Quotes of All Topics . Occasions . Authors
I love Journey and Fleetwood Mac.
Fleetwood Mac are more like a folk-rock band.
I'm a big fan of Peter Green's Fleetwood Mac.
Dancing freely to Fleetwood Mac always makes me happy.
Fleetwood Mac is just one of my all-time favorite bands.
I did spend a year in high school being obsessed with Fleetwood Mac.
With Fleetwood Mac, it's an amazing chemistry that we have on stage.
I left Fleetwood Mac to make myself happy, and fortunately, it worked.
Fleetwood Mac always take a long time to make a record - you know what.
Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.
I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.
You could say that Fleetwood Mac is a bit of a dysfunctional family, but we are a family.
We have always been like The Eagles and Fleetwood Mac in that we have numerous lead singers.
I've grown up with my parents' music tastes, listening to Fleetwood Mac and the Rolling Stones.
When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.
My mother raised me right - everything from Fleetwood Mac and the Doors to Pink Floyd and so on and so forth.
I love wearing a lot of color, and I am majorly into scarves. I'm the Beau Brummell of Fleetwood Mac, no doubt.
I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.
I feel like fifteen years with Fleetwood Mac was like working on my thesis, doing research for some kind of paper.
Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.
One of the things about Fleetwood Mac is, when we're not together, we don't talk a lot or keep in touch. We keep a healthy distance.
I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
One of the things about Fleetwood Mac, you gotta say, is that it's not very often that you get everyone to want the same thing at the same time.
Fleetwood Mac was one big lesson in adaptation for me. There were five very different personalities, and I suppose that made it great for a while.
When we toured... I was hungry to take out people like Jeff Beck in front of us; Fleetwood Mac, just before they hit; Heart, just before they hit.
My father loved music. He loved Motown and R&B, and my mother loved Journey and Fleetwood Mac, so they were always listening to it and playing it.
One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.
My father and mother listened to oldies, from be-bop and swing music to - I hate to admit it, but - Barry Manilow, Fleetwood Mac and the Moody Blues.
I was always inundated with music, whether it be my mother's favorites like Fleetwood Mac and Carole King and the Carpenters, or my dad's jazz music.
I was born in 1974, so I grew up listening to what was on the radio - my mom's car sounded like Fleetwood Mac, because that was what was on the radio.
Obviously, this is a huge change with the advent of Lindsey Buckingham not being a part of Fleetwood Mac. We all wish him well and all the rest of it.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.
You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.
I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.
The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.
When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.
The 12 years I was in Fleetwood Mac before were not particularly happy years. I was not in a very good place, psychologically, when I left. I didn't have a lot of confidence in what I was doing.
I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.
I take inspiration from so many places. I think, more than anything, it would have to be the music made by others that I've then fallen in love with, whether it's Madonna, Blood Orange, Fleetwood Mac, or Pink Floyd!
When you're rich and famous you are the dominant force in a relationship, even if you try hard not to be. I've talked of sacrificing everything for Fleetwood Mac, but I realize now that it is simply the only thing I've ever wanted to do.
There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
My father, Dennis Popham, was a very handsome, talented artist, and as my mother always reminds me, 'someone who had wonderful style.' He was half Samoan-German, half New Zealander, and their first date was to a Fleetwood Mac concert, which I love the thought of.
There is nothing like this extended family that is Fleetwood Mac. And I think you have to say, for all the perceived and real dysfunction that there has been, underneath that, there is and always has been a great deal of love. And that keeps pulling us back together.