Quotes of All Topics . Occasions . Authors
There is one final point I would like to make this week. As I said on the floor of the House during deliberation of this latest supplemental, hope is something Americans should never lose. Let each of us, both by our words and actions, continue to provide that hope.
I used to sleep on the floor next to the bed, because I believed that I didn't even deserve a bed to sleep in. And then, one morning, a cockroach crawled onto my leg. I looked at it, and suddenly I awoke from a kind of hypnotic trance in which I had been all my life.
When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.
It's very important, especially in the basketball culture. We like our fashion. Coming into the NBA, you definitely have to step it up because you're competing on and off the floor. Not only on the court, basketball-wise, but a lot of us take pride in our style, too.
I stopped and gazed on the little dull man who was being paid to be a teacher of teachers. I turned and walked to the door, slammed it closed with a bang, and broken glass crashed to the floor. There was uproar behind me in the class, which did not interest me at all.
Every season, I've adjusted. My first couple of years it was still banging in the post and doing all the nitty gritty stuff. Over the years, it's changed to bigs being able to shoot and run the floor and be more agile, which is good for me because I'm a very agile guy.
I have suffered from migraines since childhood and have long been curious about my own aching head, my dizziness, my divine lifting feelings, my sparklers and black holes, and my single visual hallucination of a little pink man and a pink ox on the floor of my bedroom.
My goal is to get leadership to bring more conservative policies to the floor; it's not the other way around to get conservatives to vote for something they don't like. It's to get a more conservative product, and we've actually delivered on a number of occasions there.
I was very young, but I just remember going to school every day in England, which I didn't enjoy. Every day, as soon as the bell would ring, we would go out and be on this little - it looked like a basketball court, but it was a soccer court with goals and a hard floor.
From a building right in front of my windows, I can observe the speed of the sunrises and sunsets. The voices of children playing, laughing, yelling, and crying on the playground crawl up to the eighth floor, where I write. Their voices sound so innocent from a distance.
I invite a variety people on my show with wide-ranging opinions - sometimes even my jaw hits the floor, too - but I let them speak. Whether it's left, right, or center, I want to expose my viewers to other perspectives. Agree with them or not, the nation needs to listen.
I was useless in the classroom; I would spend my time looking out of the window after the first 10 minutes. But when you do an apprenticeship, you don't have to wait for the teacher to tell you when it's time to start, because you are on the shop floor learning for real.
Once I was walking with teammate Joy Fawcett in a hotel in Haiti. We were barefoot, and the lights went out to save electricity. Joy felt something crunch beneath her feet, and she felt the need to shine her flashlight on the floor. It was, I swear, a five-foot cockroach.
I was born in 1935, so I was quite young when the war started. I remember we were in Bath, and it was 1942. We went down into the cellar of our house, and when we came up, I remember seeing all the glass on the floor where all the windows had been shaken out by the bombs.
I have a couple of things I do to clear my head when I need it. The first is exercise, the kind of exercise that makes me lie on the floor afterward gasping for breath and wonder if I'm actually going to be able to breathe enough to not die. The other one is playing music.
It's like, 'Oh, great, drag queens can excel!' - but then the ceiling is so low. You're only allowed on the first floor; you're not allowed to go play with the big boys upstairs. Even RuPaul, who's a massive success, has been limited to where her music career can take her.
As a player you do kind of see you might need to get something going. Maybe it's diving on the ball, diving on the floor for a loose ball. Or maybe it's something that'll just energize the team, a lob dunk or a great pass or a great defensive play or an open shot, anything.
On 'Oz' one day, I got a chunk of a camera embedded in my head, and I was passed out on the floor geysering blood while the set medic stood over me, freaking out. No help whatsoever. I ended up going to the ER and getting nine stitches in my head - real Frankenstein stitches.
There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.
If you get rid of emotion for a minute and think about the threat of terrorism statistically, it's not even there. The probability that you will slip on a wet floor in your bathroom and die is a thousand times higher than the probability of you dying as a result of terrorism.
He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.
I lived in Bandra East, on the 12th floor. There was a small earthquake; I could feel the building shaking. I was halfway down the stairs when I realised I'd forgotten my laptop, and all my scripts were on it. If I lost the laptop, I'd lose all my work. I ran back up to get it!
On a sea floor that looks like a sandy mud bottom, that at first glance might appear to be sand and mud, when you look closely and sit there as I do for a while and just wait, all sorts of creatures show themselves, with little heads popping out of the sand. It is a metropolis.
By the end of 1982, the game changed. Muller published her second Sharon McCone novel, Sue Grafton introduced Kinsey Millhone in 'A Is for Alibi', and the floor was now open - whether some liked it or not - for more women to claim the tropes of private eye fiction for their own.
I think the most important thing about coaching is that you have to have a sense of confidence about what you're doing. You have to be a salesman, and you have to get your players, particularly your leaders, to believe in what you're trying to accomplish on the basketball floor.
One day guns were pulled on us by older guys. My friend had gone to sell his moped and they took the moped, my friend's phone and some money. But all he got from my pocket was a tub of Vaseline. I remember him saying, 'Oh, he's a sweet boy' and throwing my Vaseline on the floor.
As a young girl, I watched my mother hand-stitch thobes while sitting on the floor with a lamp at her side. She would make the small designs of flowers and different shapes. Just thinking about it brings up so many memories of my mother and how proud she was of being Palestinian.
I loved 'Rock Lobster.' I probably heard 'Rock Lobster' first at a party or dance. Then we would do the Rock Lobster - get down on the floor and do the whole dance. I thought that was really cool and exciting, that there was actually a band that had their own dance at that point.
I'm moderating one of the presidential primary debates right after I've had a baby. I'm sitting in a dirty closet on the floor behind the auditorium where this debate is taking place between Obama, Hillary Clinton, and I'm pumping breast milk... twenty minutes before I'm going on.
I'd see an old person on the street and start crying. I couldn't understand how people could cope, knowing they only had so long left. It would be like dominoes and then the last one fell and I'm a little heap on the floor. Doctors put me on anti-depressants for a couple of years.
I must have been six or seven years old at the time. My family lived on the bottom floor of a two-story house on Cruger Avenue in the Bronx, and every night at 9:30, I sat by my little radio in our kitchen and listened to a half hour of Bing's records regularly spilling out over WNEW.
If you are a nurturing mother, and a good one, you can go to play groups, sit on the floor and play all the games, and have tea with the other mothers, but wouldn't you like to think that's not all there is? That you haven't hung up your high heels without knowing how to walk in them?
For a while, gently bumping into my nightstand meant a pile of 50 books clattering onto my head and the floor. After the 10th time this happened, I moved most of the books to a shelf in the spare room. Now, my nightstand is sort of like a bookish country club. And not all books get in.
We were very rich culturally. One Sunday each month, we would do this thing called Chamber Pots at somebody's house. A classical music group would come over and we'd have dinner. There were thirty people - parents and kids - and we'd sit on the floor and listen to this beautiful music.
I saw my father deal with every headache the government threw his way - whether it had to do with the signs on the front of the building or the prices on the showroom floor. He knew he could do better, if government would just get out of the way - and stay out of the way. He was right.
The game has gotten a lot faster. I was anticipating changes as far back as when I first came into the league, when the spacing was changing, and big guys were playing in different spaces on the floor. But when that change actually happens, and it happens so quickly, it's just amazing.
We all have heard it claimed that 13 is an 'unlucky number.' Indeed, there are many hotels in America that for this very reason claim not to have a 13th floor, in the sense that there is no button bearing the label '13' in their elevators (I recently stayed in one in New York, in fact).
I have high heels in my bags if I need them for a shoot. But I like sneakers. I like being comfortable. I like to sit on the floor with my team and work. I don't like to sit in fancy chairs. It's really important to the culture of my company that people understand who they're working for.
The goals is to create a really high 'floor' for this organization, where the 'off' years are years where you might win in the high-80s and sneak a division or a wild card or win 90 games and get in and find a way to win in October. And the great years, you win 103 and win the whole thing.
I thought I was a pretty good physical specimen. But there was a teenager from Brooklyn, who basically wiped the floor with me on the street. He gave me a punch that I didn't even feel. All I knew I was looking up at the sky. I tried to fight him, and I got a number of injuries after that.
At the end of each year, I sit on the floor and go page by page through the old calendar, inking annual events into the new one, all the while watching my year in 'dinner withs' skate by. When I'm done, I save the old calendar in the box of the new one and put it with the others on a shelf.
As a kid, I remember wondering why we lived in an apartment, not in a brownstone, and why we drove an LTD, not a Cadillac. Even now, I'm like that. If I'm on the 5th floor, I will wonder why I'm not on the 6th floor. But that was my drive. I was obsessed with my family having a better life.
A lot of people celebrate their past, but I don't look at it all. I don't Google myself; I focus on the future. This is a volatile profession, and the moment you start thinking you've got something, that's when the floor beneath you falls through, so I hope to make more movies and TV shows.
There was a week where I was depressed with the rain, and people were telling me to get a light box. But I live on the 14th floor of an apartment complex, and I see the Broadway Bridge and Mount Hood, and it keeps me such company. And like true Oregonians, I don't carry an umbrella anymore.
About the time you think you are getting to know the moves in this game, someone comes along and does everything but undress you on the basketball floor. Standing there under the basket with your hands cupped - and finding that you don't have the ball in them - is a great little old leveler.
Obviously, everyone goes in the gym and does the biceps bells and the bench press, but when you're injured, you work on your core, your pelvic floor, your groins, on glutes, and muscles you wouldn't really know about. It does make you a stronger player all round in terms of injury prevention.
When you see the floor and you understand the game and you're trying to break it down with what you have in front of you, you can do it offensively and defensively. And you try to take advantage of it both ways. You see where the offense's head is and you can kind of read what you want to do.
I think that 'Floor Sample' is a story of resiliency, a lifelong spiritual search, and a lifelong sense of spiritual companionship that is most often expressed as creativity. My desire in writing the book was to step from behind the icon of 'Julia the teacher' and introduce 'Julia the artist.'
I used to watch my mom put her makeup on for the stage, and it was one of the most special moments. I would sit quietly on the dressing room floor and watch her put her face on. I think she looks most beautiful in the morning when she wakes up with no makeup on... it's my favorite look on women.
I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles - normal people notice that kind of stuff, but a certain kind of person will do some calculations.