Quotes of All Topics . Occasions . Authors
My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
My father, Dennis Popham, was a very handsome, talented artist, and as my mother always reminds me, 'someone who had wonderful style.' He was half Samoan-German, half New Zealander, and their first date was to a Fleetwood Mac concert, which I love the thought of.
There is nothing like this extended family that is Fleetwood Mac. And I think you have to say, for all the perceived and real dysfunction that there has been, underneath that, there is and always has been a great deal of love. And that keeps pulling us back together.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
All of us... anyone that's been in Fleetwood Mac, as far as I've been aware, has been seemingly pretty well brought up by their parents: not goody two-shoes - God knows we weren't - but there was a level of civility that the lads in the band were aware of, what is over the brink of decency.
When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.