Flower Quotes - Page 67

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Poetry deserves the honor it obtains as the eldest offspring of literature, and the fairest. It is the fruitfulness of many plants growing into one flower and sowing itself over the world in shapes of beauty and color, which differ with the soil that receives and the sun that ripens the seed. In Persia, it comes up the rose of Hafiz; in England, the many-blossomed tree of Shakespeare.

Many people are so imprisoned in their minds that the beauty of nature does not really exist for them. They might say, 'What a pretty flower,' but that's just a mechanical mental labeling. Because they are not still, not present, they don't truly see the flower, don't feel it's essence, it's holiness-just as they don't know themselves, don't feel their own essence, their own holiness.

To the young mind every thing is individual, stands by itself. By and by, it finds how to join two things and see in them one nature; then three, then three thousand; and so, tyrannized over by its own unifying instinct, it goes on tying things together, diminishing anomalies, discovering roots running under ground whereby contrary and remote things cohere and flower out from one stem.

When we walk slowly, the world can fully appear. Not only are the creatures not frightened away by our haste or aggression, but the fine detail of fern and flower, or devastation and disruption, becomes visible. Many of us hurry along because we do not want to see what is really going on in and around us. We are afraid to let our senses touch the body of suffering or the body of beauty

The organic gardener does not think of throwing away the garbage. She knows that she needs the garbage. She is capable of transforming the garbage into compost, so that the compost can turn into lettuce, cucumber, radishes, and flowers again...With the energy of mindfulness, you can look into the garbage and say: I am not afraid. I am capable of transforming the garbage back into love.

The mistake that people made around 2000 with the emergence of the web was that they thought that people would not read long-form on a screen. Following from that idea, they quit doing long-form on screens. It got shorter and shorter, and then came cats toying with flowers and all of those clichés, but it was wrong. People will read long-form on a device if they want to read long-form.

On the first of May, with my comrades of the catechism class, I laid lilac, chamomile and rose before the altar of the Virgin, and returned full of pride to show my blessed posy. My mother laughed her irreverent laugh and, looking at my bunch of flowers, which was bringing the may-bug into the sitting-room right under the lamp, she said: Do you suppose it wasn't already blessed before?

Colours change: in the morning light, red shines out bright and clear and the blues merge into their surroundings, melting into the greens; but by the evening the reds loose their piquancy, embracing a quieter tone and shifting toward the blues in the rainbow. Yellow flowers remain bright, and white ones become luminous, shining like ghostly figures against a darkening green background.

Transitions are a part of life, allowing for perpetual renewal. When you experience the end of one chapter, allow yourself to feel the emotions of loss and rebirth. A bud gives way to a new flower, which surrenders to the fruit, which gives rise to a seed, which yields a new sprout. Even as you ride the roller coaster, embrace the centered internal reference of the ever-present witness.

Now I see why reading was illegal for black people during slavery. I discover that I think in words. The more words I know, the more things I can think about. My vocab and thoughts grow together like the stem and petals of a flower. Reading was illegal because if you limit someone's vocab, you limit their thoughts. They can't even think of freedom because they don't have the language to.

If you are feeling more yourself, there is a problem best addressed immediately," said the queen. "In my nightshirt?" The king wriggled, as ever, out of straightforward obedience. "Your attendants. I have spoken to them. You will speak to them as well." "Ah. They have seen me in my nightshirt." He looked down at his sleeve, embroidered with white flowers. "Not in your nightshirt, though.

What's that smell?" I froze. What? Did I really smell so distasteful he had only to lean in my direction to catch a putrid whiff of me? I stayed the urge to break his freaking nose for pointing out my stinkiness. He sniffed again. "I can't place it." "How bad is it?" I asked, my cheeks heating. "It's good. Some kind of flower." My first thought: Hurray! I don't stink. My second: Ohmygod!

I find that a real gardener is not a man who cultivates flowers; he is a man who cultivates the soil. He is a creature who digs himself into the earth and leaves the sight of what is on it to us gaping good-for-nothings. He lives buried in the ground. He builds his monument in a heap of compost. If he came into the Garden of Eden, he would sniff excitedly and say: "Good Lord, what humus!"

Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .

Not as the plants and flowers of Earth, growing peacefully beneath a simple sun, were the blossoms of the planet Lophai. Coiling and uncoiling in double dawns; tossing tumultuously under vast suns of jade green and balas-ruby orange; swaying and weltering in rich twilights, in aurora-curtained nights, they resembled fields of rooted serpents that dance eternally to an other-worldly music.

We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something last longer than we do.

In the autumn I gathered all my sorrows and buried them in my garden. And when April returned and spring came to wed the earth, there grew in my garden beautiful flowers unlike all other flowers. And my neighbors came to behold them, and they all said to me, "When autumn comes again, at seeding time, will you not give us of the seeds of these flowers that we may have them in our gardens?"

Immortal amarant, a flower which once In paradise, fast by the tree of life, Began to bloom; but soon for man's offence To heaven removed, where first it grew, there grows, And flowers aloft, shading the fount of life, And where the river of bliss through midst of heaven Rolls o'er elysian flowers her amber stream: With these that never fade the spirits elect Bind their resplendent locks.

Night is done, gone the moon, gone the stars From the skies. Fades the black of night Comes the morn with rosy light. Fold your wings, go to sleep, Rest your gizzards, Safe you'll be for the day. Glaux is nigh. Far away is first black, But it shall seep back Over field Over flower In the twilight hour. We are home in our tree. We are owls, we are free. As we go, this we know Glaux is nigh.

Have you ever sat very quietly with closed eyes and watched the movement of your own thinking? Have you watched your mind working?or rather, has your mind watched itself in operation, just to see what your thoughts are, what your feelings are, how you look at the trees, at the flowers, at the birds, at people, how you respond to a suggestion or react to a new idea? Have you ever done this?

Gertrude Jekyll, like Monet, was a painter with poor eyesight, and their gardens - his at Giverny in the Seine valley, hers in Surrey - had resemblance's that may have sprung from this condition. Both loved plants that foamed and frothed over walls and pergolas, spread in tides beneath trees; both saw flowers in islands of colored light - an image the normal eye captures only by squinting.

In the dooryard fronting an old farm-house near the white-wash'd palings, Stands the lilac-bush tall-growing with heart-shaped leaves of rich green, with many a pointed blossom rising delicate, with the perfume strong I love, With every leaf a miracle - and from this bush in the dooryard, With delicate-color'd blossoms and heart-shaped leaves of rich green, A sprig with its flower I break.

For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn may know, they cannot know the beauty, the marvel of being alive in the flesh. The dead may look after the afterwards. But the magnificent here and now of life in the flesh is ours, and ours alone, and ours only for a time.

If you are really spontaneous, people will think you are mad. If you go to a tree and start talking, or to a flower, people will think you are mad. If you go to a church and talk to a cross or to an image, nobody will think your are mad, they will think that you are religious. You are talking to a stone in a temple and everybody thinks you are religious because this is the authorized form.

... I am more of an ambler. I once overheard my old boss in Dublin describe me as very "hello trees, hello flowers." It was intended as an insult and it fulfilled its brief; I was insulted. I had little interest in greeting trees and flowers but nor did I treat life as a treadmill, on which it was vital to keep fleeing forward in order to avoid being sucked off the back and out of the game.

The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.

I came out for exercise, gentle exercise, and to notice the scenery and to botanise. And no sooner do I get on that accursed machine than off I go hammer and tongs; I never look to right or left, never notice a flower, never see a view - get hot, juicy, red - like a grilled chop. Get me on that machine and I have to go. I go scorching along the road, and cursing aloud at myself for doing it.

Like a great poet, Nature produces the greatest results with the simplest means. These are simply a sun, trees, flowers, water and love. Of course, if the spectator be without the last, the whole will present but a pitiful appearance, and in that case, the sun is merely so many miles in diameter, the trees are good for fuel, the flowers are classified by stamens, and the water is simply wet.

So long as the bee is outside the petals of the lily, and has not tasted the sweetness of its honey, it hovers around the flower emitting the buzzing sound; but when it is inside the flower, it noiselessly drinks the nectar. So long as a man quarrels and disputes about doctrines and dogmas, he has not tasted the nectar of true faith; when he has tasted it, he becomes quiet and full of peace.

It's sad if people think that's (homemaking) a dull existance, [but] you can't just buy an apartment and furnish it and walk away. It's the flowers you choose, the music you play, the smile you have waiting. I want it to be gay and cheerful, a haven in this troubled world. I don't want my husband and children to come home and find a rattled woman. Our era is already rattled enough, isn't it?

(After meeting her birth mother after more than 40 years) We exchange bunches of orchids, laughing at the coincidence of the flowers. A little unnerving: I wonder if that choice has anything to do with genetics. ... I want to take mine home and look after them so that they live for days. I might spray the leaves, and make sure they sit in an easterly window, and keep them out of the direct sun.

For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted small flowers. This was the Christ painting [The Dead Christ in the Tomb, 2008] in my Down exhibition [2008]. Now, I simply can't spend eight hours a day painting small, identical flowers. And so I've got a team that allows me to have these grand, sweeping statements.

He who knows his soul knows this truth: " I am beyond everything finite; I I now see that the Spirit, alone in a space with Its ever-new joy, has expressed Itself as the vast body of nature. I am the stars, I am the waves, I am the Life of all, I am the laughter within all hearts, I am the smile on the faces of the flowers and in each soul. I am the Wisdom and Power that sustain all creation. "

We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep, we are caterpillars; we are leaves of ivy and springs of wildflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

No temple made with hands can compare with Yosemite. Every rock in its walls seems to glow with life...Awful in stern, immovable majesty, how softly these rocks are adorned, and how fine and reassuring the company they keep: Their feet among beautiful groves and meadows, their brows in the sky, a thousand flowers leaning confidingly against their feet, bathed in floods of water, floods of light.

They adored each other; but still the permanent and the immutable subsist. We may love and laugh, pout, clasp hands, smile, and exchange endearments, but that does not affect eternity. Two lovers hide in the dusk of evening, amid flowers and the twittering of birds, and enchant each other with their hearts shinning in their eyes; but the stars in their course still circle through infinite space.

How absurd these words are, such as beast and beast of prey. One should not speak of animals in that way. They may be terrible sometimes, but they're much more right than men...They're never in any embarrassment. They always know what to do and how to behave themselves. They don't flatter and they don't intrude. They don't pretend. They are as they are, like stones or flowers or stars in the sky.

As every flower fades and as all youth departs, so life at every stage, so every virtue, so our grasp of truth blooms in its day and may not last forever. Since life may summon us at every age, be ready, heart, for parting, new endeavour, be ready bravely and without remorse to find new light that old ties cannot give. In all beginnings dwells a magic force for guarding us and helping us to live.

Once I spoke the language of the flowers, Once I understood each word the caterpillar said, Once I smiled in secret at the gossip of the starlings, And shared a conversation with the housefly in my bed. Once I heard and answered all the questions of the crickets, And joined the crying of each falling dying flake of snow, Once I spoke the language of the flowers. . . . How did it go? How did it go?

So passeth, in the passing of a day, Of mortal life, the leaf, the bud, the flower; No more doth flourish after first decay, That erst was sought to deck both bed and bower Of many a lady and many a paramour. Gather therefore the rose whilst yet in prime, For soon comes age that will her pride deflower. Gather the rose of love whilst yet in time, Whilst loving thou mayst loved be with equal crime.

When I listen to love, I am listening to my true nature. When I express love, I am expressing my true nature. All of us love. All of us do it more and more perfectly. The past has brought us both ashes and diamonds. In the present we find the flowers of what we've planted and the seeds of what we are becoming. I plant the seeds of love in my heart. I plant the seeds of love in the hearts of others.

Is it wholly fantastic to admit the possibility that Nature herself strove toward what we call beauty? Face to face with any one of the elaborate flowers which man's cultivation has had nothing to do with, it does not seem fantastic to me. We put survival first. But when we have a margin of safety left over, we expend it in the search for the beautiful. Who can say that Nature does not do the same?

Early in life, when I first saw waterlilies on the ripples of a lake, I didn't think they were flowers which grew from the water, but rather flowers which were mirrored from the shore into the lake. So many flowers grow in the silent waters of our souls, and they unfold their petals over the glaze of our consciousness: they grow from within us, but we think them reflections from the external world.

When an almond tree became covered with blossoms in the heart of winter, all the trees around it began to jeer. 'What vanity,' they screamed, 'what insolence! Just think, it believes it can bring spring in this way!' The flowers of the almond tree blushed for shame. 'Forgive me, my sisters,' said the tree. 'I swear I did not want to blossom, but suddenly I felt a warm springtime breeze in my heart.

For me to get the support and the love and response we did from critics, but to also be at Trader Joe's and have women come up to me and cry and hug me is on another level. That makes you take a step back because there are genuine emotions at stake. People were truly on a journey with her. This story opened up week by week like a flower. It was just a magical season, and I'm so happy I got to do it.

Oh, I never meant, in my old age, to become subject to the thrall of a love like this; it is almost dreadful, so absorbing, so stirring down to the deeps. For the tiny creature is so old and wise and sweet, and so fascinating in his sturdy common sense and clear intelligence; and his affection for me is a wonderful, exquisite thing, the sweetest flower that has bloomed for me in all my life through.

You could be attached to merely a description of a plant or a flower. Or a narrative of an event. Or rage at injustice. Isaiah and the other Hebrew prophets, in their rage, were being altogether attached - not at all detached, although as I think of the word "detachment," I also think of a sheet of paper, loose from its notebook, fluttering around somewhere in the wind trying to find its home again.

A kiss, when all is told, what is it? An oath taken a little closer, a promise more exact. A wish that longs to be confirmed, a rosy circle drawn around the verb 'to love'. A kiss is a secret which takes the lips for the ear, a moment of infinity humming like a bee, a communion tasting of flowers, a way of breathing in a little of the heart and tasting a little of the soul with the edge of the lips!

Our blessed Savior chose the Garden for his Oratory, and dying, for the place of his Sepulchre; and we do avouch for many weighty causes, that there are none more fit to bury our dead in than in our Gardens and Groves, where our Beds may be decked with verdant and fragrant flowers, Trees and Perennial Plants, the most natural and instructive Hieroglyphics of our expected Resurrection and Immortality.

Buddha is said to have given a "silent sermon" once during which he held up a flower and gazed at it. After a while, one of those present, a monk called Mahakasyapa, began to smile. He is said to have been the only one who had understood the sermon. According to legend, that smile (that is to say, realization) was handed down by twenty-eight successive masters and much later became the origin of Zen.

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