy boys and creative folk. Not saying it all sucks. I'm just saying it's not easy.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

Normally I would not recommend a book that tells you how to make money in the stock market. Most of these books are aimed at gullible folk, and they usually make much more money for their authors than they do for the investing public.

I think my election is one of several indications that gay and lesbian folk are being brought more into the center of things. I'd like to think that my election signals my bringing of gay and lesbian folk into the center of the church.

I'm really sick of anthems. Every song has to be a very big singalong thing - it feels very Eighties. There are a lot of 'whoah whoa whoahs,' this stadium thing. You're even getting that from some of the 'folk' groups. I can't stand it.

If we have to put music into baskets, then the progressive rock bands I fell in love with as a teenager made sounds that shaded into jazz, folk, metal, and in the case of the wonderful (and sadly missed) Jon Lord, modern classical music.

Share This Page