Quotes of All Topics . Occasions . Authors
High flops like K-Q-9, K-J-10 or Q-J-8 are dangerous to pocket aces. That's because these flops will more likely to connect with the range of hands that your opponents will typically play, like 10-J, K-Q, 10-10, or 9-10.
Hits, flops, and everything in between - I got to do a lot of different things as an actor, had a lot of good learning experiences. So I think I've done reasonably okay for myself, and God has given me more than what I've asked for.
If you have back-to-back flops and you're not a star's son, it depends on your destiny or contacts. People say 'No, I'm not going to take this director/actor, he's given four flops,' they forget the day when the same person was a hit.
My professional acting life, stage and screen, has brought me public support, emotional fulfillment and material comfort. It has brought me together with fine people, good companions with whom I've shared the inevitable lot of all actors: flops and hits.
Perhaps summer's ephemeral nature is what inspires us to embrace the beach read. We tell ourselves that these twisted plots and wild characters are literary ice cream sundaes - extravagant treats that aren't as calorie-laden when we're wearing flip flops.
The danger of paired flops is directly related to how high the pair is: there's less risk in a flop like 2-2-7 than Q-Q-8. Why? Because most players will fold a hand that contains a deuce but will play hands that contain a queen like A-Q, K-Q, Q-J, or Q-10.
There was a story that I was in a shoe shop and that I threw a pair of flip flops at the wall, shouting, 'I can't believe how overpriced these are!' I thought, 'Gosh, if I'm gonna take a big stand on something I would hope it would be for more than flip flops!'
Nobody just flops a complete 'Doc Martin' script on the desk. They all have to be taken apart and all the apologizing taken out. Because it's hard to have a protagonist that doesn't really like anyone and nobody really likes him; it's a hard premise to start from.
Of course, I'm not often the top dog, but sometimes it's better not to be top dog, because you last longer. If a movie or play flops, you always blame the lead. They say, 'He couldn't carry it.' They always blame him. But they rarely blame the second or third banana.
I'm one of those lucky guys making a living out of something I really enjoy doing. That's a blessing. But you never know. What if my subsequent book series flops? I don't come from a wealthy background, so I'd be left with no choice. I'd have to go back into banking!
I had no style when I was 17! I look at teenagers now and say, 'I wish I'd looked like them when I was that age.' I had no style whatsoever, but style also wasn't as prominent as it is today. I was just very laid back, usually wearing jeans and tank tops and flip flops.
When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
Of course, there are days when you remember that what if I had continued irrespective of hits or flops, maybe I would have been in different place. I agree and accept that, but there is no need to regret because the 8-9 years I was away from cinema has also given me depth and changed me as a person.
I went through a low phase for two years when I had a string of flops. At that time, I even felt that I was in the wrong profession and that I should leave acting. But thankfully, I utilised that time to introspect and went on a self-exploration trip. I did theatre in between, and it helped grow the fire within me.
I have seen this whole process of films releasing, becoming hits or flops, for too long now to expect things to do well. If I expect a film to do well, then it is for somebody else's sake, not for my own. I do my work, and if you feel that my work is improving from film to film, then I have done my part of the job.
'Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
We aren't upset when Paramount makes a $200 million movie that flops, but if a charity experiments with a $5 million fundraising event that fails, we call in the attorneys. So charities are petrified of trying bold new revenue-generating endeavors and can't develop the powerful learning curves the for-profit sector can.
If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
I love politics. It could be that, or it could be that my dad was always really big on, 'This is your job. You are going to work...' You know, it's really funny cause he was such a cowboy, and he doesn't like the concept of guys coming in like cowboys - unshaved and wearing flip flops - and stuff like that would eat him alive.
