Flower Quotes - Page 71

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Paulo CoelhoBilly GrahamThomas SowellKhalil GibranJohann Wolfgang Von GoetheKobe BryantStephen HawkingVince LombardiMuhammad AliRalph Waldo Emerson
OceanAttitudeQuiltsBestHilariousDaughterCoolVolleyballLeadershipNew York

The awful shadow of some unseen Power Floats though unseen among us; visiting This various world with as inconstant wing As summer winds that creep from flower to flower; Like moonbeams that behind some piny mountain shower, It visits with inconstant glance Each human heart and countenance; Like hues and harmonies of evening, Like clouds in starlight widely spread, Like memory of music fled, Like aught that for its grace may be Dear, and yet dearer for its mystery.

The place is changed now, and many familiar faces are gone, but the greatest change is myself. I was a child then, I had no idea what the world would be like. I wished to trust myself on the waters and the sea. Everything was romantic in my imagination. The woods were peopled by the mysterious good folk. The Lords and Ladies of the last century walked with me along the overgrown paths, and picked the old fashioned flowers among the box and rose hedges of the garden.

We believe that 95% of your emotions are determined by the way you talk to yourself as you go throughout your day. The sad fact is that if you do not deliberately and consciously talk to yourself in a positive and constructive way, you will, by default, think about things that will make you unhappy or cause you worry and anxiety. Your mind is like a garden. If you do not deliberately plant flowers and tend carefully, weeds will grow without any encouragement at all.

What did I care about my hammer, about my bolt, about thirst or death? There was, on one star, on one planet, on mine, the Earth, a little prince to be consoled! I took him in my arms. I rocked him. I told him, 'The flower you love is not in danger...I'll draw you a muzzle for your sheep...I'll draw you a fence for your flower...I' I didn't know what to say. How clumsy I felt! I didn't know how to reach him, where to find him...It's so mysterious, the land of tears.

Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.

Pleasure is to a woman what the sun is to the flower: if moderately enjoyed, it beautifies, it refreshes, and it improves; if immoderately, it withers, deteriorates, and destroys. But the duties of domestic life, exercised as they must be in retirement, and calling forth all the sensibilities of the female, are perhaps as necessary to the full development of her charms, as the shade and the shower are to the rose, confirming its beauty, and increasing its fragrance.

You remember when you were maybe five years old and you went out in the morning and you looked at the day - and it was a very, very beautiful day. You looked at flowers and they were very beautiful flowers. Twenty-five years later, you get up in the morning, you take a look at the flowers - they are wilted. The day isn't a happy day. Well, what's changed? You know they are the same flowers, it's the same world. Something must have changed. Well, probably it was you.

Saints are like trees. They do not call to anyone, neither do they send anyone away. They give shelter to whoever cares to come, be it a man, woman, child, or an animal. If you sit under a tree it will protect you from the weather, from the scorching sun as well as from the pouring rain, and it will give you flowers and fruit. Whether a human being enjoys them or a bird tastes of them matters little to the tree; its produce is there for anyone who comes and takes it.

Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales...from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster.

On the whole, however, the critic is far less of a professional faultfinder than is sometimes imagined. He is first of all a virtue-finder, a singer of praise. He is not concerned with getting rid of dross except in so far as it hides the gold. In other words, the destructive side of criticism is purely a subsidiary affair. None of the best critics have been men of destructive minds. They are like gardeners whose business is more with the flowers than with the weeds.

Where did love begin?What human being looked at another and saw in their face the forests and the sea? Was there a day, exhausted and weary,dragging home food, arms cut and scarred, that you saw yellow flowers and, not knowing what you did, picked them because I love you? In the fossil record of our existence, there is no trace of love. You cannot find it held in the earth's crust, waiting to be discovered. The long bones of our ancestors show nothing of their hearts.

The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.

Flowers... that are so pathetic in their beauty, frail as the clouds, and in their coloring as gorgeous as the heavens, had through thousands of years been the heritage of children - honored as the jewelry of God only by them - when suddenly the voice of Christianity, counter-signing the voice of infancy, raised them to a grandeur transcending the Hebrew throne, although founded by God himself, and pronounced Solomon in all his glory not to be arrayed like one of these.

It may be a mere patriotic bias, though I do not think so, but it seems to me that the English aristocracy is not only the type, but is the crown and flower of all actual aristocracies; it has all the oligarchical virtues as well as all the defects. It is casual, it is kind, it is courageous in obvious matters; but it has one great merit that overlaps even these. The great and very obvious merit of the English aristocracy is that nobody could possibly take it seriously.

Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that'd happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn't a thousand times more impressive and happened all the time.

Life is not mean, it is grand; if it is mean to any, he or she makes it so. God made it glorious. It is paved with diamonds; its banks he fringed with flowers. He overarched it with stars. Around it He spread the glory of the physical universe-suns, moon, worlds, constellations, systems-all that is magnificent in motion, sublime in magnitude, and grand in order and obedience. God would not have attended life with this broad march of grandeur if it did not mean something.

Whoever reaches into a rosebush may seize a handful of flowers; but no matter how many one holds, it's only a small portion of the whole. Nevertheless, a handful is enough to experience the nature of the flowers. Only if we refuse to reach into the bush, because we can't possibly seize all the flowers at once, or if we spread out our handful of roses as if it were the whole of the bush itself -- only then does it bloom apart from us, unknown to us, and we are left alone.

A change fell upon all things. Strange brilliant flowers, star-shaped, burst out upon the trees where no flowers had been before. The tints of the green carpet deepened; and when, one by one, the white daisies shrank away, there sprang up, in place of them, ten by ten of the ruby-red asphodel. And life arose in our paths; for the tall flamingo hitherto unseen, with all gay glowing birds, flaunted his scarlet plumage before us. The golden and silver fish haunted the river.

So Spring comes merry towards me here, but earns No answering smile from me, whose life is twin'd With the dead boughs that winter still must bind, And whom today the Spring no more concerns. Behold, this crocus is a withering flame; This snowdrop, snow; this apple-blossom's part To breed the fruit that breeds the serpent's art. Nay, for these Spring-flowers, turn thy face from them, Nor stay till on the year's last lily-stem The white cup shrivels round the golden heart.

Time in China has no immediacy as in America. Here I find the swift passage of our few earthly years accepted as naturally as the fall of flower and leaf. ... I hear and speak a language in which grammar has no tense. Both scholars and illiterates, in ordinary daily speech, tell an event of centuries ago as casually as an incident of the hour. Only as my knowledge has accumulated have I been able to know whether something related happened just then or in some past dynasty.

A summer breeze can be very refreshing; but if we try to put it in a tin can so we can have it entirely to ourselves, the breeze will die. Our beloved is the same. He is like a breeze, a cloud, a flower. If you imprison him in a tin can, he will die. Yet many people do just that. They rob their loved one of his liberty, until he can no longer be himself. They live to satisfy themselves and use their loved one to help them fulfill that. That is not loving; it is destroying.

That in the winter, seeing a tree stripped of its leaves, and considering that within a little time, the leaves would be renewed, and after that the flowers and fruit appear, he received a high view of the Providence and Power of GOD, which has never since been effaced from his soul. That this view had perfectly set him loose from the world, and kindled in him such a love for GOD, that he could not tell whether it had increased in above forty years that he had lived since.

What kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.

You have two gardens: your own garden and that of your beloved. First, you have to take care of your own garden and master the art of gardening. In each one of us there are flowers and there is also garbage. The garbage is the anger, fear, discrimination, and jealousy within us. If you water the garbage, you will strengthen the negative seeds. If you water the flowers of compassion, understanding, and love, you will strengthen the positive seeds. What you grow is up to you.

Come away, come away, Death, And in sad cypress let me be laid; Fly away, fly away, breath, I am slain by a fair cruel maid. My shroud of white stuck all with yew, O prepare it! My part of death no one so true did share it. Not a flower, not a flower sweet, On my black coffin let there be strewn: Not a friend, not a friend greet My poor corpse, where my bones shall be thrown. A thousand thousand sighs to save, lay me O where Sad true lover never find my grave, to weep there!

Money as such is, as Oscar Wilde said, perfectly useless. You can't eat it, drink it, shelter yourself from the cold with it, wear it, or make love with it unless deeply disturbed. In and of itself, it has no emotions, no mind, and no conscience. It doesn't put out flowers or have children, and it makes a lousy pet. It has meaning only when it circulates, and is exchanged for other things; and money doesn't do that for itself. People do that, using money as a symbolic token.

Elena had always felt like the center of her own world - who doesn't? The world arranged itself around her like petals around the stem of a flower. This way the meadows, that way the woodland. Over here, the baryn's estate, out there, the hills that hug the known world close and imply a world at beyond. She could never come up with the edge of a world, because it always kept going on beyond. She moved the center of the world as she walked. The world was balanced on her head.

Jacob wrote that the true poet 'is like a man who is happy anywhere, in endless measure, if he is allowed to look at leaves and grass, to see the sun rise and set. The false poet travels abroad in strange countries and hopes to be uplifted by the mountains of Switzerland, the sky and sea of Italy. He comes to them and is dissatisfied. He is not as happy as the man who stays at home and sees the apple trees flower in spring, and hears the small birds singing among the branches

You work here [on the farm] simply without philosophizing; sometimes the work is hard and crowded with pettiness. But at times you feel a surge of cosmic exaltation, like the clear light of the heavens... . And you, too, seem to be taking root in the soil which you are digging, to be nourished by the rays of the sun, to share life with the tiniest blade of grass, with each flower; living in nature's depths, you seem then to rise and grow into the vast expanse of the universe.

Also known as May Eve, May Day, and Walpurgis Night, happens at the beginning of May. It celebrates the height of Spring and the flowering of life. The Goddess manifests as the May Queen and Flora. The God emerges as the May King and Jack in the Green. The danced Maypole represents Their unity, with the pole itself being the God and the ribbons that encompass it, the Goddess. Colors are the Rainbow spectrum. Beltane is a festival of flowers, fertility, sensuality, and delight.

The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them.

Why lily?” “It’s the most sacred and beautiful of all flowers in Egypt. They bloom in mud and shine in the darkness like a gift from the gods to remind you that no matter how bad something is, it will get better. That no matter how dark the night, the light will come for you. If you partake of them, they have the power to calm and soothe you, and to heal your wounds.” When he spoke his next words, they were laced with emotion and sincerity. “You are, and will always be, my sšn.

One of the remarkable characteristics of young wild sunflowers, in addition to growing in soil that is not hospitable, is how the young flower bud follows the sun across the sky. In doing so, it receives life-sustaining energy before bursting forth in its glorious yellow color. Like the young sunflower, when we follow the Savior of the world, the Son of God, we flourish and become glorious despite the many terrible circumstances that surround us. He truly is our light and life.

I held a blue flower in my hand, probably a wild aster, wondering what its name was, and then thought that human names for natural things are superfluous. Nature herself does not name them. The important thing is to know this flower, look at its color until the blends becomes as real as a keynote of music. Look at the exquisite yellow flowerettes at the center, become very small with them. Be the flower, be the trees, the blowing grasses. Fly with the birds, jump with a squirrel!

Play is the highest expression of human development in childhood for it alone is the free expression of what is in a childs soul.”• “Play is the highest level of child development . . . It gives . . . joy, freedom, contentment, inner and outer rest, peace with the world . . . The plays of childhood are the germinal leaves of all later life.”• “Children are like tiny flowers; they are varied and need care, but each is beautiful alone and glorious when seen in the community of peers.

While we only look at Nature it is fair to say that Autumn is the end of the year; but it is still more true that Autumn is the beginning of the year.... Autumn is the time when in fact the leaves bud. Leaves wither because winter begins; but they also wither because spring is already beginning, because new buds are being made, as tiny as percussion caps out of which the spring will crack.... It is only an optical illusion that my flowers die in autumn; for in reality they are born.

Blue as the evening sky, blue as cranesbill flowers, blue as the lips of drowned men and the heart of a blaze burning with too hot a flame. Yes, sometimes it was hot in this world, too. Hot and cold, light and dark, terrible and beautiful, it was everything all at once. It wasn't true that you felt nothing in the land of Death. You felt and heard and smelled and saw, but your heart remained strangely calm, as if it were resting before the dance began again. Peace. Was that the word?

Though beauty is, with the most apt similitude, I had almost said with the most literal truth, called a flower that fades and dies almost in the very moment of its maturity; yet there is, methinks, a kind of beauty which lives even to old age; a beauty that is not in the features, but, if I may be allowed the expression, shines through them. As it is not merely corporeal it is not the object of mere sense, nor is it to be discovered but by persons of true taste and refined sentiment.

A grower of chrysanthemums awaited a visit from the emperor, who was coming to enjoy his blossoms, of which there were hundreds in bloom. The grower selected one magnificent specimen, then cut down all the others, leaving this one perfect flower. The emperor arrived and sat for several hours quietly gazing at this beautiful flower, letting its beauty have its way with him. Can you imagine being so caught up in appreciation of one flower that everything else fades into the background?

There is a land, where the roses are without thorns, where the flowers are not mixed with brambles. In that land, there is eternal spring, and light without any cloud. The tree of life groweth in the midst thereof; rivers of pleasures are there, and flowers that never fade. Myriads of happy spirits are there, and surround the throne of God with a perpetual hymn. The angels with their golden harps sing praises continually, and the cherubim fly on wings of fire! This country is Heaven.

the rain is coming. little sister, the night broke. the thunder cracked my brain finally. the rain is coming, i promise you. i didn’t mean to but your tears will bring life back. purple flowers grow, the colour blood looks in the veins. they’ll sprout out of my chest. i promise you they’ll crack the ground, grow over the freeways, down the slopes to the sea. i’ll be in their faces. i’ll be in the waves, coming down from the sky. i’ll be inside the one who holds you. and then i won’t be.

I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.

Ascend beyond the sickly atmosphere to a higher plane, and purify yourself by drinking as if it were ambrosia the fire that fills and fuels Emptiness. Free from the futile strivings and the cares which dim existence to a realm of mist, happy is he who wings an upward way on mighty pinions to the fields of light; whose thoughts like larks spontaneously rise into the morning sky; whose flight, unchecked, outreaches life and readily comprehends the language of flowers and of all mute things.

Thoughts can create such a barrier that even if you are standing before a beautiful flower, you will not be able to see it. Your eyes are covered with layers of thought. To experience the beauty of the flower you have to be in a state of meditation, not in a state of mentation. You have to be silent, utterly silent, not even a flicker of thought - and the beauty explodes, reaches to you from all directions. You are drowned in the beauty of a sunrise, of a starry night, of beautiful trees.

The circus tent was flowing pale in the rain like a fleshy flower lit from within. It seemed to bloom in the downpour. Drops of rain caught on Rafe's eyelashes, blinding him as the circus light struck them. He groped for the flap, that slit in the fabric that would reveal her to him. She was on the rope again, her skirt flashing with tiny mirrors, hair braided with petals. He looked up at her, dizzy with it, seeing her face framed in the parasol. There were bluish shadows around her eyes.

i have found what you are like the rain (Who feathers frightened fields with the superior dust-of-sleep. wields easily the pale club of the wind and swirled justly souls of flower strike the air in utterable coolness deeds of gren thrilling light with thinned newfragile yellows lurch and.press --in the woods which stutter and sing And the coolness of your smile is stirringofbirds between my arms;but i should rather than anything have(almost when hugeness will shut quietly)almost, your kiss

Now I want you to listen to me," he said in a low voice, taking her chin in his hand and forcing her to look at him. "And listen carefully, because I'm only going to say this once. You are going to marry me before this week is out. Since you have conveniently run off to Scotland, we don't need a special license. You're just lucky I don't haul you off to a church right this instant. Get yourself a dress and get yourself some flowers, because, sweeetheart, you're getting yourself a new name.

Roads go ever ever on, Over rock and under tree, By caves where never sun has shone, By streams that never find the sea; Over snow by winter sown, And through the merry flowers of June, Over grass and over stone, And under mountains of the moon. Roads go ever ever on Under cloud and under star, Yet feet that wandering have gone Turn at last to home afar. Eyes that fire and sword have seen And horror in the halls of stone Look at last on meadows green And trees and hills they long have known

There can be no barrenness in full summer. The very sand will yield something. Rocks will have mosses, and every rift will have its wind-flower, and every crevice a leaf; while from the fertile soil will be reared a gorgeous troop of growths, that will carry their life in ten thousand forms, but all with praise to God. And so it is when the soul knows its summer. Love redeems its weakness, clothes its barrenness, enriches its poverty, and makes its very desert to bud and blossom as the rose.

For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.

Share This Page