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In the history of the world, all five mass extinctions have been accompanied by massive climate change, so we are facing an incredibly serious threat. In fact, we are technically in the sixth mass extinction right now, and it is the first mass extinction being attributed to humans.
That's been the secret to 'Gas Monkey': Move fast. I opened the first restaurant within a year and a half. Most people wait five years. I always move quickly, and in today's market, no matter what you're in, you can recover from a mistake faster than you can recover from not doing.
I remember so clearly from when I was five years old, my mom and dad arguing over - not over whether it was better, but whether it was proper or whether it was correct to eat with a fork or to eat with your hands, like we do in Sri Lanka. Proper. Like, what is the correct way to eat?
The five stages - denial, anger, bargaining, depression, and acceptance - are a part of the framework that makes up our learning to live with the one we lost. They are tools to help us frame and identify what we may be feeling. But they are not stops on some linear timeline in grief.
I just went to your typical public schools, and my dad would take us to the movies every week, or he'd buy scalped tickets to San Antonio Spurs games. I remember I was four or five years old and my parents, who were very young, took us to see The Police in Austin, and Iggy Pop opened.
I had gross morning sickness til about 15 weeks and then gestational diabetes, and most annoyingly, from about week 20, I had pelvis issues, which saw me on crutches for the last five weeks of the pregnancy and has since developed into full-blown Osteitis Pubis and pelvic instability.
Up to the age of five, I wanted to be a builder. My neighbour, a builder called Paddy White, would come in for a cup of tea with my mother. I'd assemble all the pillows together at interesting angles, thinking he would spot my talent at a raw young age and take me on as an apprentice.
I felt (a) it was a great role and (b) I wanted to stay in town. I wanted to stop going to these four month and five month gigs up in Toronto or Montreal or Vancouver or down in Mexico. I wanted to be around my son, Max. This came along and I was like, 'I really want to play this guy!'
How can you compare my life to any other MEP? I mean, come on, it's crackers, isn't it? Look, other MEPs do five days a week in Brussels and pop home for weekends. I'm working seven bloody days a week, all the hours God sends. If you include the socialising, it's over 100 hours a week.
Five years before my accident in 2003, you saw Kobe and Shaq pull up to games on bikes. Michael Jordan owned a racing team. So it wasn't that weird that I was on a motorcycle, even though it was against team rules. You've got to live your life, you know? But yeah, I made a dumb choice.
The only way to learn a language properly, in fact, is to marry a man of that nationality. You get what they call in Europe a 'sleeping dictionary.' Of course, I have only been married five times, and I speak seven languages. I'm still trying to remember where I picked up the other two.
My downtime tends to resemble my uptime. Weekends are workdays, but toned down. Over the whole weekend, I may have five meetings, as opposed to six on a weekday. I used to play piano for 30 minutes at night, but I had to pull that out of my schedule. I don't have time for nonwork stuff.
If I didn't get a job, between 16 and 18, that wasn't significant, I was just going to go to college. I didn't want to be a struggling actor at 36 with five kids, doing something I hated. You see the story so much. It's such a vicious business to be in when you're not meant to be in it.
I always believe a woman should have 5 non-negotiables that she should stick to when attracting a mate. If the guy does not have these five major things - then she should not give the guy a chance as she's wasting her time. The rest is up to the magic and wiggle room the universe gives.
I get really frustrated - actually, it almost makes me angry - when I see, sometimes, magazines will publish a musician's playlist. They'll go and they'll ask, I don't know, somebody from Aerosmith or whoever, Coldplay, to list their five favourite albums. And it's always the same stuff!
I got an album concept called 'Exit Strategy,' that might be one of my last ones. It's a term they use in business when you build companies. You create an exit strategy as you make a company. You don't wait till you're five years in it; you create a exit strategy as you make the company.
In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is.
I was like, 'Hey, I love highflying. I love lucha libre. Can I just put on a mask and pass myself off as a luchador?' Everyone was like, 'You're going to do what you want to do,' so that's what I did for the first four or five years. I just put on a mask and pretended to be this luchador.
I had been obsessed with insects and creepy-crawlies: I used to get up at five o'clock in the morning and go out into this field behind our garden and collect insects before everyone else got up, and suddenly, all I wanted to know about was music. It just seemed a very, very strange thing.
Five years after the Chernobyl disaster, in the summer of 1991, the last summer the Soviet Union was still in existence, I visited Ukraine. I trekked out to the 20-mile exclusion zone - it had been cleared of all people after the accident - together with some local environmental activists.
Work and play go hand in hand. A lot of people want to work, work, and work until 40, and then relax. Who says you'll get to 40? Or 50? Who knows what'll happen in the next five minutes? The only reality is the present. And if you can't learn to live in the moment, you'll never be content.
Arguably, the first five years of 'Saturday Night Live' were some of the most radical things ever seen on television. When NBC said, 'Okay, you can do a show from 11:30 to 1 on Saturday night,' they didn't think anyone would watch. It was like giving a piece of the candy store to the kids.
When I was on TV in the '80s, I wasn't thinking, 'There's a 10-year-old kid watching this and in 15 years, he's gonna be doing stuff that was influenced by me.' I was trying to get my five minutes together. So now that those people are comedians and they're influenced by me - it's bizarre.
I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years.
If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?
I cannot live a life where I'm deprived. I'd much rather be five, 10 pounds heavier. With my luck, I'll get myself to that perfect goal weight, and I'll get hit by a bus. Then I'll be like... looking at myself from some afterlife going, 'You idiot. You could have had that agnolotti, dummy.'
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception.
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
I was seized on the 8th of June, 1824, in consequence of the war with Bengal and, in company with Dr. Price, three Englishmen, one American, and one Greek, was thrown into the death prison at Ava, where we lay eleven months - nine months in three pairs and two months in five pairs of fetters.
When I was in meditation, God began to speak to me, and God said, 'Roland, I have enough preachers. I need people where you are in your positions. When you are on radio, when you are on television, you speak into more people in the five minutes than some preachers speak to in an entire year.'
My father died when I was seven, leaving a widow and five sons, ranging in age from five to seventeen. My mother was the most highly-disciplined and hardest working person I have ever known, and this, combined with her love and gentleness, enabled her to make a success of each of her children.
I write for a radio show that, no matter what, will go on the air Saturday at five o'clock central time. You learn to write toward that deadline, to let the adrenaline pick you up on Friday morning and carry you through, to cook up a monologue about Lake Wobegon and get to the theater on time.
I've been invited to the White House about five times. I think the greatest thing would be if they actually invited everybody to the White House every night... they'd just take about 500 people a night. Everybody would just love this country because it's so thrilling to go there. It really is.
I always wanted to be a scientist, I always thought I'd be a scientist, that was the narrative I was carrying around. I worked in a neuroscience lab as an undergraduate and then after, almost five years in total, but I realized I just wasn't good at science. I didn't have the discipline for it.
In running, I know that I can train as much as I want and I'm never going to break the world record for the five miles. It's partly genetics; I'm just not built for it. But if I worked really hard, I might be able to cut my time by half. Could I do the same thing with my mind and my well-being?
Now, when an American has an idea, he directly seeks a second American to share it. If there be three, they elect a president and two secretaries. Given four, they name a keeper of records, and the office is ready for work; five, they convene a general meeting, and the club is fully constituted.
One of the most memorable and frightening things when I was four or five was Kate Bush doing 'Wuthering Heights.' She did it outside, in a forest, and she did this thing where she looked straight into the camera, and it's the most frightening thing for a kid to see, but it just stuck in my head.
Basically, when I went to school in Sri Lanka from age five onward, the classes there were sometimes sorted into a hierarchy of your skin tone. So the fairer-skinned kids sat at the front row, and the darker-skinned kids sat at the back by the poor ones who played out in the street all day long.
My history has been to grow the roots as deeply as you can before going on to the next thing. That's why it took 10 years to go from Union Square Cafe to Gramercy Tavern, and another 10 years to go from Blue Smoke's first location to its second, and five to go from Shake Shack 1 to Shake Shack 2.
The Go Red for Women campaign raises awareness of the risk of heart disease. I think a lot of people don't realize that heart disease is the number one killer of women. So what we're doing is encouraging women to tell five other women to learn more about heart disease and how they can prevent it.
One of the main lessons I have learned the last five years as Secretary-General is that the United Nations cannot function properly without the support of the business community and civil society. We need to have tripartite support - the governments, the business communities and the civil society.
One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.
The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
There was years when my father didn't even make a hundred grand - or barely made a hundred grand - and sure, we had a maid, but she only came twice a week. What do you think happened the other five days? You think those dishes washed themselves? You think those clothes got themselves in the hamper?
I think DVD has been a real gold mine for a lot of reasons. You were selling a packaged good in a big mass market, so you could make it huge. You were selling or renting a thing that people didn't consume. You go to Blockbuster, rent five movies, and only watch two. That's a good business to be in.
I did go to an MFA program, at Bowling Green State University in Ohio. For me, it worked perfectly. It was a small program. They only take five fiction writers a year, and they fund all of us - you don't go into debt to get an MFA. It's not like getting an MBA - you're not going to buy yourself out.
When Jim Irsay called me five years ago, he told me, 'I want you to be our coach and help us win the Super Bowl.' He told me, 'We are going win it the right way. We are going to win it with great guys; win it with class and dignity. We are going to win it in a way that will make Indianapolis proud.'
From the ages of five to twelve, I attended the Saint Laurence O'Toole elementary school in Lawrence, a city next to Methuen, and was taught by sisters of the Catholic order of Notre Dame de Namour. I enjoyed all my subjects there. I do not remember ever learning any science, except for mathematics.
There is a slam-dunk case for extending foreign language teaching to children aged five. Just as some people have taken a perverse pride in not understanding mathematics, so we have taken a perverse pride in the fact that we do not speak foreign languages, and we just need to speak louder in English.
I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.